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© 2012 Richard Emery Nickolson

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Richard Emery Nickolson - Home | richardemerynickolson.com Reviews
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© 2012 Richard Emery Nickolson
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KEYWORDS
1 richard emery nickolson
2 biography
3 artist statement
4 gallery affiliations
5 selected group exhibitions
6 collections
7 bibliography
8 drawings
9 watercolors
10 paintings
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richard emery nickolson,biography,artist statement,gallery affiliations,selected group exhibitions,collections,bibliography,drawings,watercolors,paintings,gallery installations,lectures
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Richard Emery Nickolson - Home | richardemerynickolson.com Reviews

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© 2012 Richard Emery Nickolson

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1

Gallery Installations - Richard Emery Nickolson

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Solo and Two Person Shows. 2012 Richard Emery Nickolson.

2

Paintings - Richard Emery Nickolson

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Solo and Two Person Shows. 2012 Richard Emery Nickolson.

3

Selected Group Exhibitions - Richard Emery Nickolson

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Solo and Two Person Shows. Ldquo;Re-Generation,” The Painting Center, New York, New York. Ldquo;Twist,” Southwest Minnesota State University Art Museum, Marshall, Minnesota. Ldquo;For the Record,” Mabel Studios and Gallery, Zionville, North Carolina. Ldquo;Herron Draws,” Marsh Special Projects Gallery, Herron School of Art and Design, Indianapolis, Indiana. Ldquo;Is, Was, Will Be,” the Mona Rothschild Foundation, Paris, France. Ldquo;Group Exhibition,” Swell Galleria, Pont-Aven, France. Ldquo;The Classic...

4

Watercolors - Richard Emery Nickolson

http://www.richardemerynickolson.com/watercolors.html

Solo and Two Person Shows. 2012 Richard Emery Nickolson.

5

Collections - Richard Emery Nickolson

http://www.richardemerynickolson.com/collections.html

Solo and Two Person Shows. Public and Private Collections. American Art Clay Company, Indianapolis, Indiana. Arts Indiana, Indianapolis, Indiana. Baker and Daniels, Indianapolis, Indiana. Business Furniture Corporation, Indianapolis, Indiana. William S. Connor and Company, Indianapolis, Indiana. Simmons and Associates, Indianapolis, Indiana. Deloitte, Hoskins, and Sells, Indianapolis, Indiana. Goodman Jewelers Company, Indianapolis, Indiana. Indiana Insurance Companies, Indianapolis, Indiana. Margot and ...

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MADAM I'M ADAM — Remote Projects

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Pics or it didn't happen. Pics or it didn't happen. Artist Interview: Justyn Hegreberg. Artist Interview: Ellen Siebers. Artist Interview: Richard Emery Nickolson. Artist Interview: Keith Allyn Spencer. Artist Interview: Erin K Drew. 415 W 4th St., Bloomington, IN.

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Hartley | BRIDGING THE GAP

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Reflections on the plastic and ekphrastic traditions. Back to REN.com. I SAW THE FIGURE FIVE IN GOLD. February 24, 2016. March 18, 2016. 8220;I Saw the Figure 5 in Gold”. Oil, graphite, ink, and gold leaf on paperboard. 35 1/2″ x 30″. Metropolitan Museum of Art, Alfred Stieglitz Collection. I saw the figure 5. Through the dark city [i]. 8220;The American Dream”. 39″ x 32″. Indianapolis Museum of Art. Williams, William Carlos; The Collected Poems: Volume I. Follow Blog via Email. THE PALACE AT 4:00 AM.

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Marianne Moore | BRIDGING THE GAP

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Reflections on the plastic and ekphrastic traditions. Back to REN.com. April 18, 2016. April 15, 2016. 8220;Polychrome Vase in the Form of a Fish”. El-Amarma, XVIIIth Dynasty. The British Museum, London. 8220;Cosmetic Vessel in the shape of a Nile bulti-fish”. The British Museum, London. An Egyptian Pulled Glass Bottle in the Shape of a Fish. Here we have thirst. And patience, from the first,. And art, as in a wave held up for us to see. In its essential perpendicularity;. Intense the spectrum, that.

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Imagism | BRIDGING THE GAP

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Reflections on the plastic and ekphrastic traditions. Back to REN.com. I SAW THE FIGURE FIVE IN GOLD. February 24, 2016. March 18, 2016. 8220;I Saw the Figure 5 in Gold”. Oil, graphite, ink, and gold leaf on paperboard. 35 1/2″ x 30″. Metropolitan Museum of Art, Alfred Stieglitz Collection. I saw the figure 5. Through the dark city [i]. 8220;The American Dream”. 39″ x 32″. Indianapolis Museum of Art. Williams, William Carlos; The Collected Poems: Volume I. Follow Blog via Email. THE PALACE AT 4:00 AM.

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IN HOTEL LOBBIES | BRIDGING THE GAP

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Reflections on the plastic and ekphrastic traditions. Back to REN.com. October 3, 2016. April 15, 2016. 8220;Sketch for Hotel Lobby”. Conte crayon and graphite on paper. 8 7/16″ x 10 15/16″. Josephine N. Hopper Bequest, Whitney Museum of American Art, New York. 8220;Study #2 from the Hotel Lobby”. 6″ x 8″. Private Collection, Indianapolis, Indiana. 8220;Study #1 from the Hotel Lobby”. 6″ x 8″. Private Collection, Indianapolis, Indiana. The poet Raymond Carver in his collection titled Ultramarine. The des...

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guston | BRIDGING THE GAP

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Reflections on the plastic and ekphrastic traditions. Back to REN.com. January 10, 2016. March 18, 2016. Someone, I tell you, in another time,. Will remember us. [i]. From the Greek: a description of a work of art, either real or imaginary, produced as a rhetorical exercise; often used in the adjectival form, ekphrastic. A graphic, often dramatic, description of a visual work of art. 8220;Tracing of an engraving of the Sosibios vase”. The Louvre, Paris, France. Being one of the first examples. Nor bathes...

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Demuth | BRIDGING THE GAP

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Reflections on the plastic and ekphrastic traditions. Back to REN.com. I SAW THE FIGURE FIVE IN GOLD. February 24, 2016. March 18, 2016. 8220;I Saw the Figure 5 in Gold”. Oil, graphite, ink, and gold leaf on paperboard. 35 1/2″ x 30″. Metropolitan Museum of Art, Alfred Stieglitz Collection. I saw the figure 5. Through the dark city [i]. 8220;The American Dream”. 39″ x 32″. Indianapolis Museum of Art. Williams, William Carlos; The Collected Poems: Volume I. Follow Blog via Email. THE PALACE AT 4:00 AM.

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THE DISASTERS OF WAR | BRIDGING THE GAP

https://plasticekphrastic.com/2016/11/11/the-disasters-of-war

Reflections on the plastic and ekphrastic traditions. Back to REN.com. THE DISASTERS OF WAR. November 11, 2016. July 17, 2016. Not in this case, Plate #36, The Disasters of War. C 1812/1815, published 1863. Etching, aquatint and drypoint. 140 x 190 mm. The Art Institute of Chicago. One cannot look at this. This is how it happened. There is no one to help them. With or without reason. He defends himself well. Bury them and keep quiet. There was nothing to be done and he died. This is too much! In 1937, Ab...

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HAND TOOLS | BRIDGING THE GAP

https://plasticekphrastic.com/2016/09/05/hand-tools

Reflections on the plastic and ekphrastic traditions. Back to REN.com. September 5, 2016. July 16, 2016. 8220;Untitled (Pliers)”. Graphite, charcoal and crayon on paper. 25 5/8″ x 19 3/4″. Museum of Modern Art, New York. I love the tools made for mechanics. I stop at the windows of hardware stores. If I could only find an excuse to buy many more of them than I have already bought on the pretense that I might have use for them! 8220;Untitled (Brace and Bit)”. Graphite, charcoal and crayon on paper. In his...

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Nickolson - The Collective

http://www.indycollective.com/nickolson.html

Ldquo;As a contemporary painter I often have the feeling that I am a reincarnated transcendentalist living in and witnessing the death throes of the post-modern era.”. An Apotropaic Symphony - Watercolor on paper - 5 1/2 x 8 - 2012. See that my grave is kept clean - Watercolor on paper - 6 x 7 3/8" - 2013. The Collective is based in Indianapolis, Indiana. Other studio locations include New York, Louisville, Michigan and Ohio.

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Richard Emery Nickolson - Home

Solo and Two Person Shows. Richard with "Secrets of the Night". 2012 Richard Emery Nickolson.

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Richard E. Miller Biography

Richard E. Miller was one of the Giverny Group of American Impressionists. Together with FrederickFrieseke, Guy Rose and Karl Beuhr, he became known in France and the United States for his colorful form of decorative Impressionism. Born in St. Louis and educated in the ateliers of Paris, Miller was an American expatriate who lived in the little art colony in Giverny, west of Paris, where Claude Monet resided. This educational site covers his life and work, with an archive section coming soon.

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