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A return | Jnacc's Music Blog
https://jnaccmusic.wordpress.com/2010/07/19/a-return
Jnacc's Music Blog. Music theory, lessons and reviews. First, I want to apologize for the sudden drop off, certain circumstances led to a loss of interest and time, but I’m back. I’m starting anew at naccmusic.wordpress.com. Don’t worry btw, the posts here will be copied there so they’re not lost. On July 19, 2010 at 7:06 PM Leave a Comment. To TrackBack this entry is:. Https:/ jnaccmusic.wordpress.com/2010/07/19/a-return/trackback/. Feed for comments on this post. Leave a Reply Cancel reply.
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The Minor Scale(s) | Jnacc's Music Blog
https://jnaccmusic.wordpress.com/2009/10/21/the-minor-scales
Jnacc's Music Blog. Music theory, lessons and reviews. Now that I have covered intervals, we can go into what the minor scale is. In theory, a minor scale is a scale that contains a minor third (m3) from the tonic. Is the starting note of the scale. You may have noticed that the title contains an “s” after scale, and that is because there is in fact multiple minor scales. The first one that we will look at is known as the natural minor scale (Aeolian mode.). The Natural Minor Scale. Are two notes that ha...
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Learning the Intervals | Jnacc's Music Blog
https://jnaccmusic.wordpress.com/2009/10/20/learning-the-intervals
Jnacc's Music Blog. Music theory, lessons and reviews. I know I said my next lesson would be the minor scale, but I’ve concluded that the understanding of intervals is something that will help understand these scales better. These intervals are described by the number of semitones apart, which was touched on in the previous lesson. Of S-t Name Example. 0 Perfect Unison (P1) Happy Birthday. 1 Minor Second (m2) Jaws. 2 Major Second (M2) “Do-Re”. 3 Minor Third (m3) Smoke on the Water. Diabolus in musica,.
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The Minor Scale(s): Part II | Jnacc's Music Blog
https://jnaccmusic.wordpress.com/2009/10/22/the-minor-scales-part-ii
Jnacc's Music Blog. Music theory, lessons and reviews. The Minor Scale(s): Part II. This is a continuation of the previous lesson, on minor scales. The last of the three minor scales covered here is the melodic minor scale. The Melodic Minor Scale:. A melodic minor: A, B, C, D, E, F#, G#, A. Bb melodic minor: C, Db, Eb, F, G, A, Bb. B melodic minor: B, C#, D, E, F#, G#, A#, B. C melodic minor: C, D, Eb, F, G, A, B, C. C# melodic minor: C#, D#, E#, F#, G#, A#, B# , C#. The Circle of Fifths. So for example...
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Ionian: The Major Scale | Jnacc's Music Blog
https://jnaccmusic.wordpress.com/2009/10/20/ionian-the-major-scale
Jnacc's Music Blog. Music theory, lessons and reviews. Ionian: The Major Scale. Now that we know what a semitone is, the Major Scale follows the pattern of 2:2:1:2:2:2:1. This translates as the C Major Scale as being C D E F G A B C. (E-F and B-C being the only notes one semitone apart, while the rest are two.). For reference, all of the Major Scales will be listed below, grouped wether they contain sharps(#) or flats(b). F# Maj: F#, G#, A#, B, C#, D#, E#, F#. C# Maj: C#, D#, E#, F#, G#, A#, B#, C#.
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The Basic Chords | Jnacc's Music Blog
https://jnaccmusic.wordpress.com/2009/11/04/the-basic-chords
Jnacc's Music Blog. Music theory, lessons and reviews. Now that I have covered the basics of scales, I wanted to cover some chords. Is a set of at least three different notes that are played simultaneously. Thusly, a Major chord is a chord that contains the root, a major third, and a perfect fifth. Is simply the starting note of the chord. In comparison, a diminished chord is essentially a minor chord with a lowered fifth. This gives it a pattern of 3:3, using a root, a minor third, and a diminished ...
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Major Arpeggios | Synesthesiac
https://synesthesiac.wordpress.com/2009/11/14/major-arpeggios
November 14, 2009. In this article I will present three arpeggio shapes based on the Major triad. Below is an outline of the three shapes that will be covered–the. Note that the bottom numbers denote recommended fingerings (1- index, 2- middle, 3- ring, and 4- little). This article will use the F Major triad as an example:. Http:/ zxyfu0.googlepages.com/FmajArpeg.mp3. The first inversion’s recommended fingering can get tricky at lower frets, so you could use a fingering like this:. Lastly, in the second ...