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Salvaged Skin: A PhD Blog | Affective Memory, Sexuality and the Self in Contemporary Women's Life Writing

Affective Memory, Sexuality and the Self in Contemporary Women's Life Writing

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Salvaged Skin: A PhD Blog | Affective Memory, Sexuality and the Self in Contemporary Women's Life Writing | salvagedskinphd.wordpress.com Reviews

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Affective Memory, Sexuality and the Self in Contemporary Women's Life Writing

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Reading Summary: Kathleen Stewart on Ordinary Affects | Salvaged Skin: A PhD Blog

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Salvaged Skin: A PhD Blog. Affective Memory, Sexuality and the Self in Contemporary Women's Life Writing. May 1, 2013. Reading Summary: Kathleen Stewart on Ordinary Affects. Durham, NC: Duke University Press, 2007. Buy it on Amazon, here. Laquo; Previous post. Next post ». Put the problem into the writing. March 19, 2014. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). Notify me of new comments via email. Reading Sum...

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Reading Summary: Ann Cvetkovich on Affect, Depression, Creativity (II) | Salvaged Skin: A PhD Blog

https://salvagedskinphd.wordpress.com/2013/05/01/reading-summary-ann-cvetkovich-the-utopia-of-ordinary-habit-depression-a-public-feeling-2012/comment-page-1

Salvaged Skin: A PhD Blog. Affective Memory, Sexuality and the Self in Contemporary Women's Life Writing. May 1, 2013. Reading Summary: Ann Cvetkovich on Affect, Depression, Creativity (II). Ann Cvetkovich, The Utopia of Ordinary Habit: Crafting, Creativity, and Spiritual Practice, in Depression: A Public Feeling. Durham, NC: Duke University Press, 2012, pp. 154-202. Meaning resides in the process itself (197). Cvetkovich seeks to redefine domestic space as the private life of public culture, a place whe...

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About | Salvaged Skin: A PhD Blog

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Salvaged Skin: A PhD Blog. Affective Memory, Sexuality and the Self in Contemporary Women's Life Writing. How do bodies affectively remember sexual experience and how are these affective memories narrated in contemporary memoirs written by women? What can queer theory contribute to our current understanding of memory, embodiment and the notion of truth in life writing studies? This working framework of salvaged skin has a dual purpose:. The readings contained in my thesis will be dedicated to the risks a...

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Reading Summary: Kathleen Stewart on Ordinary Affects | Salvaged Skin: A PhD Blog

https://salvagedskinphd.wordpress.com/2013/05/01/reading-summary-kathleen-stewarts-ordinary-affects-2007

Salvaged Skin: A PhD Blog. Affective Memory, Sexuality and the Self in Contemporary Women's Life Writing. May 1, 2013. Reading Summary: Kathleen Stewart on Ordinary Affects. Durham, NC: Duke University Press, 2007. Buy it on Amazon, here. Laquo; Previous post. Next post ». Put the problem into the writing. March 19, 2014. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). Notify me of new comments via email. Reading Sum...

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Reading Summary: Ann Cvetkovich on Affect, Depression, Creativity (II) | Salvaged Skin: A PhD Blog

https://salvagedskinphd.wordpress.com/2013/05/01/reading-summary-ann-cvetkovich-the-utopia-of-ordinary-habit-depression-a-public-feeling-2012

Salvaged Skin: A PhD Blog. Affective Memory, Sexuality and the Self in Contemporary Women's Life Writing. May 1, 2013. Reading Summary: Ann Cvetkovich on Affect, Depression, Creativity (II). Ann Cvetkovich, The Utopia of Ordinary Habit: Crafting, Creativity, and Spiritual Practice, in Depression: A Public Feeling. Durham, NC: Duke University Press, 2012, pp. 154-202. Meaning resides in the process itself (197). Cvetkovich seeks to redefine domestic space as the private life of public culture, a place whe...

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Beyond Dirt Knees | Ryan M. McKelvey

https://ryanmmckelvey.com/current-work/beyond-dirt-knees

Ryan M. McKelvey. Written and performed by Ryan M. McKelvey. With co-direction by Zoya Sardashti. Think of it as possession. I wanted to be filled with a virility that I believed I lacked. Is an investigation of my history and sexuality. The performance builds itself around a specific experience I had with an older man nearly three times my age. Through media, memories and movement,. Speaks of family, self and sex as it asks:. How is one’s language of identity written? In July 2012,. In 2007. In Seou...

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Press Release | Ryan M. McKelvey

https://ryanmmckelvey.com/current-work/dirty-history/press-release

Ryan M. McKelvey. Download or View the Press Release. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email. In the Culture of One World. Affective Memo...

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Cosmetic Confessional | Ryan M. McKelvey

https://ryanmmckelvey.com/current-work/cosmetic-confessional

Ryan M. McKelvey. I wait in a chair. Next to me, a table is covered in tubes of lipstick, pots of paint in every color, charcoal pencils, mineral powders, brushes, blotters, and all of the paraphernalia of beauty. Everything is carefully arranged and ready for the confessants. Is a one-to-one performance. It was first shared during private views at the University of Brighton throughout the end of 2013. The above photographs are from confessions that took place during Bunker Projects. On 29th March 2014.

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Dirt is dirty. Soil is for planting. Compost & Earth…well, that’s the next level! | Ryan M. McKelvey

https://ryanmmckelvey.com/2014/08/27/dirt-is-dirty-soil-is-for-planting-compost-earth-well-thats-the-next-level

Ryan M. McKelvey. Dirt is dirty. Soil is for planting. Compost and Earth…well, that’s the next level! English is a tricky language. I’ve been living in the UK for nearly a year and I still get confused. I’m not having 70 bags of. Delivered to the university tomorrow, because that would be very strange AND I’m not a hoarder. I am, however, having nearly 9,000L of. Delivered this afternoon. sneaky…tricky…dirty words. On another note, there’s this:. And tagged American English. By Ryan M. McKelvey. Dirt is ...

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Projects | Ryan M. McKelvey

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Ryan M. McKelvey. Explore my current and past works-in-progress here. Pingback: A map of the world that does not include Utopia is not worth even glancing at.” Oscar Wilde Ryan M. McKelvey. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out.

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Blog | Ryan M. McKelvey | visibly invisible

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Ryan M. McKelvey. Cosmetic Confessional @ Bunker Projects’ PAF16. I haven’t shown work in Pittsburgh since June or July of 2007, when a one-act play version of. Was produced by Pittsburgh Pride Theater Festival. I was only an audience member, just the writer. A lot has changed since that summer: matured into my thirties while living in Seoul; fell in love, twice; found life beyond myself ( Home Soil. On Saturday, June 11 I will share work at Bunker Projects. 8216; Performance Art Festival 2016. Who did n...

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Position | Ryan M. McKelvey

https://ryanmmckelvey.com/about/artists-position

Ryan M. McKelvey. This manifesto, or my position in the world of art practice, will continually be edited and reimagined as I discover and experience different (. Peggy Phelan writes without a copy, live performance plunges into visibility in a maniacally charged present and disappears into memory, into the realm of invisibility and the unconscious where it eludes regulation and control. Performance resists the balanced calculations of finance. It saves nothing. It only spends. [1]. In Cruising Utopia,.

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Compost + My Body = Comfort | Ryan M. McKelvey

https://ryanmmckelvey.com/2014/08/20/compost-my-body-comfort

Ryan M. McKelvey. Compost My Body = Comfort. These last couple of months have been quite stressful. Generally, I try to have a semi-positive outlook on what’s to come. However, as my final degree performance for the MA. Is quickly upon me, I find myself worrying about things I cannot control…. During this month, my mantra has been: “I have control over my body. I have control over the compost. I don’t have control over anyone or anything else.”—at this time, at least. I’m a believer! Dirt is dirty. S...

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Walking | Ryan M. McKelvey

https://ryanmmckelvey.com/current-work/walking

Ryan M. McKelvey. In predetermined public spaces, I walk in women’s high heels while wearing men’s clothing. The. Public interventions will be a long-term research project. Along with my written thoughts and feelings, their documentation through film and photographs will be the re-presentable performative. Occurred on 11th December 2013 around the fountain in Brighton, UK. The following film is a 10 minute edit of. Leave a Reply Cancel reply. Enter your comment here. Address never made public). You are c...

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Statement | Ryan M. McKelvey

https://ryanmmckelvey.com/about/position

Ryan M. McKelvey. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email. In the Culture of One World. Salvaged Skin: A PhD Blog. 365 Artists 365 Days.

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Salvaged Skin: A PhD Blog | Affective Memory, Sexuality and the Self in Contemporary Women's Life Writing

Salvaged Skin: A PhD Blog. Affective Memory, Sexuality and the Self in Contemporary Women's Life Writing. September 3, 2013. Jane Bennett on Assemblage. Notes taken from Jane Bennett, The Agency of Assemblages, in. Vibrant Matter: A Political Ecology of Things. Durham, N.C.: Duke University Press, 2010, pp. 20-38. Focus: to move agency beyond human bodies and intersubjective fields to vital materialities and the human-nonhuman assemblages they form (30). She examines the real-life effect of a power black...

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