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Samuel Nickerson

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Samuel Nickerson | samuelnickerson.wordpress.com Reviews
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Samuel Nickerson | samuelnickerson.wordpress.com Reviews

https://samuelnickerson.wordpress.com

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Samuel Nickerson | Samuel Nickerson

https://samuelnickerson.wordpress.com/author/slnickerson

Author Archives: Samuel Nickerson. September 9, 2013. Dark and Bloody Ground (Checkhov’s Gun) by Brian O’Donnell. Bookworms and logophiles will be pleased with Uforge Gallery’s September assignment show, Wordplay. Each of the 24 artists submitted works that not only featured text, but played. With it, whether by tearing pages or experimenting with typefaces. Uforge’s assignment shows are always the place to find mixed media pieces almost exhaustingly so and Wordplay. Feels like a concept board for the ne...

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Furniture with a Soul @ Gallery NAGA | Samuel Nickerson

https://samuelnickerson.wordpress.com/2013/06/15/furniture-with-a-soul-gallery-naga

Furniture with a Soul @ Gallery NAGA. June 15, 2013. Sideboard by Michael Puryear from Bubinga, Wenge. Furniture with Soul II at Gallery NAGA. Is the second half of an exhibition complementing craftsman and author David Savage’s book, Furniture with Soul: Master Woodworkers and their Craft. The first installment which went on view last summer featured ten artists, counting Savage among them; part two includes work from eight artists from the United States and the United Kingdom. Nimm Rae II by Alun Heslop.

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Passages @ Gallery 5 | Samuel Nickerson

https://samuelnickerson.wordpress.com/2013/06/20/passages-gallery-5

Passages @ Gallery 5. June 20, 2013. The walls are white. The stands are white. There is no wall text. And all of the glass sculptures that make up Bernard D’Onofrio’s ‘Passages,’ on view at Emmanuel College’s Gallery 5. D’Onofrio’s latest show is a collection of lenses–the lens notion being an inherent quality of clear glass, according to D’Onofrio–but what exactly we are viewing through them is the tricky part, considering the almost sterile appearance of the room. The garden–inside or outside! Lots of...

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Wordplay @Uforge Gallery | Samuel Nickerson

https://samuelnickerson.wordpress.com/2013/09/09/wordplay-uforge-gallery

September 9, 2013. Dark and Bloody Ground (Checkhov’s Gun) by Brian O’Donnell. Bookworms and logophiles will be pleased with Uforge Gallery’s September assignment show, Wordplay. Each of the 24 artists submitted works that not only featured text, but played. With it, whether by tearing pages or experimenting with typefaces. The bits of pages cut to house the revolver are tucked into the frame behind the book, giving a sense of what’s been lost in order to grow this dark and bloody ground. Feels like a co...

5

Performance Art: Explained | Samuel Nickerson

https://samuelnickerson.wordpress.com/2013/07/01/performance-art-explained

July 1, 2013. The artist saw how absurd it was that a person made out of marble was perceived as a sculpture but a person made of flesh and blood was not. And he maintained: I am a sculpture. When I move I am a mobile sculpture and when I make a sound I am a sound sculpture. 8212; Magnús Pálsson. This entry was posted in Art and Design. Passages @ Gallery 5. Wordplay @Uforge Gallery →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:.

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Press | Amy Hitchcock Assemblage and Collage

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Amy Hitchcock Assemblage and Collage. Issue #24. Winter 2015. Samuel Nickerson’s Blog. Isabella Stewart Gardner Museum. 25 Emerging Boston Artists 2010 / Rifrakt Collective. May / June 2010. The Foundation for Art and Healing. STANDING TALL Assemblage 2015. Leave a Reply Cancel reply. You must be logged in. To post a comment. Proudly powered by WordPress.

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September 9, 2013. Dark and Bloody Ground (Checkhov’s Gun) by Brian O’Donnell. Bookworms and logophiles will be pleased with Uforge Gallery’s September assignment show, Wordplay. Each of the 24 artists submitted works that not only featured text, but played. With it, whether by tearing pages or experimenting with typefaces. The bits of pages cut to house the revolver are tucked into the frame behind the book, giving a sense of what’s been lost in order to grow this dark and bloody ground. Feels like a co...

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