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THEATRE AND MUSIC TALKS

THEATRE AND MUSIC TALKS. Tuesday, May 5, 2015. संगीत में संगत और वाद्यवृंद रचना-विधान : अभिषेक त्रिपाठी (Accompaniment and Orchestration in Music- Abhishek Tripathi). 8216;मुख्य गायक की गरज में वह अपनी गूंज मिलाता आया है. प्राचीन काल से गायक जब अंतरे की जटिल तानों के जंगल में खो चुका होता है. या अपने ही सरगम को लांघकरचला जाता है. भटकता हुआ एक अनहद में. तब संगतकार ही स्थायी को संभाले रहता है. जैसे उसे याद दिलाता हो उसका बचपन. जब वह नौसिखिया था।’2. वही पृष्ठ 04. Links to this post. Tuesday, April 14, 2015.

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THEATRE AND MUSIC TALKS | rewatheatre.blogspot.com Reviews
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THEATRE AND MUSIC TALKS. Tuesday, May 5, 2015. संगीत में संगत और वाद्यवृंद रचना-विधान : अभिषेक त्रिपाठी (Accompaniment and Orchestration in Music- Abhishek Tripathi). 8216;मुख्य गायक की गरज में वह अपनी गूंज मिलाता आया है. प्राचीन काल से गायक जब अंतरे की जटिल तानों के जंगल में खो चुका होता है. या अपने ही सरगम को लांघकरचला जाता है. भटकता हुआ एक अनहद में. तब संगतकार ही स्थायी को संभाले रहता है. जैसे उसे याद दिलाता हो उसका बचपन. जब वह नौसिखिया था।’2. वही पृष्ठ 04. Links to this post. Tuesday, April 14, 2015.
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THEATRE AND MUSIC TALKS | rewatheatre.blogspot.com Reviews

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THEATRE AND MUSIC TALKS. Tuesday, May 5, 2015. संगीत में संगत और वाद्यवृंद रचना-विधान : अभिषेक त्रिपाठी (Accompaniment and Orchestration in Music- Abhishek Tripathi). 8216;मुख्य गायक की गरज में वह अपनी गूंज मिलाता आया है. प्राचीन काल से गायक जब अंतरे की जटिल तानों के जंगल में खो चुका होता है. या अपने ही सरगम को लांघकरचला जाता है. भटकता हुआ एक अनहद में. तब संगतकार ही स्थायी को संभाले रहता है. जैसे उसे याद दिलाता हो उसका बचपन. जब वह नौसिखिया था।’2. वही पृष्ठ 04. Links to this post. Tuesday, April 14, 2015.

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THEATRE AND MUSIC TALKS: 2/1/15 - 3/1/15

http://rewatheatre.blogspot.com/2015_02_01_archive.html

THEATRE AND MUSIC TALKS. Friday, February 27, 2015. Situation is a seed of tune in film music: Kersi Lord. Veteran Bollywood Musician and Music Arranger. Edited Interview with blogger Music composer Abhishek Tripathi. September, 2014. The interview was based on Chords, Harmonies, Orchestration and arrangement, Tune making, Film Music production and all related aspects of bollywood.). My first question is what is a chord for a musician? For which music directors you worked. We were used 5 songs in sometim...

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THEATRE AND MUSIC TALKS: 11/1/10 - 12/1/10

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THEATRE AND MUSIC TALKS. Saturday, November 27, 2010. Phas Gaye Re Obama: Music Review: Generation Music with Fragrance of Soil. Phas Gaye Re Obama has truly a generation musical expressions with heavy and nice fragrance of Indian soil i.e., Indian folk. Must be Promoted. The song Sara Pyar hai Bekar. The lyrics is having many theatrical punches like- Main Gabbar ki Sister and jhadu de ke more bana dun.phone hi kalle- and whole Gana is Punchy and able to make a mark on lips.SO THIS SONG IS. के ल&#2...

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THEATRE AND MUSIC TALKS: 4/1/10 - 5/1/10

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THEATRE AND MUSIC TALKS. Saturday, April 3, 2010. Rarely recorded Bagheli Folk (Barua). Barua : Bagheli Folk. The Vindhya Region Of India (MP) Is Rich By Traditions. This area of Madhya Pradesh, Vindhya Region, has its own language called Bagheli (named on the name of Baghelkhand, which means the land of Baghel Kings). I got this video recording of a performance done by Padmashree sansthan somewhere in a function. More Ram Risaane Jaayen Manaye Nahin Maane. Till then enjoy the folk of Baghelkhand. स&#237...

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THEATRE AND MUSIC TALKS: 4/1/15 - 5/1/15

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THEATRE AND MUSIC TALKS. Tuesday, April 14, 2015. भारतेन्दु की रंगदृष्टि - डाॅ. सेवाराम त्रिपाठी (An Article by Dr. Sevaram Tripathi on Bhartendu Harishchandra). भारतेन्दु की रंगदृष्टि- डाॅ. सेवाराम त्रिपाठी. An Article by Dr. Sevaram Tripathi on Bhartendu Harishchandra- Bhartendu ki Rangdrishti). भरी बुलाऊँ देश उजाड़ू महंगा करकै अन्न. सबके ऊपर टिकश लगाऊँ धन है मुझको, धन्न. मुझको तुम सहज न जानो जी/मुझे इक राक्षस मानो जी।. Links to this post. Subscribe to: Posts (Atom). THEATRE AND MUSIC TALKS.

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THEATRE AND MUSIC TALKS: संगीत में संगत और वाद्यवृंद रचना-विधान : अभिषेक त्रिपाठी (Accompaniment and Orchestration in Music- Abhishek Tripathi)

http://rewatheatre.blogspot.com/2015/05/accompaniment-and-orchestration-in.html

THEATRE AND MUSIC TALKS. Tuesday, May 5, 2015. संगीत में संगत और वाद्यवृंद रचना-विधान : अभिषेक त्रिपाठी (Accompaniment and Orchestration in Music- Abhishek Tripathi). 8216;मुख्य गायक की गरज में वह अपनी गूंज मिलाता आया है. प्राचीन काल से गायक जब अंतरे की जटिल तानों के जंगल में खो चुका होता है. या अपने ही सरगम को लांघकरचला जाता है. भटकता हुआ एक अनहद में. तब संगतकार ही स्थायी को संभाले रहता है. जैसे उसे याद दिलाता हो उसका बचपन. जब वह नौसिखिया था।’2. वही पृष्ठ 04. Subscribe to: Post Comments (Atom).

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अर्ज़ है...: इंदौर की रंगपंचमी

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अर्ज़ है. रविवार, 15 मार्च 2009. इंदौर की रंगपंचमी. इस रंगपंचमी का आनंद वही जान सकता है जो इसमें शामिल हुआ हो।. चित्र हिंद रक्षक संगठन की फागयात्रा का). प्रस्तुतकर्ता. ओम द्विवेदी. प्रतिक्रियाएँ:. 6 टिप्‍पणियां:. ने कहा…. वाह, यह तो बढ़िया जानकारी दी आपने। रंग बिरंगी फोटो भी! घुघूती बासूती. 15 मार्च 2009 को 2:06 pm. दिनेशराय द्विवेदी Dineshrai Dwivedi. ने कहा…. विवरण का विस्तार नहीं है, कुछ और होता।. 15 मार्च 2009 को 6:27 pm. ने कहा…. 15 मार्च 2009 को 6:27 pm. ने कहा…. मा पलायनम! ने कहा…. सदस्यत&#23...

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THEATRE AND MUSIC TALKS

THEATRE AND MUSIC TALKS. Tuesday, May 5, 2015. संगीत में संगत और वाद्यवृंद रचना-विधान : अभिषेक त्रिपाठी (Accompaniment and Orchestration in Music- Abhishek Tripathi). 8216;मुख्य गायक की गरज में वह अपनी गूंज मिलाता आया है. प्राचीन काल से गायक जब अंतरे की जटिल तानों के जंगल में खो चुका होता है. या अपने ही सरगम को लांघकरचला जाता है. भटकता हुआ एक अनहद में. तब संगतकार ही स्थायी को संभाले रहता है. जैसे उसे याद दिलाता हो उसका बचपन. जब वह नौसिखिया था।’2. वही पृष्ठ 04. Links to this post. Tuesday, April 14, 2015.

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