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Microphone Techniques

Wednesday, 9 March 2011. To remain consistent in our experiments, a Rode NT2 was used in all experiments. An omni-directional polar pattern was used to capture the characteristics of the space we were recording except for our dry source recording, which used a cardioid polar pattern. Experiment 1- Studio 160cm from source. 160;            Experiment 1             Experiment 2. Experiment 2 Studio 296cm. Experiment 3- Studio dry 0.2m. Experiment 3 - Dry. Experiment 4 dry with Logic's PlatinumVerb. Because...

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Microphone Techniques | riverraises.blogspot.com Reviews
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Wednesday, 9 March 2011. To remain consistent in our experiments, a Rode NT2 was used in all experiments. An omni-directional polar pattern was used to capture the characteristics of the space we were recording except for our dry source recording, which used a cardioid polar pattern. Experiment 1- Studio 160cm from source. 160;            Experiment 1             Experiment 2. Experiment 2 Studio 296cm. Experiment 3- Studio dry 0.2m. Experiment 3 - Dry. Experiment 4 dry with Logic's PlatinumVerb. Because...
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1 microphone techniques
2 rever 2
3 experimentation in reverberation
4 euphonium reverb
5 euph reverb showreel
6 by firemanfloaf
7 experiment 6
8 vocals reverb showreel
9 guitar reverb showreel
10 tweaking the parameters
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microphone techniques,rever 2,experimentation in reverberation,euphonium reverb,euph reverb showreel,by firemanfloaf,experiment 6,vocals reverb showreel,guitar reverb showreel,tweaking the parameters,experimenting with reverb,cafe space,foyer hallway
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Microphone Techniques | riverraises.blogspot.com Reviews

https://riverraises.blogspot.com

Wednesday, 9 March 2011. To remain consistent in our experiments, a Rode NT2 was used in all experiments. An omni-directional polar pattern was used to capture the characteristics of the space we were recording except for our dry source recording, which used a cardioid polar pattern. Experiment 1- Studio 160cm from source. 160;            Experiment 1             Experiment 2. Experiment 2 Studio 296cm. Experiment 3- Studio dry 0.2m. Experiment 3 - Dry. Experiment 4 dry with Logic's PlatinumVerb. Because...

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1

Microphone Techniques: Reverberation

http://www.riverraises.blogspot.com/2011/03/reverberation.html

Wednesday, 9 March 2011. To remain consistent in our experiments, a Rode NT2 was used in all experiments. An omni-directional polar pattern was used to capture the characteristics of the space we were recording except for our dry source recording, which used a cardioid polar pattern. Experiment 1- Studio 160cm from source. 160;            Experiment 1            . Experiment 2 Studio 296cm. Experiment 3- Studio dry 0.2m. Experiment 3 - Dry. Experiment 4 dry with Logic's PlatinumVerb. Because we are using...

2

Microphone Techniques: March 2011

http://www.riverraises.blogspot.com/2011_03_01_archive.html

Wednesday, 9 March 2011. To remain consistent in our experiments, a Rode NT2 was used in all experiments. An omni-directional polar pattern was used to capture the characteristics of the space we were recording except for our dry source recording, which used a cardioid polar pattern. Experiment 1- Studio 160cm from source. 160;            Experiment 1             Experiment 2. Experiment 2 Studio 296cm. Experiment 3- Studio dry 0.2m. Experiment 3 - Dry. Experiment 4 dry with Logic's PlatinumVerb. Because...

3

Microphone Techniques

http://www.riverraises.blogspot.com/2011/03/recording-vocals-evidently-different.html

Wednesday, 2 March 2011. Evidently, different microphones suit different situations. On this occasion we are recording pop vocals beginning with the SM58. If the manufacturer's specifications are anything to go by, we should expect a good clarity of presence around the 2-5kHz region. After initiating a mic sweep we found that the best sound for vocals came from positioning the mic around 0.2m away from the source. SM58 0.2m from source. Neumann U87 0.53m from source. Another perk of the SM58 is its respo...

4

Microphone Techniques: Rever 2

http://www.riverraises.blogspot.com/2011/03/rever-2.html

Wednesday, 9 March 2011. To remain consistent in our experiments, a Rode NT2 was used in all experiments. An omni-directional polar pattern was used to capture the characteristics of the space we were recording except for our dry source recording, which used a cardioid polar pattern. Experiment 1- Studio 160cm from source. 160;            Experiment 1             Experiment 2. Experiment 2 Studio 296cm. Experiment 3- Studio dry 0.2m. Experiment 3 - Dry. Experiment 4 dry with Logic's PlatinumVerb. Because...

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Microphone Techniques

Wednesday, 9 March 2011. To remain consistent in our experiments, a Rode NT2 was used in all experiments. An omni-directional polar pattern was used to capture the characteristics of the space we were recording except for our dry source recording, which used a cardioid polar pattern. Experiment 1- Studio 160cm from source. 160;            Experiment 1             Experiment 2. Experiment 2 Studio 296cm. Experiment 3- Studio dry 0.2m. Experiment 3 - Dry. Experiment 4 dry with Logic's PlatinumVerb. Because...

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