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PAGE TITLE
Robert Bigio flute pages | Home | robertbigio.com Reviews
<META>
DESCRIPTION
Articles on the flute
<META>
KEYWORDS
1 walter auer
2 sir james galway
3 karen jones
4 peter lloyd
5 patricia lynden
6 chris norman
7 daniel pailthorpe
8 marina piccinini
9 kenneth smith
10 robert willoughby
CONTENT
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KEYWORDS ON
PAGE
walter auer,sir james galway,karen jones,peter lloyd,patricia lynden,chris norman,daniel pailthorpe,marina piccinini,kenneth smith,robert willoughby,flute players,devices,history and development,of the flute,flute makers,cd reviews,recordings from
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Robert Bigio flute pages | Home | robertbigio.com Reviews

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Articles on the flute

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1

Sir James Galway

http://www.robertbigio.com/galway.htm

Sir James Galway at seventy. The first thing to be said about Sir James Galway is that he is. A musician of the very highest order. He can play very, very. Well He would not have become first flute in the Berlin. Philharmonic otherwise. The fact that he has that indefinable. Star quality so beloved of marketing people is in addition to,. Not in place of, his musical gifts. Sir James is one of that. Small group of soloists who can pack a concert hall. Mozart’s Posthorn Serenade. And what a standard! Varia...

2

The last word in tuning devices

http://www.robertbigio.com/tuningdevices.htm

The last word in nineteenth-century tuning devices. The flute was so popular in the nineteenth century and the market was so large that makers vied to develop. Instruments with what would now be called a unique selling proposition. These are three masterpieces of. Ingenuity (or perhaps masterpieces of unnecessary ingenuity). Rudall & Rose’s patent headjoint (1832). On this device a twist of the crown extends the tuning slide and moves. The stopper to its correct position in one easy motion. Inside the.

3

History and development of the flute

http://www.robertbigio.com/history.htm

Articles on the history and development of the flute. If they were so clever, why weren’t they rich? Or, why good enough beats best. From Theobald Boehm to T.W.Moore’s ‘Superflute’. The last word in tuning devices. Robert Bigio flute pages. Articles on the flute.

4

Peter Lloyd

http://www.robertbigio.com/lloyd.htm

Peter Lloyd: Distinguished and gentlemanly. There is no better word to describe. Peter Lloyd than ‘distinguished’:. Distinguished as a person,. Distinguished as a musician, and. Latterly distinguished as a teacher. Peter has been professor of flute at. The Royal Northern College of. Music since 1993, after a playing. Career that included a long spell as. First flute in the London Symphony. Orchestra. Now, at a venerable age,. He devotes himself to teaching, and. It is no exaggeration to say that he.

5

Rudall, Rose & Carte: The Art of the Flute in Britain

http://www.robertbigio.com/rudallrosecarte.htm

Rudall, Rose & Carte: The Art of the Flute in Britain. The firm of Rudall & Rose, later Rudall, Rose & Carte, and. Finally Rudall Carte, dominated flute making in Britain for a. Century and a half from their founding in 1822. For much of. Their existence almost every professional flute player and. Most serious amateurs in Britain played on one of this firm’s. The original firm, Rudall & Rose, produced simple-system. Flutes of the highest quality before they were persuaded by. Richard Carte’s son, R...

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Readings in the History of the Flute

http://www.bigio.com/readings.htm

Monographs, essays, reviews, letters and advertisements from nineteenth-century London. Selected and edited with an introduction by Robert Bigio. It was estimated in 1829 that one man in ten in London played the. Flute Players, teachers, composers and makers competed for their. Share of the vast market for anything to do with the flute. Much of the published history of the flute in the nineteenth century. Is based on the works in this collection, which includes descriptions. A Few Words on the Flute.

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Rudall, Rose & Carte

http://www.bigio.com/rudallrosecarte.htm

Rudall, Rose & Carte: The Art of the Flute in Britain. The firm of Rudall & Rose, later Rudall, Rose & Carte, and finally Rudall. Carte, dominated flute making in Britain for a century and a half from. Their founding in 1822. For much of their existence almost every. Professional flute player and most serious amateurs in Britain played on. One of this firm’s instruments. The original firm, Rudall & Rose, produced simple-system flutes of the. Produced and sold flutes and most other instruments as well as.

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Flutes

http://www.bigio.com/flutes.htm

Wooden Boehm-system flutes with silver keys. Please note that I am not presently accepting orders for complete flutes. Headjoints continue to be available.

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Stoppers and crowns

http://www.bigio.com/stoppersandcrowns.htm

Why do they work? I'm honestly not sure. One suggestion is that the space between the stopper and crown (which is normally filled with a. Cork) acts as a vibration chamber. Another suggestion is that the stopper, which is short, light and held in place only. By the O-ring, vibrates with the air column in the flute. The response of the flute will change if the crown is removed,. Or if the little hole in the crown is plugged, or if the space between the stopper and crown is filled in. I have even. A simple...

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Robert Bigio | Who?

http://www.bigio.com/who.htm

Robert Bigio was born in the Middle East but grew up in Vancouver, Canada. He received a. BMus from the University of British Columbia before coming to Britain where he obtained. A PhD from the University of London. Robert played the flute professionally. Years before setting up as a flute maker. He is a well-known writer on the flute and flute. Manufacture and was for five years the editor of the journal of the British Flute Society. Articles); Lexikon der Flöte.

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Headjoints

http://www.bigio.com/headjoints.htm

Headjoints for flute, alto flute and piccolo. I have developed my headjoints over many years to produce a rich,. Dark sound that blends well with other instruments yet is capable of. Enough power for solo playing. Most of my headjoints are made of. Wood (usually African Blackwood, but occasionally other woods),. Although I do also make headjoints in silver, gold and platinum. I. Have made wooden headjoints with silver or gold inserts in the. Plate carved by hand. To make wooden headjoints for piccolos.

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Links

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Muziek voor peuters en kleuters. Teacher Trainer Anke van der Bijl. Suzuki Flute Teacher Training. Duo Aad and Anke. Duo Aad and Anke. Suzuki Schule Luzern-Zürich-Basel. Preucil School of Music. Western Springs School of Talent Education and Naperville Suzuki School. Http:/ www.nurturedbylove.be/videos. Optreden Anke van der Bijl, Martin Rüttimann en Julia Perez in Malaga, zomer 2014. Fluitschool Flautissimo : Dwarsfluitles in Gouda Contact Me.

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Robert Bigio flute pages | Home

This is my website for articles on the flute. For my main website describing the flutes I make, please visit www.bigio.com. Robert Bigio flute pages. Articles on the flute. Indicates articles with recordings). If they were so clever, why. Weren’t they rich? From Theobald Boehm to. TWMoore’s ‘Superflute’. The last word in tuning. Books by Robert Bigio. Forbes and Yola Christie (Windward Flutes).

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