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Sara Tatai | AUSTRALIA

Melbourne born, Australian Sudanese artist Sara Tatai is primarily a figurative, expressionistic painter. The re-appropriation of the self is a visual strategy aimed at deconstructing the artist’s psychological wonderland. Tatai creates confessional (autobiographical) artworks, using painting as a mechanism for diaristic allusion. She utilizes painting as a means of psychological representation and the female body as her dominant motif. Sara Tatai. ‘Beside my self’, 2012. Acrylic on Canvas 48 x 48. Sara ...

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SARA TATAI

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SPO●●●OOD , VIC, 3015

AU

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SARA TATAI

6 S●●● ST

SPO●●●OOD , VIC, 3015

AU

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SA●●●●●●●@GMAIL.COM

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SARA TATAI

6 S●●● ST

SPO●●●OOD , VIC, 3015

AU

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SA●●●●●●●@GMAIL.COM

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Melbourne born, Australian Sudanese artist Sara Tatai is primarily a figurative, expressionistic painter. The re-appropriation of the self is a visual strategy aimed at deconstructing the artist’s psychological wonderland. Tatai creates confessional (autobiographical) artworks, using painting as a mechanism for diaristic allusion. She utilizes painting as a means of psychological representation and the female body as her dominant motif. Sara Tatai. ‘Beside my self’, 2012. Acrylic on Canvas 48 x 48. Sara ...
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Sara Tatai | AUSTRALIA | saratatai.com Reviews

https://saratatai.com

Melbourne born, Australian Sudanese artist Sara Tatai is primarily a figurative, expressionistic painter. The re-appropriation of the self is a visual strategy aimed at deconstructing the artist’s psychological wonderland. Tatai creates confessional (autobiographical) artworks, using painting as a mechanism for diaristic allusion. She utilizes painting as a means of psychological representation and the female body as her dominant motif. Sara Tatai. ‘Beside my self’, 2012. Acrylic on Canvas 48 x 48. Sara ...

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Drawing | Sara Tatai

http://saratatai.com/drawing

Melbourne born, Australian Sudanese artist Sara Tatai is primarily a figurative, expressionistic painter. The re-appropriation of the self is a visual strategy aimed at deconstructing the artist’s psychological wonderland. Tatai creates confessional (autobiographical) artworks, using painting as a mechanism for diaristic allusion. She utilizes painting as a means of psychological representation and the female body as her dominant motif. Leave a Reply Cancel reply. You must be logged in. To post a comment.

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Painting | Sara Tatai

http://saratatai.com/painting-16

Melbourne born, Australian Sudanese artist Sara Tatai is primarily a figurative, expressionistic painter. The re-appropriation of the self is a visual strategy aimed at deconstructing the artist’s psychological wonderland. Tatai creates confessional (autobiographical) artworks, using painting as a mechanism for diaristic allusion. She utilizes painting as a means of psychological representation and the female body as her dominant motif. Sara Tatai. ‘Beside my self’, 2012. Acrylic on Canvas 48 x 48.

3

Painting | Sara Tatai

http://saratatai.com/painting

Melbourne born, Australian Sudanese artist Sara Tatai is primarily a figurative, expressionistic painter. The re-appropriation of the self is a visual strategy aimed at deconstructing the artist’s psychological wonderland. Tatai creates confessional (autobiographical) artworks, using painting as a mechanism for diaristic allusion. She utilizes painting as a means of psychological representation and the female body as her dominant motif.

4

Painting | Sara Tatai

http://saratatai.com/painting-6

Melbourne born, Australian Sudanese artist Sara Tatai is primarily a figurative, expressionistic painter. The re-appropriation of the self is a visual strategy aimed at deconstructing the artist’s psychological wonderland. Tatai creates confessional (autobiographical) artworks, using painting as a mechanism for diaristic allusion. She utilizes painting as a means of psychological representation and the female body as her dominant motif. 8216;Float or fall 1′, 2011. Acrylic on Canvas 48″ x 40″.

5

Painting | Sara Tatai

http://saratatai.com/painting-7

Melbourne born, Australian Sudanese artist Sara Tatai is primarily a figurative, expressionistic painter. The re-appropriation of the self is a visual strategy aimed at deconstructing the artist’s psychological wonderland. Tatai creates confessional (autobiographical) artworks, using painting as a mechanism for diaristic allusion. She utilizes painting as a means of psychological representation and the female body as her dominant motif.

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