becklaxton.com
Samples of work | Beck Laxton
http://www.becklaxton.com/samples-of-work
UX usability expert writer editor. In 2013 I worked with the Family and Parenting Institute and the Daycare Trust as they merged to form the Family and Childcare Trust. They knew they needed a new website and asked me to help them write the brief; instead I suggested a few working sessions to help them work out what they wanted the new site to do first, then wrote a functional specification with them. From March 2011 to March 2013, I worked on the Energy Saving Trust website. A digital agency in London&#...
becklaxton.com
CV | Beck Laxton
http://www.becklaxton.com/cv
UX usability expert writer editor. Download the latest version of my CV as a PDF. As I haven’t applied for a job for a while, this doesn’t include information about my present employment.). Available for part-time work, freelance or permanent. Expert in giving clarity and structure to complex information, based on user needs:. Twelve years’ experience as an IA and user experience architect on a huge range of websites. Expert user of Word, Quark XPress, WordPress, eZ publish and MailChimp; some HTML skills.
bomford.com
Soloists/Conductors — NB Management
http://www.bomford.com/soloists
We'd love to hear from you. Feel free to send us your ideas, thoughts or suggestions. Thanks for your feedback - your message has been submitted, but we don't trust the internet entirely, so if you have not heard back from us in a few days, please telephone. Our team is dedicated to presenting great music. Your input means a lot to us. Is both artists' agency and orchestra contractor. And through our network, we supply practically everything for concert management. Who care about every project strings.
philipsheffield.com
Messiah From Memory | Philip Sheffield
http://philipsheffield.com/messiah-from-memory
The Trickster and The Tenor. Link to old website. Philip Sheffield will be joined by Cecilia Osmond, Andrew Slater and Robert Ogden performing Handel’s “Messiah” from memory. Other soloists available will include Richard Edgar Wilson, Ben Bevan, Bertie Rice, Eileen Hulse and James Oldfield. Lift your choral society performance with four soloists off copy and really telling the story of Handel’s masterpiece. Listen to Philip singing “Every Valley”. Here with The Bournemouth Symphony Orchestra. And works b...
beckblogbeckblog.blogspot.com
beckblog: October 2009
http://beckblogbeckblog.blogspot.com/2009_10_01_archive.html
Friday, 16 October 2009. Peter Grimes as a paedophile. And at this very moment I can't remember anything else I'm meant to be doing. So, then. I went to see Peter Grimes at English National Opera back in May - May! Good grief. There's a good review of it here. I'm ready'; 'What harbour shelters peace? Who can turn skies back and begin again? I'd like to see a production where he's played as a straight paedophile," he said (I'm paraphrasing from memory), "though I wouldn't want to direct it." And my q...
tailormadeopera.co.uk
Messiah From Memory | Tailormade Opera
http://tailormadeopera.co.uk/messiah-from-memory
The Trickster and The Tenor. Bravo – The Script – A taster. A Matter of Patter. The Trickster and The Tenor. Bravo – The Script – A taster. A Matter of Patter. Philip Sheffield will be joined by Cecilia Osmond, Bertie Rice and Robert Ogden performing Handel’s “Messiah” from memory. Lift your choral society performance with four soloists off copy and really telling the story of Handel’s masterpiece. Listen to Philip singing “Every Valley”. Here with The Bournemouth Symphony Orchestra. Cecilia can be heard...
beckblogbeckblog.blogspot.com
beckblog: December 2008
http://beckblogbeckblog.blogspot.com/2008_12_01_archive.html
Monday, 15 December 2008. Oh yes we have. To the pantomime on Saturday: a family outing thanks to Grandma Pam (thank you, Grandma Pam! We were surprised to see the place not at all packed (it was Jack and the Beanstalk. At the Arts Theatre): it was a bit lame in places, but really not bad at all. Their only mistake, I thought, was always to aim for comedy and forget that a story needs drama. The scene in the ogre's castle went for nothing, because it just wasn't scary. Truly, we have created a monster.
