saeaudiostudio1grahamj.wordpress.com

saeaudiostudio1grahamj

August 2, 2015. August 13, 2015. 1 Production for Video Game Soundtracks. When I was helping compose music for a game it became clear that the planning stage and using the game as the priority inspiration is one of the most important aspects of composition. This inspiration can be taken from screenshots, concept art, gameplay videos and even play testing it if the game is that far into development. IGN, (2015). Behind the Music: How Video Game Soundtracks Are Made – IGN. 2 Recording ADR for Film. When it...

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saeaudiostudio1grahamj | saeaudiostudio1grahamj.wordpress.com Reviews

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August 2, 2015. August 13, 2015. 1 Production for Video Game Soundtracks. When I was helping compose music for a game it became clear that the planning stage and using the game as the priority inspiration is one of the most important aspects of composition. This inspiration can be taken from screenshots, concept art, gameplay videos and even play testing it if the game is that far into development. IGN, (2015). Behind the Music: How Video Game Soundtracks Are Made – IGN. 2 Recording ADR for Film. When it...

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saeaudiostudio1grahamj | saeaudiostudio1grahamj.wordpress.com Reviews

https://saeaudiostudio1grahamj.wordpress.com

August 2, 2015. August 13, 2015. 1 Production for Video Game Soundtracks. When I was helping compose music for a game it became clear that the planning stage and using the game as the priority inspiration is one of the most important aspects of composition. This inspiration can be taken from screenshots, concept art, gameplay videos and even play testing it if the game is that far into development. IGN, (2015). Behind the Music: How Video Game Soundtracks Are Made – IGN. 2 Recording ADR for Film. When it...

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saeaudiostudio1grahamj.wordpress.com

1

AUS220- Song Analysis 3 – saeaudiostudio1grahamj

https://saeaudiostudio1grahamj.wordpress.com/2015/07/02/aus220-song-analysis-3

AUS220- Song Analysis 3. In Search Of…. The third song that I am going to analyse is titled The Bargain and is by stoner rock band, Fu Manchu. The Bargain is the 11th track off their 3rd full length album titled In Search Of… This track is a great example of stoner rock with its slow, fuzzy guitars, soft vocals and constant short guitar solos. As with most stoner rock, this song structure is fairly simple and very repetitious. Ya shook the override. Why’d I get this far, this time. A ton of more, I mean.

2

jgraham15 – saeaudiostudio1grahamj

https://saeaudiostudio1grahamj.wordpress.com/author/jgraham15

EP Comparison to Other Commercial Releases. Starting this project we wanted to try making the product as professional as possible. This would give us a great portfolio piece as well as giving us the opportunity to learn out publishing and meeting with other people ,outside of audio, that can help develop our product further. Even though we did not have any sort of budget, we did submit it to the submissions drive by the date we agreed on and it was all published on the date we agreed on, as well. Kee...

3

AUS220- Song Analysis 2 – saeaudiostudio1grahamj

https://saeaudiostudio1grahamj.wordpress.com/2015/07/01/aus220-song-analysis-2

AUS220- Song Analysis 2. Bass Drum of Death. Bass Drum of Death. Verse 1- Part 1:. Well I’ve wasted all my time. Trying bad to make you mine. And I know it’s not ok. I can’t find that perfect line. The bass guitar isn’t as low as other rock songs which fits in the mid-high range timbre of the song as a whole. The chords are fairly simple a variate from repetitive low chords to mid to high and back to low, similar to the rhythm guitar in the intro. And when things are not the same. Too far down in my brain.

4

Track Analysis 4 – saeaudiostudio1grahamj

https://saeaudiostudio1grahamj.wordpress.com/2015/05/08/track-analysis-4

The track Crystals was released by electronic music producer MOON of his 2011 EP titled MOON. This track uses various 8bit elements as well as consistent panning and tempo changes. During the intro the first element that gets the listeners attention is the kick. It has a slight reverb but a very low gain and sits at the back of the mix while still being panned centre. It sits from 50-200Hz on an analyzer, peaking at -5dB which explains its punchy timbre but low volume. Gain automation pushes the synth ba...

5

Collaborative Project 1- “Your Team” (Video Game) – saeaudiostudio1grahamj

https://saeaudiostudio1grahamj.wordpress.com/2015/07/08/collaborative-project-1-your-team-video-game

Collaborative Project 1- “Your Team” (Video Game). Introduction, Planning and Pre Production. A few weeks later we saw the project pitch which revealed that the game was a sci-fi game mainly set in space and titled. For the foley we had booked the post suite and recorded some sounds using a total of 2 microphones both dynamic and condenser which can be seen in the production plan. The condenser was set on the cardioid polar pattern and all of our tracks were recorded in mono. Composition was mainly done ...

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saeaudiostudio1grahamj

August 2, 2015. August 13, 2015. 1 Production for Video Game Soundtracks. When I was helping compose music for a game it became clear that the planning stage and using the game as the priority inspiration is one of the most important aspects of composition. This inspiration can be taken from screenshots, concept art, gameplay videos and even play testing it if the game is that far into development. IGN, (2015). Behind the Music: How Video Game Soundtracks Are Made – IGN. 2 Recording ADR for Film. When it...

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