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Lansdown Centre • Scambi : the open work

The ‘Scambi Project’. Open Forms and Electroacoustic Music. The ‘Scambi Project’. The ‘Scambi Project’. New document added to ‘ Documents. Rsquo;: edited trancsript of interview with Prof. Pousseur at his home in Waterloo, Belgium, on June 14th, 2004. New document added to ‘ Documents. Rsquo;: a new translation of Pousseur’s 1959 writing on Scambi. New documents added to ‘ Documents. Rsquo;: Ayrey on ‘Pousseur’s Scambi (1957), and the new problematics of the open work’. The analogue tape work. A monograp...

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Lansdown Centre • Scambi : the open work | scambi.mdx.ac.uk Reviews

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The ‘Scambi Project’. Open Forms and Electroacoustic Music. The ‘Scambi Project’. The ‘Scambi Project’. New document added to ‘ Documents. Rsquo;: edited trancsript of interview with Prof. Pousseur at his home in Waterloo, Belgium, on June 14th, 2004. New document added to ‘ Documents. Rsquo;: a new translation of Pousseur’s 1959 writing on Scambi. New documents added to ‘ Documents. Rsquo;: Ayrey on ‘Pousseur’s Scambi (1957), and the new problematics of the open work’. The analogue tape work. A monograp...

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1 the project

2 research questions

3 project team

4 project events

5 documents

6 scambi

7 listen to scambi

8 henri pousseur

9 about the composer

10 the open work

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Lansdown Centre • Scambi : the open work | scambi.mdx.ac.uk Reviews

https://scambi.mdx.ac.uk

The ‘Scambi Project’. Open Forms and Electroacoustic Music. The ‘Scambi Project’. The ‘Scambi Project’. New document added to ‘ Documents. Rsquo;: edited trancsript of interview with Prof. Pousseur at his home in Waterloo, Belgium, on June 14th, 2004. New document added to ‘ Documents. Rsquo;: a new translation of Pousseur’s 1959 writing on Scambi. New documents added to ‘ Documents. Rsquo;: Ayrey on ‘Pousseur’s Scambi (1957), and the new problematics of the open work’. The analogue tape work. A monograp...

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scambi.mdx.ac.uk

1

Lansdown Centre • Scambi : the open work

http://scambi.mdx.ac.uk/documents.html

The ‘Scambi Project’. Open Forms and Electroacoustic Music. The ‘Scambi Project’. Documents to view and download. Downloadable files are in Adobe Acrobat PDF format. You can download the viewer free of charge from Adobes website. Notes on the Realization of Scambi. Author: John Dack. Date: December 2004. Pages: 10. The ‘open’ form – literature and music. Paper presented at the ‘Scambi Symposium’ Goldsmiths College. February 18th, 2005. Author: John Dack. Date: March 2005. Pages: 9. 700pm at the Conway H...

2

Lansdown Centre • Scambi : the open work

http://scambi.mdx.ac.uk/openform.html

The ‘Scambi Project’. Open Forms and Electroacoustic Music. The ‘Scambi Project’. New content will be appear on this page during the life of the project. Every effort has been made to ensure that the information on this site is correct at the time of publication, but the Lansdown Centre for Electronic Arts cannot accept responsibility for errors.

3

Lansdown Centre • Scambi : the open work

http://scambi.mdx.ac.uk/index.html

The ‘Scambi Project’. Open Forms and Electroacoustic Music. The ‘Scambi Project’. The ‘Scambi Project’. New document added to ‘ Documents. Rsquo;: edited trancsript of interview with Prof. Pousseur at his home in Waterloo, Belgium, on June 14th, 2004. New document added to ‘ Documents. Rsquo;: a new translation of Pousseur’s 1959 writing on Scambi. New documents added to ‘ Documents. Rsquo;: Ayrey on ‘Pousseur’s Scambi (1957), and the new problematics of the open work’. The analogue tape work. A monograp...

4

Lansdown Centre • Scambi : the open work

http://scambi.mdx.ac.uk/composer.html

The ‘Scambi Project’. Open Forms and Electroacoustic Music. The ‘Scambi Project’. La Rose Des Voix. Le Sablier Du Phenix. 1994, etc.). Henri Pousseur taught in Germany, Switzerland, and the United States, and then at Liège University and Conservatoire from 1970 onwards, where he also founded the. Centre de recherches et de formation musicales de Wallonie. Institut de Pédagogie musicale. From 1983 to 1987) now integrated into the. Cité de la Musique. Resource centre). Here he founded the magazine. Henri P...

5

Lansdown Centre • Scambi : the open work

http://scambi.mdx.ac.uk/team.html

The ‘Scambi Project’. Open Forms and Electroacoustic Music. The ‘Scambi Project’. Dr John Dack (project director). Lansdown Centre for Electronic Arts, Middlesex University. Université de Nice Sophia-Antipolis. Goldsmiths College, London. Each participant has a clearly defined role within the project, stemming from his particular research area. However it is inevitable and desirable that these individual investigations will be mutually supportive and provide corroborative evidence. Every effort has been ...

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electronicmusicperformance.wordpress.com

Scambi by Henri Pousseur | Electronic Music Performance

https://electronicmusicperformance.wordpress.com/2015/05/11/scambi-by-henri-pousseur

A living list of essential listening in experimental electronic music related fields– grouped topically with the intention of underscoring connections between music made over several generations and overlapping practices. Upcoming Events / Venues. Scambi by Henri Pousseur. May 11, 2015. Is an open form electronic work by composer Henri Pousseur (Belgium) in 1957 at the Studio di fonologia musicale di Radio Milano. Women in Electronic Music →. 8212;——-. An International Archive of Sound Art.

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Was bedeutet "Offenheit"? – Felix Stalder

http://fs.vmk.zhdk.ch/Was_bedeutet_"Offenheit"%3F

Offenheit wird heute von allen Seiten als etwas postives gepriesen. Im Schatten des Erfolges der Open Source Bewegung sind, besonders im Kontext der digitalen Kultur, eine Unmenge an Initiativen entstanden, die fast überall "Offenheit" einführen wollen. Was aber genau bedeutet Offenheit? Warum ist Offenheit zu einem gerade jetzt zu einem Schlüsselbegriff geworden? Und, ist Offenheit eigentlich immer als positiv zu bewerten? Gibt es eine dunkle Seite der Offenheit? Offenheit und Wissen(schaft): Open Source.

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Das offene Kunstwerk | VMK - Notizen

https://vmknotizen.wordpress.com/2008/05/13/das-offene-kunstwerk

VMK – Notizen. Laquo; Technologie 4 6: Python. Wahrnehmung and Räumlichkeit 8. Offenheit im Sinne des Verhältnis zw. Künstler und Rezipient (Interpret). Die Mehrdeutigkeit des Kunstwerkes wir bereits in der Erschaffung des Werkes bewusst eingebracht. Das als Folge der Erfahrungen aus der Wissenschaft (Quantentheorie and Relativitätstheorie verweisen auf Ambiguität). Die Erfahrung eines 2. Weltkrieges wird da wohl auch seinen Anteil in dieser Entwicklung gehabt haben. Weitere sind John Cage. Du kommentier...

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StephenBoydDavis: September 2009

http://stephenbd.blogspot.com/2009_09_01_archive.html

Thursday, 24 September 2009. Computers are systematic machines – though the question of whether they are inherently limiting has been debated since the protocomputing of Babbage and Lovelace. Since programmes are so easily conceived as sets of rules and mechanisms for applying them, there seems a particular tendency when play is offered though digital systems to opt for those forms of play which are already most systematised. They favour what Callois termed ludus. Eco, U. (1979) The role of the reade...

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Lansdown Centre • Scambi : the open work

The ‘Scambi Project’. Open Forms and Electroacoustic Music. The ‘Scambi Project’. The ‘Scambi Project’. New document added to ‘ Documents. Rsquo;: edited trancsript of interview with Prof. Pousseur at his home in Waterloo, Belgium, on June 14th, 2004. New document added to ‘ Documents. Rsquo;: a new translation of Pousseur’s 1959 writing on Scambi. New documents added to ‘ Documents. Rsquo;: Ayrey on ‘Pousseur’s Scambi (1957), and the new problematics of the open work’. The analogue tape work. A monograp...

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