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Roxanne Gray

Monday, 16 June 2008. To reflect the materiality of my model I chose to use watercolours for the rendering, as they have an ethereal but also splashy nature. The perspectives are set out like a tree diagram reflecting the choices/options of circulation. ROOM PLAN AND SECTION. I chose to do the room plan and section in the painting gallery as it has views of both the paintings and the film. The Form, Materials and Draft Models. Film vs Painting. Light vs Dark. Curator circulation along side film room.

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Monday, 16 June 2008. To reflect the materiality of my model I chose to use watercolours for the rendering, as they have an ethereal but also splashy nature. The perspectives are set out like a tree diagram reflecting the choices/options of circulation. ROOM PLAN AND SECTION. I chose to do the room plan and section in the painting gallery as it has views of both the paintings and the film. The Form, Materials and Draft Models. Film vs Painting. Light vs Dark. Curator circulation along side film room.
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Roxanne Gray | roxannegray.blogspot.com Reviews

https://roxannegray.blogspot.com

Monday, 16 June 2008. To reflect the materiality of my model I chose to use watercolours for the rendering, as they have an ethereal but also splashy nature. The perspectives are set out like a tree diagram reflecting the choices/options of circulation. ROOM PLAN AND SECTION. I chose to do the room plan and section in the painting gallery as it has views of both the paintings and the film. The Form, Materials and Draft Models. Film vs Painting. Light vs Dark. Curator circulation along side film room.

INTERNAL PAGES

roxannegray.blogspot.com roxannegray.blogspot.com
1

Roxanne Gray: June 2008

http://roxannegray.blogspot.com/2008_06_01_archive.html

Monday, 16 June 2008. To reflect the materiality of my model I chose to use watercolours for the rendering, as they have an ethereal but also splashy nature. The perspectives are set out like a tree diagram reflecting the choices/options of circulation. ROOM PLAN AND SECTION. I chose to do the room plan and section in the painting gallery as it has views of both the paintings and the film. The Form, Materials and Draft Models. Film vs Painting. Light vs Dark. Curator circulation along side film room.

2

Roxanne Gray: May 2008

http://roxannegray.blogspot.com/2008_05_01_archive.html

Friday, 16 May 2008. Left space form influenced by Adolf Loos. Right space form articulated by internal sight lines. Mirror Refection: the views. Figure descends stairs. They are narrower in the centre so that she slows her pace as she exposes herself to the spotlight (the adjacent space). As figure descends her naked body is slowly exposed to the other space. The opening is height defined so that her face is never exposed. This view represents the frame in which we view the figure in the painting.

3

Roxanne Gray: April 2008

http://roxannegray.blogspot.com/2008_04_01_archive.html

Friday, 25 April 2008. Painting Partis and Models. A theme I wanted to explore in the painting was the idea that the figure in the painting is a feature in a show, an actor on the stage. People in apartment blocks look on as the figure leans towards the spotlight, exposing herself to the audience. The spotlight greeting this exposure. The relationship between openings and curtains. Who is viewing who? Eleven AM by Edward Hopper. Villa Muller Parti and Poche. Subscribe to: Posts (Atom).

4

Roxanne Gray: March 2008

http://roxannegray.blogspot.com/2008_03_01_archive.html

Friday, 21 March 2008. Studying the building through words. For further reading on Adolf Loos I recommend an article by David Leatherbarrow titled Interpretation and Abstraction in the Architecture of Adolf Loos. And is accessible via UNSW Library- JSTOR. The article doesn't focus on Villa Muller, but instead analyses Adolf Loos's architectural style and, more importantly, attempts to break down the thought patterns and intentions that drove the architecture. Thursday, 13 March 2008.

5

Roxanne Gray: The Form, Materials and Draft Models

http://roxannegray.blogspot.com/2008/06/form.html

Monday, 16 June 2008. The Form, Materials and Draft Models. My last project was relatively introverted in that the interiors were very cut off and unreadable from the outside world. In this assignment I wanted to express the interior themes through the form of the building and how it is perceived from the street. I experimented with physical forms of the shapes in this parti daigram, with the aid of the graphic below. Film vs Painting. Light vs Dark. Curator circulation along side film room. The elevatio...

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LINKS TO THIS WEBSITE

daybukh.blogspot.com daybukh.blogspot.com

Matt Day

http://daybukh.blogspot.com/2007/09/blog-post_567.html

Tirsdag den 11. september 2007. Etiketter: bradbury building - see movie bladerunner. Abonner på: Kommentarer til indlægget (Atom). Tute group blog addresses. Andy yat hang tsui. Vis hele min profil.

daybukh.blogspot.com daybukh.blogspot.com

Matt Day

http://daybukh.blogspot.com/2007/09/blog-post_11.html

Tirsdag den 11. september 2007. Etiketter: frank lloyd wright. Abonner på: Kommentarer til indlægget (Atom). Tute group blog addresses. Andy yat hang tsui. Vis hele min profil.

daybukh.blogspot.com daybukh.blogspot.com

Matt Day

http://daybukh.blogspot.com/2007/09/frank-lloyd-wright.html

Tirsdag den 11. september 2007. Abonner på: Kommentarer til indlægget (Atom). Tute group blog addresses. Andy yat hang tsui. Vis hele min profil.

daybukh.blogspot.com daybukh.blogspot.com

Matt Day: lost notebook

http://daybukh.blogspot.com/2007/09/lost-notebook.html

Onsdag den 5. september 2007. I have lost my notebook during class yesterday, I was hoping someone took it home my mistake. If by chance you have my notebook could you let me know. My email is info@daybukharchitects.com. Good luck with the submission. I have already uploaded my file but had I known the meshes were allowed I feel the spaces I created would be far more creative. 10 september 2007 kl. 02.04. Abonner på: Kommentarer til indlægget (Atom). Tute group blog addresses. Andy yat hang tsui.

daybukh.blogspot.com daybukh.blogspot.com

Matt Day: september 2007

http://daybukh.blogspot.com/2007_09_01_archive.html

Tirsdag den 11. september 2007. Etiketter: bradbury building - see movie bladerunner. Etiketter: oma maison á bordeaux. Etiketter: oma maison á bordeaux. Etiketter: utzon langelinie pavilion. Etiketter: utzon langelinie pavilion. Etiketter: frank lloyd wright. Onsdag den 5. september 2007. I have lost my notebook during class yesterday, I was hoping someone took it home my mistake. If by chance you have my notebook could you let me know. My email is info@daybukharchitects.com. Abonner på: Indlæg (Atom).

daybukh.blogspot.com daybukh.blogspot.com

Matt Day

http://daybukh.blogspot.com/2007/09/blog-post_2510.html

Tirsdag den 11. september 2007. Etiketter: utzon langelinie pavilion. Abonner på: Kommentarer til indlægget (Atom). Tute group blog addresses. Andy yat hang tsui. Vis hele min profil.

daybukh.blogspot.com daybukh.blogspot.com

Matt Day

http://daybukh.blogspot.com/2007/09/blog-post.html

Tirsdag den 11. september 2007. Abonner på: Kommentarer til indlægget (Atom). Tute group blog addresses. Andy yat hang tsui. Vis hele min profil.

daybukh.blogspot.com daybukh.blogspot.com

Matt Day

http://daybukh.blogspot.com/2007/09/blog-post_390.html

Tirsdag den 11. september 2007. Etiketter: utzon langelinie pavilion. Abonner på: Kommentarer til indlægget (Atom). Tute group blog addresses. Andy yat hang tsui. Vis hele min profil.

daybukh.blogspot.com daybukh.blogspot.com

Matt Day

http://daybukh.blogspot.com/2007/09/blog-post_8425.html

Tirsdag den 11. september 2007. Etiketter: oma maison á bordeaux. Abonner på: Kommentarer til indlægget (Atom). Tute group blog addresses. Andy yat hang tsui. Vis hele min profil.

daybukh.blogspot.com daybukh.blogspot.com

Matt Day: august 2007

http://daybukh.blogspot.com/2007_08_01_archive.html

Tirsdag den 21. august 2007. Tirsdag den 7. august 2007. Abonner på: Indlæg (Atom). Tute group blog addresses. Andy yat hang tsui. Vis hele min profil.

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Monday, 16 June 2008. To reflect the materiality of my model I chose to use watercolours for the rendering, as they have an ethereal but also splashy nature. The perspectives are set out like a tree diagram reflecting the choices/options of circulation. ROOM PLAN AND SECTION. I chose to do the room plan and section in the painting gallery as it has views of both the paintings and the film. The Form, Materials and Draft Models. Film vs Painting. Light vs Dark. Curator circulation along side film room.

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