samwadekinetics.co.uk samwadekinetics.co.uk

SAMWADEKINETICS.CO.UK

Sam Wade Kinetics

Sam Wade Kinetics Moving Sculpture I like to think my kinetic sculptures tread a fine line between art and engineering, exploring the long tradition of form-through-motion by combining movement and machinery with, I hope, a degree of precision, humour and truth to materials. I work mainly in stainless steel, aluminium, brass, copper, perspex and wood to construct a sculpture rather than carve or cast it. Kinetic: 'an assemblage or sculpture, made up

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Sam Wade Kinetics | samwadekinetics.co.uk Reviews
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Sam Wade Kinetics Moving Sculpture I like to think my kinetic sculptures tread a fine line between art and engineering, exploring the long tradition of form-through-motion by combining movement and machinery with, I hope, a degree of precision, humour and truth to materials. I work mainly in stainless steel, aluminium, brass, copper, perspex and wood to construct a sculpture rather than carve or cast it. Kinetic: 'an assemblage or sculpture, made up
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Sam Wade Kinetics | samwadekinetics.co.uk Reviews

https://samwadekinetics.co.uk

Sam Wade Kinetics Moving Sculpture I like to think my kinetic sculptures tread a fine line between art and engineering, exploring the long tradition of form-through-motion by combining movement and machinery with, I hope, a degree of precision, humour and truth to materials. I work mainly in stainless steel, aluminium, brass, copper, perspex and wood to construct a sculpture rather than carve or cast it. Kinetic: 'an assemblage or sculpture, made up

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samwadekinetics.co.uk samwadekinetics.co.uk
1

Gallery 8 - Sam Wade Kinetics

http://www.samwadekinetics.co.uk/gallery-8

Back in the studio. A popular design revisited. The yellow 'spear' swings across the face at different speeds, while the. Blue and green elements check off the minutes and hours. Unique. Bigger than it looks here: 250mm(10")high. The quivering heart does a full turn every minute, delivering a very important message. It also tells the time. Heartbeat stands 250mm high. Intriguing table top sculpture. It, too, tells the time. Bauhaus is 200mm (8") high. This is a view from above. At ten past 10 o'clock.

2

Gallery 3 - Sam Wade Kinetics

http://www.samwadekinetics.co.uk/gallery-3

Cascade, a mobile in the Alexander Calder tradition, is an absorbing exercise in. Cascade is made from Lucite ( perspex ) on stainless steel and aluminium supports. It is one of a series of table top mobiles. Made from Brass, patinated. Stands 700mm (28") high. Stands 380mm (15") high.

3

Gallery 4 - Sam Wade Kinetics

http://www.samwadekinetics.co.uk/gallery-4

Continuing with the theme 'significant art movements of the early 20th century' we come to the Surrealists represented here by the Animal Clock. Love it or hate it, it's surprisingly easy to read. Patinated brass and copper, 200mm (8") high. Surrealist 5 o'clock Clock. Less challenging in pastel 'driftwood', 250mm (10") high. Nearly ten to two.

4

New Stuff 1 - Sam Wade Kinetics

http://www.samwadekinetics.co.uk/new-stuff-6

Nothing Comes From Nowhere. Exciting, and really needs a video clip to do it justice (I'm working on it). The elements rotate clockwise and anti-clockwise in a chaotic, seemingly random fashion - sometimes calmly, sometimes spinning wildly but interspersed with passages of calm. Altogether mesmerising. Wall hung, and switched by a remote sensing device. Exploits the power of modern rare-earth (neodymium) magnets to attract and repel, powered by 230v synchronous motor working through a gearbox.

5

Gallery 5 - Sam Wade Kinetics

http://www.samwadekinetics.co.uk/gallery-5

This elegant clock-kinetic is another in a series reflecting art movements of the early 20th century. Suprematist resolves into a perfect alignment of squares and rectangles as the hours go by. This version in plywood has. The colourful 'driftwood' treatment. On the wall, 200mm (8") high. As above but in washed-out pastel colours.

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I HAVE A NEW ADDRESS - See 'Contact Me'. I like to think my kinetic sculptures tread a fine line between art and engineering, exploring the long tradition of form-through-motion by combining movement and machinery with, I hope, a degree of precision, humour and truth to materials. I work in a variety of metals, perspex and wood to construct a sculpture rather than carve or cast it. An assemblage or sculpture, made up of parts designed to be set in motion by an internal mechanism or an external force.'.

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