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the art of pandering

The art of pandering. Wednesday, February 10, 2010. Friday, January 29, 2010. You are ice and fire,. The touch of you burns my hands like snow. You are cold and flame. You are the crimson of amaryllis,. The silver of moon-touched magnolias. When I am with you,. My heart is a frozen pond. Gleaming with agitated torches. What is it about this poem that seems both to invite us inside of it, but also remind us that we cannot ever fully enter that inside? And yet, who is "you? The opal, some other? As I tumbl...

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The art of pandering. Wednesday, February 10, 2010. Friday, January 29, 2010. You are ice and fire,. The touch of you burns my hands like snow. You are cold and flame. You are the crimson of amaryllis,. The silver of moon-touched magnolias. When I am with you,. My heart is a frozen pond. Gleaming with agitated torches. What is it about this poem that seems both to invite us inside of it, but also remind us that we cannot ever fully enter that inside? And yet, who is you? The opal, some other? As I tumbl...
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the art of pandering | saragrossman.blogspot.com Reviews

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The art of pandering. Wednesday, February 10, 2010. Friday, January 29, 2010. You are ice and fire,. The touch of you burns my hands like snow. You are cold and flame. You are the crimson of amaryllis,. The silver of moon-touched magnolias. When I am with you,. My heart is a frozen pond. Gleaming with agitated torches. What is it about this poem that seems both to invite us inside of it, but also remind us that we cannot ever fully enter that inside? And yet, who is "you? The opal, some other? As I tumbl...

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the art of pandering: March 2009

http://www.saragrossman.blogspot.com/2009_03_01_archive.html

The art of pandering. Monday, March 16, 2009. Great Expectations for Media. An incredible thing happened last Thursday night on Comedy Central. The Daily Show with John Stewart aired an episode-length conversation between Daily Show's John Stewart and CNBC's "Fast Money" host, Jim Cramer. The discussion focused on the economic crisis. What is left for us other than the imagination? What kind of world would one live in without the stock market? The Daily Show With Jon Stewart. M - Th 11p / 10c. This is Ni...

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the art of pandering: February 2010

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The art of pandering. Wednesday, February 10, 2010. Subscribe to: Posts (Atom).

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the art of pandering: Walking

http://www.saragrossman.blogspot.com/2010/01/walking.html

The art of pandering. Sunday, January 10, 2010. Had there been a time when order was simple periphery, we remembered it on this morning. But the other bits of landscape would remain familiar. We'd pull ourselves beyond the rows of christmas trees, the overturned tomato and squash soil, and the soybean fields persisting as themselves still if only by the wavering weight of themselves as sticks. Subscribe to: Post Comments (Atom). Aboves a picture I snapped while walking with . Who is a Language Poet?

4

the art of pandering: Whitman's Lines

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The art of pandering. Wednesday, January 27, 2010. As I tumble and stretch through Whitman's 1855 edition of Leaves of Grass (LOG), I find myself unable to dismiss the differences between my Library of Congress edition (which includes the 1855, titleless, LOG) and the "original" manuscript, available online. And b). if the LOC print is supposed to exist as a replica of Whitman's "first" print, then could this issue of line break obliterate (at least in part) its status as such? Who is a Language Poet?

5

the art of pandering: February 2009

http://www.saragrossman.blogspot.com/2009_02_01_archive.html

The art of pandering. Wednesday, February 25, 2009. Something I continue to love about walking on the trail is the realization I have, over and over, that there can be no question of intention, or perhaps there simply does not have to be. No need to explain who you are or even why you have come. Who or what would give mind to these answers, or dare to ask such questions? My experience at Carnegie Lake led to a poem. It appears in its latest form below. It is not enough for you to stay on the path. Yet I ...

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little hunts.: The Sound: Sunday Morning

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Sunday, September 20, 2009. The Sound: Sunday Morning. Non fui. Sum. Fui. Non sum. Subscribe to: Post Comments (Atom). The Sound: Sunday Morning. I'm At Work, Are You? Oliver de la Paz.

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little hunts.: some sort of something

http://littlehunts.blogspot.com/2009/08/some-sort-of-something.html

Thursday, August 20, 2009. Some sort of something. It was these minute disparities that troubled him:. The mattress, in fact, was a light blue. It sat as if sprawled within the cluttered expanse of the room, no box-spring beneath it, set slightly at an angle from the walls' degrees, so it seemed to ease out ever-so-prominently towards the center. Three of the room’s four walls were light blue too, though not the same blue as the mattress:. It was the brick that secured my rental of the room.

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little hunts.: August 2009

http://littlehunts.blogspot.com/2009_08_01_archive.html

Thursday, August 20, 2009. Some sort of something. It was these minute disparities that troubled him:. The mattress, in fact, was a light blue. It sat as if sprawled within the cluttered expanse of the room, no box-spring beneath it, set slightly at an angle from the walls' degrees, so it seemed to ease out ever-so-prominently towards the center. Three of the room’s four walls were light blue too, though not the same blue as the mattress:. It was the brick that secured my rental of the room.

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little hunts.: September 2009

http://littlehunts.blogspot.com/2009_09_01_archive.html

Sunday, September 20, 2009. The Sound: Sunday Morning. Non fui. Sum. Fui. Non sum. Subscribe to: Posts (Atom). The Sound: Sunday Morning. I'm At Work, Are You? Oliver de la Paz.

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the art of pandering

The art of pandering. Wednesday, February 10, 2010. Friday, January 29, 2010. You are ice and fire,. The touch of you burns my hands like snow. You are cold and flame. You are the crimson of amaryllis,. The silver of moon-touched magnolias. When I am with you,. My heart is a frozen pond. Gleaming with agitated torches. What is it about this poem that seems both to invite us inside of it, but also remind us that we cannot ever fully enter that inside? And yet, who is "you? The opal, some other? As I tumbl...

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