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Saturday, May 18, 2013. Between each project I would come back to Britain to sit down with playwright Julia Pascal and unpack the dense months of material collected. Julia had the difficult task of synthesizing my fractured year into a new play; a play that I was beginning to fear would be as grinding and nonsensical as the painful memories that were quickly becoming a discordant stream of world-weary Arabic, Hebrew, Urdu and Kashmiri voices. Julia Pascal was as moved by the boy’s fairy tale as I h...

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Return | returnproject.blogspot.com Reviews

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Saturday, May 18, 2013. Between each project I would come back to Britain to sit down with playwright Julia Pascal and unpack the dense months of material collected. Julia had the difficult task of synthesizing my fractured year into a new play; a play that I was beginning to fear would be as grinding and nonsensical as the painful memories that were quickly becoming a discordant stream of world-weary Arabic, Hebrew, Urdu and Kashmiri voices. Julia Pascal was as moved by the boy’s fairy tale as I h...

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Saturday, May 18, 2013. Between each project I would come back to Britain to sit down with playwright Julia Pascal and unpack the dense months of material collected. Julia had the difficult task of synthesizing my fractured year into a new play; a play that I was beginning to fear would be as grinding and nonsensical as the painful memories that were quickly becoming a discordant stream of world-weary Arabic, Hebrew, Urdu and Kashmiri voices. Julia Pascal was as moved by the boy’s fairy tale as I h...

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returnproject.blogspot.com

1

Return: January 2012

http://returnproject.blogspot.com/2012_01_01_archive.html

Tuesday, January 24, 2012. I honestly thought I’d never say this, but I think I’m turning into a verbatim theatre junkie. In 2010 I read Anna Deavere Smith’s pioneering work of documentary theatre, Fires in the Mirror. And was so struck by this quote in her prologue that I wrote it down for safekeeping:. Tuesday, January 17, 2012. Sunday night filmmaker Yariv Mozer meets up with me at the Olive café, to give me a copy of his feature documentary, “My First War,”. Fiasco and tell him I know the feeling&#46...

2

Return: April 2012

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Tuesday, April 3, 2012. Yesterday, without exactly planning to, we ended up staging absurd and hilarious scenes based on the boys’ worst nightmares about returning to their families (10 of them are set to visit their families for the first time this week). He is very sociable! He knows how to cook! He is 14 years old! He can lift that chair over his head! Subscribe to: Posts (Atom). Elizabeth’s purchase of a rickety Suziki Vitura ha. Follow this blog to keep tabs on the work. View my complete profile.

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Return: October 2011

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Monday, October 31, 2011. There’s a collage of images gathering in my head. It has something to do with history, and with books. History books, lets start there: a month after purchasing it, I’m still only fifty-odd pages into A History of Modern Lebanon. Somehow this comment about the 70s paints a clearer picture of the years that followed than anything I’ve read in a history book so far. 8221; Mike asked, “Does anyone have a reader that doesn’t have the pages cut? Something Fateh said when we met at th...

4

Return: Nineveh

http://returnproject.blogspot.com/2013/05/0-0-1-130-747-theatre-temoin-6-1-876-14.html

Saturday, May 18, 2013. Between each project I would come back to Britain to sit down with playwright Julia Pascal and unpack the dense months of material collected. Julia had the difficult task of synthesizing my fractured year into a new play; a play that I was beginning to fear would be as grinding and nonsensical as the painful memories that were quickly becoming a discordant stream of world-weary Arabic, Hebrew, Urdu and Kashmiri voices. Julia Pascal was as moved by the boy’s fairy tale as I h...

5

Return: February 2012

http://returnproject.blogspot.com/2012_02_01_archive.html

Thursday, February 16, 2012. I’ve been negligent with this blog these past weeks; it’s not from a lack of thoughts and experiences…actually, it’s the opposite. Chen Alon of Combatants for Peace recently said this to me in a conversation about political theatre vs. personal narrative theatre: "Aesthetics are Ethics." It's taken a few weeks for the truth of this statement to really sink in. We did take it out! I think I'm going to have to come back to Israel. Subscribe to: Posts (Atom). With the generous s...

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Saturday, May 18, 2013. Between each project I would come back to Britain to sit down with playwright Julia Pascal and unpack the dense months of material collected. Julia had the difficult task of synthesizing my fractured year into a new play; a play that I was beginning to fear would be as grinding and nonsensical as the painful memories that were quickly becoming a discordant stream of world-weary Arabic, Hebrew, Urdu and Kashmiri voices. Julia Pascal was as moved by the boy’s fairy tale as I h...

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