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Sarah J. Mercer | www.sarahjmercer.co.uk

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Sarah J. Mercer | www.sarahjmercer.co.uk | sarahjmercer.co.uk Reviews
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Sarah J. Mercer | www.sarahjmercer.co.uk | sarahjmercer.co.uk Reviews

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1

A Day in the Life of a Cambridge Director – Cambridge Tab – 14/01/2015 | Sarah J. Mercer

http://www.sarahjmercer.co.uk/test-post-2

Sarah J. Mercer. The Future of BARE. A Day in the Life of a Cambridge Director – Cambridge Tab – 14/01/2015. SARAH MERCER exposes the secret life of directors in Cambridge. 8:00 AM: Alarm goes off. Compliment self on ability to get up early and be a productive human before rehearsal at 10:00. Will rise, wash, put on make up, do translation I’ve ignored up till now and generally be competent and effective. 9:50 Rush out door still putting on shoes. 9:52 Go back for script. Hello, I’m Sarah and sometimes I...

2

Review – 4000 Days (27/01/2016) | Sarah J. Mercer

http://www.sarahjmercer.co.uk/review-4000-days-27012016

Sarah J. Mercer. The Future of BARE. Review – 4000 Days (27/01/2016). Currently playing at the delightful Park Theatre, is easy to get excited about. It tells the story. Of Michael, who after spending several days in a coma, wakes up to the realisation that he has forgotten the last eleven years of his life. To make matters more complicated, these are the exact years featuring his partner, Paul. Fits into neither of these categories. All in all,. Was mildly amusing, but ultimately disappointing, never fu...

3

About me | Sarah J. Mercer

http://www.sarahjmercer.co.uk/about-me

Sarah J. Mercer. The Future of BARE. I am values driven, and believe that theatre has a responsibility to use the power it has to enact social change. I also worry that too much of theatre is marketed at too narrow an audience, a dangerous thing for the future. With this in mind, much of my work is on nimble and accessible productions that can reach a wider and newer group of people. Click to share on Twitter (Opens in new window). Share on Facebook (Opens in new window). Sarah J. Mercer. M: 07595 256 407.

4

November | 2015 | Sarah J. Mercer

http://www.sarahjmercer.co.uk/2015/11

Sarah J. Mercer. The Future of BARE. A Day in the Life of a Cambridge Director – Cambridge Tab – 14/01/2015. SARAH MERCER exposes the secret life of directors in Cambridge. 8:00 AM: Alarm goes off. Compliment self on ability to get up early and be a productive human before rehearsal at 10:00. Will rise, wash, put on make up, do. Click to share on Twitter (Opens in new window). Share on Facebook (Opens in new window). Click to share on Google (Opens in new window). Share on Facebook (Opens in new window).

5

Review – Yen (05/02/2016) | Sarah J. Mercer

http://www.sarahjmercer.co.uk/review-yen-05022016

Sarah J. Mercer. The Future of BARE. Review – Yen (05/02/2016). Currently playing at the Royal Court following its critically acclaimed run at the Manchester Royal Exchange, is a beautiful play. It tells the story of sixteen year old Hench (Alex Austin) and his thirteen year old brother Bobby (Jake Davies). With neither of their fathers in the picture, and visits by their troubled mother (Sian Brecky) infrequent, the boys are isolated and effectively feral, existing on an emotional diet of. This excellen...

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Blog Archives - TOP LONDON THEATRE. The no-nonsense, at a glance guide to London theatre gossip, reviews and recommendations

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The no-nonsense, at a glance guide to London theatre gossip, reviews and recommendations. Phil Willmott Considers: How to Write a Musical. A moment from LOST BOY a musical written by Phil Willmott with Mark Collins. Originally published in THE STAGE NEWSPAPER. Phil Willmott wonders if there’s a formula to writing a musical. But can you condense the fundamentals of musical theatre construction into a few basics? Start the composition of each song with a simple, effective and catchy hook line that sums up ...

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Carlos Acosta at The Royal Opera House in CUBANÍA - TOP LONDON THEATRE. The no-nonsense, at a glance guide to London theatre gossip, reviews and recommendations

http://www.toplondontheatre.com/1/post/2015/08/carlos-acosta-at-the-royal-opera-house-in-cubana.html

The no-nonsense, at a glance guide to London theatre gossip, reviews and recommendations. Carlos Acosta at The Royal Opera House in CUBANÍA. SUNDAY, AUGUST 2 2015, 08:58 - PROFILE. The biggest mega-star opening a show in London at the moment is the hugely popular Cuban dancer CARLOS ACOSTA who’s currently starring at The Royal Opera House in. A programme of work designed to show case his talent and sex appeal. Acosta has spoken of his desire ‘. Acosta has danced with many of the leading ballet companies ...

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Still Rocking the Horror - TOP LONDON THEATRE. The no-nonsense, at a glance guide to London theatre gossip, reviews and recommendations

http://www.toplondontheatre.com/1/post/2015/08/still-rocking-the-horror.html

The no-nonsense, at a glance guide to London theatre gossip, reviews and recommendations. Still Rocking the Horror. Revivals of the cult musical THE ROCKY HORROR SHOW have made regular appearances in the West End since it started life in the 1970s in a small theatre off the Kings Road in Chelsea. But it was cinema that really established the piece as a classic. It was my pleasure to direct O’Brien in his last stage appearance. The Only Website Written Entirely by Working Theatre Professionals. Annie (Cra...

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THE VALUE OF FREE THEATRE by Phil Willmott for THE STAGE - TOP LONDON THEATRE. The no-nonsense, at a glance guide to London theatre gossip, reviews and recommendations

http://www.toplondontheatre.com/1/post/2015/08/the-value-of-free-theatre-by-phil-willmott-for-the-stage.html

The no-nonsense, at a glance guide to London theatre gossip, reviews and recommendations. THE VALUE OF FREE THEATRE by Phil Willmott for THE STAGE. Every August for more a decade I’ve made a big classical production and a family show that around 30,000 people watch for free at the Scoop, an open-air amphitheatre next to City Hall on the south bank of the Thames, near London Bridge. The Only Website Written Entirely by Working Theatre Professionals. Editor and Chief Critic:. Davor Golub (New York). Love S...

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Mark Rylance - TOP LONDON THEATRE. The no-nonsense, at a glance guide to London theatre gossip, reviews and recommendations

http://www.toplondontheatre.com/1/post/2015/08/mark-rylance.html

The no-nonsense, at a glance guide to London theatre gossip, reviews and recommendations. The West End has long been the place to see our greatest actors and Mark Rylance, who’ll star in FARINELLI AND THE KING. From September 12th at the Duke of York’s Theatre, is regarded by many as one of our most talented players. It was an extraordinary, understated performance which said so much with stillness and a quiet intensity. READ MORE AND BOOK. Editor and Chief Critic:. Davor Golub (New York). Hand To God Pr...

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Archive 2014 - Summer 2015 - TOP LONDON THEATRE. The no-nonsense, at a glance guide to London theatre gossip, reviews and recommendations

http://www.toplondontheatre.com/1/post/2015/08/archive-2014-summer-2015.html

The no-nonsense, at a glance guide to London theatre gossip, reviews and recommendations. Archive 2014 - Summer 2015. Click here for reviews and news from London and New York. The Only Website Written Entirely by Working Theatre Professionals. Editor and Chief Critic:. Davor Golub (New York). 5 Guts Chillin Review. An American In Paris (Broadway) Review. Annie (Craig Revel Horwood) Review. As You Like It (NT) Review. Barber Of Seville (ENO) Preview. Barber Of Seville Eno Review. Carlos Acosta In Cubania.

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Return of the Barber - TOP LONDON THEATRE. The no-nonsense, at a glance guide to London theatre gossip, reviews and recommendations

http://www.toplondontheatre.com/1/post/2015/08/west-end-reviews.html

The no-nonsense, at a glance guide to London theatre gossip, reviews and recommendations. Return of the Barber. Jonathan Miller, who first found fame way back in the 1960’s as part of the posh comedy group BEYOND THE FRINGE has achieved extraordinary success over the last few decades as the director of some of the best loved and most often revived opera productions in the modern repertoire. It’s great news then that his celebrated staging of Rossini’s comic opera THE BARBER OF SEVILLE. ENO favourite Andr...

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West End Run for SHOWSTOPPER - TOP LONDON THEATRE. The no-nonsense, at a glance guide to London theatre gossip, reviews and recommendations

http://www.toplondontheatre.com/1/post/2015/08/west-end-run-for-showstopper.html

The no-nonsense, at a glance guide to London theatre gossip, reviews and recommendations. West End Run for SHOWSTOPPER. Most people appreciate how tough it is to get a new musical right, achieving the perfect balance of story, song, comedy and tragedy as recent flops like. All the more reason than to see this extraordinary little show where a handful of performers and musicians improvise a new musical based on suggestions from the audience EVERY NIGHT! Editor and Chief Critic:. Davor Golub (New York).

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The Almeida Oresteia Transfers - TOP LONDON THEATRE. The no-nonsense, at a glance guide to London theatre gossip, reviews and recommendations

http://www.toplondontheatre.com/1/post/2015/08/the-almeida-oresteia-transfers.html

The no-nonsense, at a glance guide to London theatre gossip, reviews and recommendations. The Almeida Oresteia Transfers. Oresteia coming to Trafalgar Studios. I’m absolutely thrilled to hear the Almeida Theatre’s recent production of ORESTEIA. Is to transfer to the Trafalgar Studios in the West End from 22nd August. I directed a huge production of it for Olympic year and it was a popular reminder of the original spirit which founded the games. The Almeida production is devised by the same team responsib...

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Click Title for Reviews of Latest West End Shows - TOP LONDON THEATRE. The no-nonsense, at a glance guide to London theatre gossip, reviews and recommendations

http://www.toplondontheatre.com/1/post/2015/08/august-11th-2015.html

The no-nonsense, at a glance guide to London theatre gossip, reviews and recommendations. Click Title for Reviews of Latest West End Shows. Hetty Feathers at the Duke of Yorks ★★★★. Sinatra at the Palladium ★★★★. American Idiot at the Arts Theatre ★★★★. Seven Brides for Seven Brothers at Regents Park Open Air Theatre ★★★★★. The Railway Children at The Kings Cross Theatre ★★★★. Dear Lupin at the Apollo Theatre. 9733;★★. Impossible at the Noel Coward Theatre ★★★. Editor and Chief Critic:. Hand To God Review.

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Sarah J. Mercer. The Future of BARE. BARE: a pop opera. 039;As one character points out, Two folks want to fall in love if no one's hurt, what's wrong with that? And at the end of Bare, when the audience leapt up in a standing ovation, it was as if they were providing the answer.' 10/10 The Cambridge Student. Find out about the future of BARE. The Witches of Eastwick. 039;Mercer’s directorial debut is a hard-hitting, intense piece of theatre, and a resounding success.' * * The Tab. I graduated from Cambr...

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