theoryandcrit.blogspot.com
Theory and Crit: Words Without Pictures
http://theoryandcrit.blogspot.com/2012/04/words-without-pictures.html
Monday, April 9, 2012. The photograph is simply the incidental conclusion, the polished index of a more complex back-story to be researched and unpacked by the viewer/critic. In this sense, the photograph is not independently productive of meaning, but is rather the document that records and implies the extended process behind the image.". On to the next one. I had to. And I love Jay Z. I have now spent 2 hours looking through these websites and I highly encourage everyone to. Posted by Stephani Anglada.
theoryandcrit.blogspot.com
Theory and Crit: February 2012
http://theoryandcrit.blogspot.com/2012_02_01_archive.html
Monday, February 27, 2012. Thomas Struth's Museum Photographs. This chapter focuses on Thomas Struth's 3 bodies of work entitled: Museum Photographs. Reality it only lives in the picture plane. Kunsthistorisches Museum 3, Vienna. For example one of Struth's pictures Kunsthistorisches Museum 3, Vienna. The woman in the painting looks as if she is staring right at the old man but if this photograph was taken at any other angle would the same effect happen? The Art Institute of Chicago 2. The second major i...
makingfunofkimberly.wordpress.com
Kimberly Kim | pictures and things and places
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Pictures and things and places. Don't make fun of kimberly. Skip to primary content. Skip to secondary content. Author Archives: Kimberly Kim. Photography after modernist photography. April 16, 2012. August Sander’s modernist pictures, that lends themselves to its narrativity, but also the photography’s frozen sliver of time, or stasis, simultaneously. August Sander's Young Farmers. Rosalind Krauss's Quaternary map. George Baker / Quaternary. Could this be a sort of an expanded photograph? 60 x 47 inches...
theoryandcrit.blogspot.com
Theory and Crit: Is Photography Over?
http://theoryandcrit.blogspot.com/2012/04/is-photography-over.html
Monday, April 23, 2012. So this lecture was really interesting to watch, I really enjoyed the fact that there were two different panels of people because it allowed this question to be answered a many of different ways. The first question the mediator asked was if there is something in photography that is over and what is it? Corey Keller is the assistant curator of SFMOMA, and her argument I definitely agree with as well as Jennifer Blessing (why did I choose two woman? If there is something in photogra...
theoryandcrit.blogspot.com
Theory and Crit: In Part Actual, In Part Virtual
http://theoryandcrit.blogspot.com/2012/03/in-part-actual-in-part-virtual.html
Monday, March 5, 2012. In Part Actual, In Part Virtual. In the introduction of The Civil Contract of Photography. Posted by Stephani Anglada. Subscribe to: Post Comments (Atom). 1 I am studying Jennifer Blessings article Rose . PICTURING VIOLENCE: AESTHETICS AND THE ANXIETY OF . In Part Actual, In Part Virtual. Imagery-the Driver of the Media. Http:/ ry-eh-n.blogspot.com/. Http:/ kpserna.wordpress.com/. Http:/ artssake.wordpress.com/. Http:/ elifritz3733.wordpress.com/.
theoryandcrit.blogspot.com
Theory and Crit: Imagery-the Driver of the Media
http://theoryandcrit.blogspot.com/2012/03/imagery-driver-of-media.html
Monday, March 5, 2012. Imagery-the Driver of the Media. This week we read Susan Sontag's essay called Regarding the Pain of Others,. She analyzes our society quoting it as a "society of spectacle." This is to say that our media in today's confinement of newspaper, magazines, online resources and books are driven by imagery but specifically highlights war imagery. Sontag goes to question that without the photograph, is this really happening? Posted by Stephani Anglada. Subscribe to: Post Comments (Atom).
theoryandcrit.blogspot.com
Theory and Crit: March 2012
http://theoryandcrit.blogspot.com/2012_03_01_archive.html
Monday, March 19, 2012. 1 I am studying Jennifer Blessing's article Rose is a Rose is a Rose and the issues of instinctual gender. I am interested in finding out how you can interpret gender by subtle changes in wardrobe, ultimately I will mascaraed as both a feminine woman and a masculine woman captured by the camera. 3 I want to study Blessing's article and try and come up with a clear understanding of what it means to a woman, and that is a very loaded discussion. Http:/ www.andrepenteado.com/. We can...
theoryandcrit.blogspot.com
Theory and Crit: Photography's Expanded Field
http://theoryandcrit.blogspot.com/2012/04/photographys-expanded-field.html
Tuesday, April 17, 2012. Ruth Drawing Picasso by Rineke Dijkstra. The other end of the spectrum he insinuates is Cindy Sherman and Philip-Locra diCorcia graze the lines of cinema while still only using the static image. Cindy Sherman's Film Stills. Hustlers by Philip-Lorca diCorcia. Rosalind Krauss author of, Sculpture in the Expanded Field. Posted by Stephani Anglada. Subscribe to: Post Comments (Atom). Http:/ ry-eh-n.blogspot.com/. Http:/ kpserna.wordpress.com/. Http:/ artssake.wordpress.com/.
theoryandcrit.blogspot.com
Theory and Crit
http://theoryandcrit.blogspot.com/2012/03/1.html
Monday, March 19, 2012. 1 I am studying Jennifer Blessing's article Rose is a Rose is a Rose and the issues of instinctual gender. I am interested in finding out how you can interpret gender by subtle changes in wardrobe, ultimately I will mascaraed as both a feminine woman and a masculine woman captured by the camera. 3 I want to study Blessing's article and try and come up with a clear understanding of what it means to a woman, and that is a very loaded discussion. Http:/ www.andrepenteado.com/. Http:/...
theoryandcrit.blogspot.com
Theory and Crit: April 2012
http://theoryandcrit.blogspot.com/2012_04_01_archive.html
Monday, April 23, 2012. So this lecture was really interesting to watch, I really enjoyed the fact that there were two different panels of people because it allowed this question to be answered a many of different ways. The first question the mediator asked was if there is something in photography that is over and what is it? Corey Keller is the assistant curator of SFMOMA, and her argument I definitely agree with as well as Jennifer Blessing (why did I choose two woman? If there is something in photogra...