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Words. Pictures. Objects. | Writing on exhibitions and the visual arts. A blog by Ruth GardeWriting on exhibitions and the visual arts. A blog by Ruth Garde
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Words. Pictures. Objects. | Writing on exhibitions and the visual arts. A blog by Ruth Garde | ruthgarde.wordpress.com Reviews
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Writing on exhibitions and the visual arts. A blog by Ruth Garde
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Wael Shawky at the Serpentine Gallery, London | Words. Pictures. Objects.
https://ruthgarde.wordpress.com/2013/12/16/wael-shawky-at-the-serpentine-gallery-london
Words Pictures. Objects. Writing on exhibitions and the visual arts. A blog by Ruth Garde. Royal British Society of Sculptors. Lost in Fathoms at GV Art, London →. Wael Shawky at the Serpentine Gallery, London. December 16, 2013. Wael Shawky, installation view at the Serpentine Gallery, 2013 2013 Hugo Glendinning. Wael Shawky, installation view at the Serpentine Gallery, 2013 2013 Hugo Glendinning. Story-telling, myth, legend, history, and the complex relationship between them is at the heart of Shawky’s...
A response to Hashtag History | Words. Pictures. Objects.
https://ruthgarde.wordpress.com/2015/04/14/a-response-to-hashtag-history
Words Pictures. Objects. Writing on exhibitions and the visual arts. A blog by Ruth Garde. Lost in Fathoms at GV Art, London. Bench at Tintype Gallery, London →. A response to Hashtag History. April 14, 2015. Reading about Hashtag History today has been – to quote a particularly odious guest at Fawlty Towers – really getting my dander up. The Hashtag History website. The impetus behind this contention is the article. The Natural History Museum’s exhibitions are produced by those specialists who work at t...
Lost in Fathoms at GV Art, London | Words. Pictures. Objects.
https://ruthgarde.wordpress.com/2014/11/10/lost-in-fathoms-at-gv-art-london
Words Pictures. Objects. Writing on exhibitions and the visual arts. A blog by Ruth Garde. Wael Shawky at the Serpentine Gallery, London. A response to Hashtag History →. Lost in Fathoms at GV Art, London. November 10, 2014. Anai s Tondeur in collaboration with Jean-Marc Chomaz,. Recording from the Wandering Plates, Lost in Fathoms. Installation image). Courtesy of the artist and GV Art Gallery. Memory of the Ocean, Lost in Fathoms,. Installation shot). Image courtesy of the artist and GV Art Gallery.
Royal British Society of Sculptors | Words. Pictures. Objects.
https://ruthgarde.wordpress.com/2013/08/09/royal-british-society-of-sculptors
Words Pictures. Objects. Writing on exhibitions and the visual arts. A blog by Ruth Garde. Souzou: Outsider Art from Japan at the Wellcome Collection. Wael Shawky at the Serpentine Gallery, London →. Royal British Society of Sculptors. August 9, 2013. My feature on current trends at the Royal British Society of Sculptors, written for World Sculpture News. Some of the picture captions have not translated into the PDF, sadly). I am a writer and curator based in London. View all posts by ruthgarde →.
ruthgarde | Words. Pictures. Objects.
https://ruthgarde.wordpress.com/author/ruthgarde
Words Pictures. Objects. Writing on exhibitions and the visual arts. A blog by Ruth Garde. I am a writer and curator based in London. This Is A Voice at Wellcome Collection. April 29, 2016. My review of This Is A Voice at Wellcome Collection for Exeunt magazine: http:/ exeuntmagazine.com/reviews/review-this-is-a-voice-at-the-wellcome-collection/. Hinterland, St Peter’s Seminary, Cardross, 18th 27th March 2016. April 4, 2016. Julian Charrière at Parasol Unit, London. March 29, 2016. March 29, 2016. Anai s...
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할아버지의 피 | yoshitaka56
https://yoshitaka56.wordpress.com/2014/08/27/할아버지의-피
내가 2012년에 한국으로 출발하기 전에 할아버지가 전쟁 중 서울에 있을 때의 이야기를 해 주었습니다. 동대문 근처의 조계사에서 전쟁 중에 할아버지는 거기서 일하는 친척의 식사와 일을 도왔던 모양이다. 60년 전 이야기이다. 당시 촬영한 낡은 흑백 사진을 제게 선물했다. 사진에 찍히는 20대 할아버지의 얼굴은 나에게 비슷했다.”60년 이상 옛날 그러니까 지금도 조계사는 존재하는지 모르겠다”할아버지는 그렇게 말했지만, 실제의 조계사는 지금도 있었다. 아주 예쁘고 매우 큰 사찰이다. 저는 기뻤다. 아버지도 어머니도 할아버지 형제도 조계사에 간 적이 없다. 나만 조계사의 문 앞에서 사진을 찍을 수 있었다. 그 사진을 찍는 순간 나는 할아버지의 피가 흐르고 있다고 확신했다. 어쩌면 전쟁 중에 일본 병사였던 나의 할아버지가 한국에 있던 사실은 한국 사람들에게 인상이 좋지 않을지도 모른다. August 27, 2014. Leave a Reply Cancel reply. Enter your comment here.
Publications | yoshitaka56
https://yoshitaka56.wordpress.com/2014/08/20/publication
Http:/ www.cap-kobe.com/studio y3/2014/06/25201149.html. Http:/ www.mmca.go.kr/artStudio/artStudioNewsDetail.do? August 20, 2014. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out.
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Imagination as muse | Photography for a clean energy economy
https://cleanenergyphoto.wordpress.com/2014/11/26/imagination-as-muse
Photography for a clean energy economy. Keeping our eyes on the prize. Artists and Climate Change. Anaïs Tondeur, Depth Sounders, 2014, mixed rayogram techniques, C-Print, 24 x 11 cm, Image Courtesy of GV Art. This is not a review of Lost in Fathoms. S current solo show at London’s GV Art. Gallery, through 29 November. Several excellent reviews of this riveting installation have already been published elsewhere by Johanna Kieniewicz. Which is the inspiration behind. Portraits of Time →. Create a free web...
Writers — The Sick of the Fringe
http://thesickofthefringe.com/writers
PROGNOSES, LONDON '17. The Sick of the Fringe. PROGNOSES, LONDON '17. At the Edinburgh Fringe. Dr Kat Arney is a science writer and broadcaster whose work has featured on BBC Radio 4, the Naked Scientists and more. She has just published her first book,. Bloomsbury Sigma), about how our genes work. Helen Babbs is an independent journalist, writer and editor. Her features have been published in. And she has authored two non-fiction books, which have urban nature and London in common. From 22nd -28th Aug.
A study of Subjectivity and Objectivity (Turnabout of Subjectivity) | yoshitaka56
https://yoshitaka56.wordpress.com/2014/08/16/a-study-of-subjectivity-and-objectivity-turnabout-of-subjectivity
A study of Subjectivity and Objectivity (Turnabout of Subjectivity). Michel Foucault asks, What is a work? What is this curious unity, which we designate as a work? Of what elements is it composed? Is it not what an author has written? Difficulties appear immediately. If an individual were not an author, could we say that what he wrote, said, left behind in his papers, or what has been collected of his remarks, could be called a work? Is the scientific always objective? Karl Blossfeldt is considered an i...
Solo Show at C.A.P in Kobe | yoshitaka56
https://yoshitaka56.wordpress.com/2014/06/26/solo-show-at-c-a-p-in-kobe
Solo Show at C.A.P in Kobe. 8/9 土 8/31 日 まで、神戸で個展をさせて頂いております。 Http:/ www.cap-kobe.com/studio y3/2014/06/25201149.html. 芸術と計画会議 C.A.P. June 26, 2014. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Notify me of new comments via email.
Imagination as muse | Artists And Climate Change
https://artistsandclimatechange.com/2014/11/25/imagination-as-muse
Artists And Climate Change. Contributions from the artistic community to the vexing problem of climate change. November 25, 2014. Anaïs Tondeur, Depth Sounders, 2014, mixed rayogram techniques, C-Print, 24 x 11 cm, Image Courtesy of GV Art. This is not a review of Lost in Fathoms. S current solo show at London’s GV Art. Gallery, through 29 November. Several excellent reviews of this riveting installation have already been published elsewhere by Johanna Kieniewicz. Originally trained in the biological sci...
Studio | yoshitaka56
https://yoshitaka56.wordpress.com/2014/06/16/studio
I woud like to establish my own studio in the future, which is a pretty huge one. June 16, 2014. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email.
Cats | yoshitaka56
https://yoshitaka56.wordpress.com/2014/08/02/cats
Cats living in my garden are friendly too much. Sometimes they are sleeping on my car, but pretty cute. What are you thinking of? August 2, 2014. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Notify me of new comments via email.
北斎の絵手本 | yoshitaka56
https://yoshitaka56.wordpress.com/2014/05/26/北斎の絵手本
May 26, 2014. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email. Laquo; Previous Post. Next Post ». East Asian and Pacific Affairs.
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This is my little space where I can write some of my thoughts. Monday, September 15, 2003. Ecuadrian girl in Europe for the first time. I arrived from Europe, now I’m back again to my land after more or less a month. I have a lot in my mind but it seems quite difficult to transmit really all of what is in my mind. The first place: Moscow. Incredibly enough, all that elegancy contrasts with bad quality of life of the majority of people in Moscow. Space is a really big problem. You have to pay a re...When ...
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Words. Pictures. Objects. | Writing on exhibitions and the visual arts. A blog by Ruth Garde
Words Pictures. Objects. Writing on exhibitions and the visual arts. A blog by Ruth Garde. A response to Hashtag History. April 14, 2015. Reading about Hashtag History today has been – to quote a particularly odious guest at Fawlty Towers – really getting my dander up. The Hashtag History website. The impetus behind this contention is the article. The Natural History Museum’s exhibitions are produced by those specialists who work at the museum paleontologists, keepers of collections, curators, researcher...
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Places We Live and Work In. How It’s Done. Services & Contact. There’s a strong connection between the writer’s environment captured in this image and this website. I’m a healthy interiors consultant and a writer with hyper-sensitivity to computer electrical energy. The mouse generates pain and tingling in my hands and fingers making prolonged contact impossible. The manual typewriter in the image is not a prop. (More about this later . . .). The greatest medicine is teaching people how not to need it.
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