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Rudolf Arnheim | Resources on Arnheim and Cinema in Italy

The day I met Rudolf Arnheim, in summer 2005, changed my view of research and methodology. At that time, he was a 101-year-old retired professor and I was a 25-year-old undergraduate researching for my MA thesis. I was attempting to reconstruct the wide and deep (and partially still hidden) contribution of Arnheim’s film theory to…

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Rudolf Arnheim | Resources on Arnheim and Cinema in Italy | rudolfarnheim.net Reviews
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The day I met Rudolf Arnheim, in summer 2005, changed my view of research and methodology. At that time, he was a 101-year-old retired professor and I was a 25-year-old undergraduate researching for my MA thesis. I was attempting to reconstruct the wide and deep (and partially still hidden) contribution of Arnheim’s film theory to…
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1 rudolf arnheim
2 menu
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Rudolf Arnheim | Resources on Arnheim and Cinema in Italy | rudolfarnheim.net Reviews

https://rudolfarnheim.net

The day I met Rudolf Arnheim, in summer 2005, changed my view of research and methodology. At that time, he was a 101-year-old retired professor and I was a 25-year-old undergraduate researching for my MA thesis. I was attempting to reconstruct the wide and deep (and partially still hidden) contribution of Arnheim’s film theory to…

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1

History of a book | Rudolf Arnheim

http://rudolfarnheim.net/bibliographies/history-of-a-book

Resources on Arnheim and Cinema in Italy. History of a book. History of a book. List of first editions, traslations, excerpt reviews of Arnheim’s main work on film. First edition, tranlations and reprints. Film, London: Faber and Faber, 1933, trans. by L. M. Sieveking e Ian. F. D. Morrow, Preface by Paul Rotha. Geijutsu to shite no eiga, Tokyo: Oraisha, 1933, trans. by Norio Sasaki. A Film Mint Muveszet, Budapest: Magyar Fimtudomanyi Intezet es Filmarchivum, 1962. Kino kak iskusstvo, Moscow, 1960. El Cin...

2

Bibliographies list | Rudolf Arnheim

http://rudolfarnheim.net/bibliographies/bibliographies-list

Resources on Arnheim and Cinema in Italy. History of a book. List of bibliographic resources. Rudolf Arnheim: bibliography of his writing, 1928-1982. Compiled by Mary Arnheim (typescript 1983; originally published in 1974 as. Bibliography of Rudolf Arnheim. Updated in 1988 and 1991). Complete Bibliography of Writings on Film, Photo, Press and Radio by Rudolf Arnheim. Edited by Helmut H. Diederichs, in Rudolf ARNHEIM,. Film Essays and Criticism. Kritiken und Aufsätze zum Film. Leave a Reply Cancel reply.

3

The Encyclopedia | Rudolf Arnheim

http://rudolfarnheim.net/bibliographies/the-disappeared-encyclopedia

Resources on Arnheim and Cinema in Italy. History of a book. Clarifying notes on Arnheim and the (unpublished) Encyclopedia of Cinema. Here are listed the entries of the Encyclopedia of the Cinema written by Arnheim. The Encyclopedia, planned in the ’30s by the Istituto Internazionale per la Cinematografia in Rome, has never been published because of the war. Drafts were lost. A description of the Encyclopedia of the Cinema is published in the first issue of Intercine:. University of California Press: Be...

4

Bios | Rudolf Arnheim

http://rudolfarnheim.net/bibliographies/bios

Resources on Arnheim and Cinema in Italy. History of a book. Rudolf ARNHEIM, Rudolf Arnheim: Lebenslauf, 1981. Http:/ www.sozpaed.fh-dortmund.de/diederichs/arnforum/arnheiml.htm. Rudolf ARNHEIM, My Life in the Art World. Ann Arbor, The School of Art, University of Michigan, February 8, 1984. Rudolf ARNHEIM, Confessions of a Maverick. Salmagundi, No. 78-79: 44-53. Ian VERSTEGEN, The Thought, Life and Influence of Rudolf Arnheim. Genetic, Social and General Psychological Monographs, 122, 1996: 197-213.

5

ARCHIVE | Rudolf Arnheim

http://rudolfarnheim.net/archive

Resources on Arnheim and Cinema in Italy. History of a book. I baffi di Charlot. Rudolf Arnheim: a web site on his life and work. Simplicity, clarity, balance: A tribute to Rudolf Arnheim. Enter your email address to follow this blog and receive notifications of new posts by email. Join 1 other follower. Blog at WordPress.com. Follow “Rudolf Arnheim”. Get every new post delivered to your Inbox. Build a website with WordPress.com.

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Books | AN iDEA A DAY

https://adrianodaloia.net/category/books

AN iDEA A DAY. Notes on visual culture and the moving image by Adriano D'Aloia. La vertigine e il volo. January 7, 2014. April 18, 2016. E il concetto di simulazione incarnata. Vengono adottati per descrivere la relazione dello spettatore con i personaggi e con i mondi della finzione cinematografica, in un serrato dialogo fra teorie del cinema, estetica e neuroscienze cognitive. Acrobazia. La vertigine e il volo. L’esperienza filmica fra estetica e neuroscienze cognitive. I baffi di Charlot. I baci di Ma...

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WRITINGS | AN iDEA A DAY

https://adrianodaloia.net/home-page/writings

AN iDEA A DAY. Notes on visual culture and the moving image by Adriano D'Aloia. With Marie-Aude Baronian and Marco Pedroni], Fahsionaing Images. Audiovisual Media Studies meet Fashion ,. Comunicazioni Sociali. Journal of Media, Performing Arts and Cultural Studies. Special issue 1/2017 (forthcoming). La ricerca storica e teorica sul cinema. In: Aldo Grasso (ed.),. Storia della comunicazione e dello spettacolo in Italia, Volume III. I media alla sfida della convergenza (dal 1979 a oggi). L’arto fotografic...

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Rudolf Arnheim | AN iDEA A DAY

https://adrianodaloia.net/arnheim

AN iDEA A DAY. Notes on visual culture and the moving image by Adriano D'Aloia. It was one of the most impressive and influential meeting of my life so far. Although I knew Arnheim was easily tired and had difficulties in communicating, my bag and my mind were full of ideas and topics to discuss. However, the person I met was not a ‘sacred monster’, the ‘classic theorist’ Rudolf Arnheim. I met. The results of that research culminated in the the book. Kaplan: Turin 2009, 400 pp.). No 5, 2012, pp. 29-44.

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Rudolf Arnheim | Resources on Arnheim and Cinema in Italy

Resources on Arnheim and Cinema in Italy. History of a book. It was one of the most impressive and influential meeting of my life so far. Although I knew Arnheim was easily tired and had difficulties in communicating, my bag and my mind were full of ideas and topics to discuss. However, the person I met was not a ‘sacred monster’, the ‘classic theorist’ Rudolf Arnheim. I met. The results of that research culminated in the the book. I baffi di Charlot. Scritti italiani sul cinema 1932-1938.

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