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Restorient │ Japanese Scroll & Screen Restoration │ Home

Restoration, and Japanese screen (. Restoration are core activities for restor. We offer a comprehensive, professional service dedicated to the conservation of Japanese Paintings and woodblock prints, conserving and re-mounting a wide variety of different formats. Using traditional Japanese restoration materials, tools and techniques we are committed to delivering the highest possible standards of conservation and mounting.

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Thompsonandrew

135 R●●●●● Road

Lo●●on , London, SW19 1LN

uk

020.●●●●9071

an●●●●@tadcaster.net

View this contact

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135 R●●●●● Road

Lo●●on , London, SW19 1LN

uk

020.●●●●9071

an●●●●@tadcaster.net

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Restorient │ Japanese Scroll & Screen Restoration │ Home | restorient.com Reviews

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Restoration, and Japanese screen (. Restoration are core activities for restor. We offer a comprehensive, professional service dedicated to the conservation of Japanese Paintings and woodblock prints, conserving and re-mounting a wide variety of different formats. Using traditional Japanese restoration materials, tools and techniques we are committed to delivering the highest possible standards of conservation and mounting.

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Restorient │ Japanese Scroll & Screen Restoration │ Home | restorient.com Reviews

https://restorient.com

Restoration, and Japanese screen (. Restoration are core activities for restor. We offer a comprehensive, professional service dedicated to the conservation of Japanese Paintings and woodblock prints, conserving and re-mounting a wide variety of different formats. Using traditional Japanese restoration materials, tools and techniques we are committed to delivering the highest possible standards of conservation and mounting.

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restorient.com

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Info| Restoration Studio for Japanese Paintings│ Restorient

http://www.restorient.com/info.php

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Services│Japanese Scroll & Screen Conservation│Restorient

http://www.restorient.com/services.php

The conservation of Japanese woodblock prints, books and albums. Conservation for individual clients and museums. The remounting and restoration of Japanese folding screens (byobu). The conservation/remounting of Japanese hand scrolls (makemono). The conservation/remounting of Japanese hanging scrolls (kakemono). Estimates are offered free of charge.

3

Gallery│Restoration of Japanese paintings│Restorient

http://www.restorient.com/gallery.php

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Studio│Restoration of Japanese Scrolls, Screens & Prints│Restorient

http://www.restorient.com/studio.php

Tudio is modelled on the studios in Japan and much of the work is carried out at low level benches on a Japanese. Mat floor. The studio is equipped with a wide range of tools and materials sourced throughout Asia. Especially important are the Japanese drying boards (. Paper covered lattices coated with a fermented persimmon juice and the stocks of the ten year old aged paste (. Places on traditional techniques.

5

Profiles│Conservation of Japanese Screens│Restorient

http://www.restorient.com/profiles.php

Andrew Thompson has over thirty years experience in conservation. He has published and lectured internationally and is an accredited member of ICON - the Institute of Conservation. In order to expand on this type of outreach he founded. In 2005, combining a passion for oriental paintings with that of providing a conservation service for museums and collectors in the West. And Japapnese folding screens (byobu). Since 2005 she has worked in the. Studio, in Leiden. Sydney is an accredited member of ICON - t...

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restorient.blogspot.com

Conserving the Chester Beatty hand scrolls│Restorient: July 2014

http://restorient.blogspot.com/2014_07_01_archive.html

The Chester Beatty Library. Thursday, 24 July 2014. The magnificent Fujii-san uchibake. Of all our tools it is perhaps the Japanese tapping brush (uchibake). Which takes pride of place in the studio. The. We use are very special and are handmade by Genjiro Fujii in Kyoto where his family have been making brushes for almost 200 years. Are used on hand scrolls when we are applying intermediate misu -gami. Paper linings with the 10 year old aged paste (furunori). Using the tapping brush to attach misu-gami.

restorient.blogspot.com

Conserving the Chester Beatty hand scrolls│Restorient: January 2015

http://restorient.blogspot.com/2015_01_01_archive.html

The Chester Beatty Library. Wednesday, 7 January 2015. There were many different ways that Japanese paper was treated or worked to adapt it for a variety of purposes. One of these was the way of crushing mulberry papers to give what is now know as "crepe"paper. This was very popular for both woodblock prints and childrens books. In an earlier post we mentioned the books- chirimenbon. The technique for crushing the paper seems to have involved a machine like the one below. Smooth out the finished sheet.

restorient.blogspot.com

Conserving the Chester Beatty hand scrolls│Restorient: June 2015

http://restorient.blogspot.com/2015_06_01_archive.html

The Chester Beatty Library. Wednesday, 17 June 2015. Peace and tranquility have returned to Mount Oe and at last the young ladies of Kyoto can now sleep safely without fear of being kidnapped and eaten by Shuten Doji and his entourage. Scroll 1 before conservation. It's been a fascinating journey and without question featured more blood loss (not ours! Than any other project we've thus far encountered. Hunt followers are most welcome to visit the Chester Beatty Library, Dublin. See you in Dublin!

restorient.blogspot.com

Conserving the Chester Beatty hand scrolls│Restorient: June 2014

http://restorient.blogspot.com/2014_06_01_archive.html

The Chester Beatty Library. Tuesday, 10 June 2014. In the early scenes from the first scroll our intrepid Samurai are shown with their Japanese bows and arrows. These were integral to the arsenal of weapons available to Samurai and a thorough understanding of kyujutsu. Bow technique) was considered essential. Is made of a laminate of woods and is. With the top being much longer than the bottom. This design assisted archers on horseback as they could more easily fire from either side of the horse.

restorient.blogspot.com

Conserving the Chester Beatty hand scrolls│Restorient: April 2014

http://restorient.blogspot.com/2014_04_01_archive.html

The Chester Beatty Library. Friday, 25 April 2014. An important piece of studio equipment are the Japanese drying boards - karibari. These are constructed using a Japanese white cedar lattice covered with many layers of strong mulberry fibred paper. This is then coated with a fermented persimmon juice called kaki-shibu. To condition for many weeks. Posted by The Restorient Studio. Subscribe to: Posts (Atom). There was an error in this gadget.

restorient.blogspot.com

Conserving the Chester Beatty hand scrolls│Restorient: Excellent interest !

http://restorient.blogspot.com/2015/02/excellent-interest.html

The Chester Beatty Library. Tuesday, 24 February 2015. Ambassador Neary joining the hunt. As the hunt for the Ogres of Oeyama is coming to its conclusion we were very pleased to be able to share the project with his Excellency Ambassador Neary from the Irish Embassy in The Hague. He was previously based in the Irish Embassy in Tokyo. Keen to see the conserved handscrolls and maintain his interest in Japanese culture. Posted by The Restorient Studio. Subscribe to: Post Comments (Atom).

restorient.blogspot.com

Conserving the Chester Beatty hand scrolls│Restorient: September 2014

http://restorient.blogspot.com/2014_09_01_archive.html

The Chester Beatty Library. Thursday, 4 September 2014. Mon Gate in Kyoto was the most imposing of the two main city gates and stood at the southern end of the monumental Suzaku avenue which led to the Imperial Palace. It was built in 789 and was an impressive 32 meters wide by 7.9 meters high. By the 12th century however the gate had fallen into disrepair as the southern districts of Kyoto suffered from regular flooding that made the land in the area unusable. The film set from. Ironically the name Rash.

restorient.blogspot.com

Conserving the Chester Beatty hand scrolls│Restorient: February 2015

http://restorient.blogspot.com/2015_02_01_archive.html

The Chester Beatty Library. Tuesday, 24 February 2015. Ambassador Neary joining the hunt. As the hunt for the Ogres of Oeyama is coming to its conclusion we were very pleased to be able to share the project with his Excellency Ambassador Neary from the Irish Embassy in The Hague. He was previously based in the Irish Embassy in Tokyo. Keen to see the conserved handscrolls and maintain his interest in Japanese culture. Posted by The Restorient Studio. Subscribe to: Posts (Atom).

restorient.blogspot.com

Conserving the Chester Beatty hand scrolls│Restorient: November 2014

http://restorient.blogspot.com/2014_11_01_archive.html

The Chester Beatty Library. Monday, 24 November 2014. The arrows indicate the direction the fibres align. One feature of Japanese hand made paper is that of a distinct fibre direction. It is easy to appreciate (especially with a mould as large as the one pictured above) that the fibres align more naturally along a vertical axis from the bottom to the top during the formation of the sheet. The finished sheet is therefore stronger in the horizontal direction. Posted by The Restorient Studio.

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Conserving the Chester Beatty hand scrolls│Restorient

The Chester Beatty Library. Wednesday, 17 June 2015. Peace and tranquility have returned to Mount Oe and at last the young ladies of Kyoto can now sleep safely without fear of being kidnapped and eaten by Shuten Doji and his entourage. Scroll 1 before conservation. It's been a fascinating journey and without question featured more blood loss (not ours! Than any other project we've thus far encountered. Hunt followers are most welcome to visit the Chester Beatty Library, Dublin. See you in Dublin! The tec...

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Restorient │ Japanese Scroll & Screen Restoration │ Home

Restoration, and Japanese screen (. Restoration are core activities for restor. We offer a comprehensive, professional service dedicated to the conservation of Japanese Paintings and woodblock prints, conserving and re-mounting a wide variety of different formats. Using traditional Japanese restoration materials, tools and techniques we are committed to delivering the highest possible standards of conservation and mounting.

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