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Sarah on Arts of Africa

Sarah on Arts of Africa. My journey of learning in my 2011 Arts of Africa history class at UNI. Friday, November 4, 2011. This week we read three articles that discussed authenticity and truly traditional African art. After reading these articles we were asked to come up with questions that the articles raised and certain quotes that resonated with us. The other issue was that of authenticity. The question was raised of who gets to decide whether or not something is authentic? Friday, October 28, 2011.

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Sarah on Arts of Africa | sarahartsofafrica.blogspot.com Reviews
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Sarah on Arts of Africa. My journey of learning in my 2011 Arts of Africa history class at UNI. Friday, November 4, 2011. This week we read three articles that discussed authenticity and truly traditional African art. After reading these articles we were asked to come up with questions that the articles raised and certain quotes that resonated with us. The other issue was that of authenticity. The question was raised of who gets to decide whether or not something is authentic? Friday, October 28, 2011.
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authentic african art,posted by,sarah schultz,3 comments,email this,blogthis,share to twitter,share to facebook,share to pinterest,no comments,comparing pieces,yoruba ire ibeji,asante akua 'ba,masks,masking,masquerades,ghanaian coffin,older posts,october
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Sarah on Arts of Africa | sarahartsofafrica.blogspot.com Reviews

https://sarahartsofafrica.blogspot.com

Sarah on Arts of Africa. My journey of learning in my 2011 Arts of Africa history class at UNI. Friday, November 4, 2011. This week we read three articles that discussed authenticity and truly traditional African art. After reading these articles we were asked to come up with questions that the articles raised and certain quotes that resonated with us. The other issue was that of authenticity. The question was raised of who gets to decide whether or not something is authentic? Friday, October 28, 2011.

INTERNAL PAGES

sarahartsofafrica.blogspot.com sarahartsofafrica.blogspot.com
1

Sarah on Arts of Africa: October 2011

http://www.sarahartsofafrica.blogspot.com/2011_10_01_archive.html

Sarah on Arts of Africa. My journey of learning in my 2011 Arts of Africa history class at UNI. Friday, October 28, 2011. Sapi, Benin, and Kongo. Thursday, October 20, 2011. The Joys of Technology. and Haitian Culture. Last week my weekly blog somehow did not get published. I am finally getting around to rewriting it and hopefully I can cover the bulk of what I originally intended to post. The joys of technology, right? Friday, October 7, 2011. Yoruba Visual Culture and Spirituality. The Joys of Technolo...

2

Sarah on Arts of Africa: November 2011

http://www.sarahartsofafrica.blogspot.com/2011_11_01_archive.html

Sarah on Arts of Africa. My journey of learning in my 2011 Arts of Africa history class at UNI. Friday, November 4, 2011. This week we read three articles that discussed authenticity and truly traditional African art. After reading these articles we were asked to come up with questions that the articles raised and certain quotes that resonated with us. The other issue was that of authenticity. The question was raised of who gets to decide whether or not something is authentic? Subscribe to: Posts (Atom).

3

Sarah on Arts of Africa: Comparing Pieces

http://www.sarahartsofafrica.blogspot.com/2011/09/comparing-pieces.html

Sarah on Arts of Africa. My journey of learning in my 2011 Arts of Africa history class at UNI. Friday, September 30, 2011. This week we were asked to make a comparison between two pieces of African art from two different African cultures. I chose to compare the Asante peoples' Akua'ba and the Yoruba peoples' Ire-Ibeji. Shown below, both pieces are abstracted figural pieces that have to do with offspring. However, both serve different spiritual purposes. Subscribe to: Post Comments (Atom).

4

Sarah on Arts of Africa: The Radiance of the King

http://www.sarahartsofafrica.blogspot.com/2011/09/radiance-of-king.html

Sarah on Arts of Africa. My journey of learning in my 2011 Arts of Africa history class at UNI. Friday, September 16, 2011. The Radiance of the King. Ghanaian painting of Obama. So our culture and the Ghanaian's culture cross. In both cases death is marked by similar practices, initially lowering a coffin into the ground. And another thought; what would your coffin look like? Subscribe to: Post Comments (Atom). Masks, Masking and Masquerades. The Radiance of the King. The Nani Agbeli Experience.

5

Sarah on Arts of Africa: Authentic African Art

http://www.sarahartsofafrica.blogspot.com/2011/11/authentic-african-art.html

Sarah on Arts of Africa. My journey of learning in my 2011 Arts of Africa history class at UNI. Friday, November 4, 2011. This week we read three articles that discussed authenticity and truly traditional African art. After reading these articles we were asked to come up with questions that the articles raised and certain quotes that resonated with us. The other issue was that of authenticity. The question was raised of who gets to decide whether or not something is authentic? November 6, 2011 at 4:41 PM.

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visualpowerafricanart.weebly.com visualpowerafricanart.weebly.com

Asante - Power Visualized in African Art

http://visualpowerafricanart.weebly.com/asante.html

Power Visualized in African Art. Key Moments in African Life. Asante Chief in regalia, with kente cloth, Image ca. 1977, Photograph, Herbert Cole: African Art, Architecture, and Culture, University of California, Santa Barbara, (photograph from ARTstor). Medium: gold jewelry (rings, bracelets, etc.). Within the Asante people, as well as several others, regalia consists of adornments worn by people of royalty or authority. [1]. Create a free website. Create your own free website.

visualpowerafricanart.weebly.com visualpowerafricanart.weebly.com

Yoruba2 - Power Visualized in African Art

http://visualpowerafricanart.weebly.com/yoruba2.html

Power Visualized in African Art. Key Moments in African Life. Beadwork: Olomu of Omu with his adenla at the annual royal festival, Headwear, beadwork, ARTstor Slide Gallery, University of California, San Diego (photograph from ARTstor). Medium: Headwear, beadwork. Create a free website. Create your own free website. Start your own free website. A surprisingly easy drag and drop site creator. Learn more.

visualpowerafricanart.weebly.com visualpowerafricanart.weebly.com

Kongo - Power Visualized in African Art

http://visualpowerafricanart.weebly.com/kongo.html

Power Visualized in African Art. Key Moments in African Life. Nkisi Nkonde, 19th Century, Central Africa Wood, natural fibers, nails, Minneapolis Institute of the Arts, Minneapolis, (photograph provided by Ellen from Ann Arbor, MI, USA). Medium: Wood, other various materials and objects. Monica Visona, Robin Poynor, and Herbert Cole, A History of Art in Africa, (Upper Saddle River: Pearson Prentice Hall, 2008), 350. Create a free website. Create your own free website. Start your own free website.

visualpowerafricanart.weebly.com visualpowerafricanart.weebly.com

Asante2 - Power Visualized in African Art

http://visualpowerafricanart.weebly.com/asante2.html

Power Visualized in African Art. Key Moments in African Life. Figurines: Akuaba (three), Wood, beads, ARTstor Slide Gallery, University of California, San Diego (photograph from ARTstor). Medium: Wood, beads. Create a free website. Create your own free website. Start your own free website. A surprisingly easy drag and drop site creator. Learn more.

visualpowerafricanart.weebly.com visualpowerafricanart.weebly.com

Baule - Power Visualized in African Art

http://visualpowerafricanart.weebly.com/baule.html

Power Visualized in African Art. Key Moments in African Life. Otherworld Wife (Blolo bla), 20th century, Wood, paint, 31 x 7.5 x 8 cm, Fowler Museum, University of California, Los Angeles (photograph from ARTstor). 1] Monica Visona, Robin Poynor, and Herbert Cole, A History of Art in Africa, (Upper Saddle River: Pearson Prentice Hall, 2008), 214. Create a free website. Create your own free website. Start your own free website. A surprisingly easy drag and drop site creator. Learn more.

visualpowerafricanart.weebly.com visualpowerafricanart.weebly.com

Dogon - Power Visualized in African Art

http://visualpowerafricanart.weebly.com/dogon.html

Power Visualized in African Art. Key Moments in African Life. Djenne, Equestrian Figure, 945-1245 AD, Wood, 28-1/4 x 6-3/4 x 10-1/4 in., The Minneapolis Institiue of Arts, Minneapolis (photograph from ARTstor). Create a free website. Create your own free website. Start your own free website. A surprisingly easy drag and drop site creator. Learn more.

visualpowerafricanart.weebly.com visualpowerafricanart.weebly.com

Bamana - Power Visualized in African Art

http://visualpowerafricanart.weebly.com/bamana.html

Power Visualized in African Art. Key Moments in African Life. Boli Altar, Earth, organic material, h.18", ARTstor Slide Gallery, University of California, San Diego (photograph from ARTstor). Medium: Wood, various spiritual substances. Or spiritual force for the good of the community. [1]. 1] Monica Visona, Robin Poynor, and Herbert Cole, A History of Art in Africa, (Upper Saddle River: Pearson Prentice Hall, 2008), 119-120. Create a free website. Create your own free website. Start your own free website.

visualpowerafricanart.weebly.com visualpowerafricanart.weebly.com

Kongo2 - Power Visualized in African Art

http://visualpowerafricanart.weebly.com/kongo2.html

Power Visualized in African Art. Key Moments in African Life. Sculpture of a two-headed dog, covered with nails: Nkonde Lower Zaire, Wood, nails, iron blades, H.67.5cm, ARTstor Slide Gallery, University of California, San Diego (photograph from ARTstor). Medium: Wood, nails, other various materials and objects. Create a free website. Create your own free website. Start your own free website. A surprisingly easy drag and drop site creator. Learn more.

visualpowerafricanart.weebly.com visualpowerafricanart.weebly.com

Power Visualized in African Art - Home

http://visualpowerafricanart.weebly.com/index.html

Power Visualized in African Art. Key Moments in African Life. Power Visualized in African Art. Welcome to this informational website created to share an interesting theme in African Art: Power. Power is represented visually in a large variety of African people's art using many different kinds of artifacts. Each page within this website features an object relating to power from a wide range of African peoples. Click on each of the pages to learn more! Create a free website. Create your own free website.

visualpowerafricanart.weebly.com visualpowerafricanart.weebly.com

Yoruba - Power Visualized in African Art

http://visualpowerafricanart.weebly.com/yoruba.html

Power Visualized in African Art. Key Moments in African Life. Ere Ibeji, Wood, glass beads, shell, iron, pigment, 26 x 6.8 x 5.5 cm, Fowler Museum, University of California, Los Angeles (photograph from ARTstor). The power that the Ire-Ibeji holds is important because while good fortune can come from paying it tribute and respect, bad fortune can come from ignoring it. 1] Rand African Art, "Yoruba Ere-Ibeji." Accessed November 12, 2011. http:/ www.randafricanart.com/Yoruba Ibeji 1.html.

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sarahartmanmusic : shows

To play the media you will need to update your browser to a recent version or install flash. Sara Hartman - Drunk. No upcoming dates yet, stay tuned. Sign up for our free email list to get the latest news and updates. By submitting, you agree to terms and conditions.

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sarahartmanmusic : shows

To play the media you will need to update your browser to a recent version or install flash. Sara Hartman - Drunk. No upcoming dates yet, stay tuned. Sign up for our free email list to get the latest news and updates. By submitting, you agree to terms and conditions.

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Sara Hart Photography

March 30, 2011. 8212; sarahartphotography @ 4:56 am. March 21, 2011. 8212; sarahartphotography @ 4:31 am. 8212; sarahartphotography @ 4:29 am. February 25, 2011. 8212; sarahartphotography @ 5:57 am. 8230;winter is getting to me. This makes me smile. December 21, 2010. Lunar Eclipse – December 21, 2010. 8212; sarahartphotography @ 8:47 am. As seen from my backyard in Belleville, On. December 6, 2010. 8212; sarahartphotography @ 3:44 pm. December 4, 2010. 8212; sarahartphotography @ 6:17 am.

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My Online Presence

Me as an artist. Tuesday, June 9, 2009. Me as an artist. This work is licensed under a. Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 New Zealand License. Don't steal my shit! Monday, June 8, 2009. Some of the first photography i did using a film camera and developing in the darkroom. Photograph taken as part of a landscape photography project (2007). Victorian/Gothic photographs of Dunedin (2008). Printed in the darkroom and mounted on canvas. Subscribe to: Posts (Atom).

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Sarah Arts

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Sarah on Arts of Africa

Sarah on Arts of Africa. My journey of learning in my 2011 Arts of Africa history class at UNI. Friday, November 4, 2011. This week we read three articles that discussed authenticity and truly traditional African art. After reading these articles we were asked to come up with questions that the articles raised and certain quotes that resonated with us. The other issue was that of authenticity. The question was raised of who gets to decide whether or not something is authentic? Friday, October 28, 2011.

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Coming Soon - Future home of something quite cool

Future home of something quite cool. If you're the site owner. To launch this site. If you are a visitor. Please check back soon.

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Sarah Harvey

New Works at Tweed Regional Gallery Cafe. A brave new world. The travelling menagerie 2012. The circus of life 2012. Byron Art Classic 2012. Print Council of Australia 2011. Carnies, Kooks and Clowns 2010. Melbourne Affordable Art Fair 2009.

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Website designed by Sarah Arvio on iWeb. Jennie Xie: The Poetic Unconscious: An Interview With Sarah Arvio in the Los Angeles Review of Books 10/19/2013. Bodhisattva - an Academy of American Poets poem-a-day selection. And soon to appear in Best American Poetry 2015.