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Vendredi 13 février 2009. L'artiste n'est pas un objet parmi d'autres dans un monde empirique, non plus un voyageur curieux parmi d'autres voyageurs. La peinture découvre l'image en tant que circonstance de la vie historique de la conscience. L'artiste prend connaisance du monde en découvrant la richesse de sa phénoménologie, fait sa propre connaissance en explorant la richesse de la vie phénomélogique de la conscience humaine, en tant que condition de la civilisation. Inscription à : Articles (Atom).

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JARKI | saintpitersburg.blogspot.com Reviews
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Vendredi 13 février 2009. L'artiste n'est pas un objet parmi d'autres dans un monde empirique, non plus un voyageur curieux parmi d'autres voyageurs. La peinture découvre l'image en tant que circonstance de la vie historique de la conscience. L'artiste prend connaisance du monde en découvrant la richesse de sa phénoménologie, fait sa propre connaissance en explorant la richesse de la vie phénomélogique de la conscience humaine, en tant que condition de la civilisation. Inscription à : Articles (Atom).
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JARKI | saintpitersburg.blogspot.com Reviews

https://saintpitersburg.blogspot.com

Vendredi 13 février 2009. L'artiste n'est pas un objet parmi d'autres dans un monde empirique, non plus un voyageur curieux parmi d'autres voyageurs. La peinture découvre l'image en tant que circonstance de la vie historique de la conscience. L'artiste prend connaisance du monde en découvrant la richesse de sa phénoménologie, fait sa propre connaissance en explorant la richesse de la vie phénomélogique de la conscience humaine, en tant que condition de la civilisation. Inscription à : Articles (Atom).

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JARKI: EIDOS

http://saintpitersburg.blogspot.com/2009/02/eidos.html

Vendredi 13 février 2009. L'artiste n'est pas un objet parmi d'autres dans un monde empirique, non plus un voyageur curieux parmi d'autres voyageurs. La peinture découvre l'image en tant que circonstance de la vie historique de la conscience. L'artiste prend connaisance du monde en découvrant la richesse de sa phénoménologie, fait sa propre connaissance en explorant la richesse de la vie phénomélogique de la conscience humaine, en tant que condition de la civilisation. Afficher mon profil complet.

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JARKI: BAISER

http://saintpitersburg.blogspot.com/2009/02/baiser.html

Vendredi 13 février 2009. Inscription à : Publier les commentaires (Atom). Afficher mon profil complet.

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JARKI: février 2009

http://saintpitersburg.blogspot.com/2009_02_01_archive.html

Vendredi 13 février 2009. L'artiste n'est pas un objet parmi d'autres dans un monde empirique, non plus un voyageur curieux parmi d'autres voyageurs. La peinture découvre l'image en tant que circonstance de la vie historique de la conscience. L'artiste prend connaisance du monde en découvrant la richesse de sa phénoménologie, fait sa propre connaissance en explorant la richesse de la vie phénomélogique de la conscience humaine, en tant que condition de la civilisation. Inscription à : Articles (Atom).

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Vendredi 13 février 2009. L'artiste n'est pas un objet parmi d'autres dans un monde empirique, non plus un voyageur curieux parmi d'autres voyageurs. La peinture découvre l'image en tant que circonstance de la vie historique de la conscience. L'artiste prend connaisance du monde en découvrant la richesse de sa phénoménologie, fait sa propre connaissance en explorant la richesse de la vie phénomélogique de la conscience humaine, en tant que condition de la civilisation. Inscription à : Articles (Atom).

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