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Scrambling at the foothills of cinema. Sunday, 8 November 2009. Bright Star (Jane Campion, 2009). Like any biopic, or a literary or artistic biography in any medium, Jane Campion’s Bright Star (which depicts the late life of John Keats until his death in 1821, his love affair with Fanny Brawne and her rivalry with Charles Brown, Keats’s close friend, for the poet’s heart and attention) finds itself having to ask a question: where do literary works come from? Monday, 30 March 2009. Monday, 19 January 2009.

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Scree | scree-blog.blogspot.com Reviews

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Scrambling at the foothills of cinema. Sunday, 8 November 2009. Bright Star (Jane Campion, 2009). Like any biopic, or a literary or artistic biography in any medium, Jane Campion’s Bright Star (which depicts the late life of John Keats until his death in 1821, his love affair with Fanny Brawne and her rivalry with Charles Brown, Keats’s close friend, for the poet’s heart and attention) finds itself having to ask a question: where do literary works come from? Monday, 30 March 2009. Monday, 19 January 2009.

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Scree | scree-blog.blogspot.com Reviews

https://scree-blog.blogspot.com

Scrambling at the foothills of cinema. Sunday, 8 November 2009. Bright Star (Jane Campion, 2009). Like any biopic, or a literary or artistic biography in any medium, Jane Campion’s Bright Star (which depicts the late life of John Keats until his death in 1821, his love affair with Fanny Brawne and her rivalry with Charles Brown, Keats’s close friend, for the poet’s heart and attention) finds itself having to ask a question: where do literary works come from? Monday, 30 March 2009. Monday, 19 January 2009.

INTERNAL PAGES

scree-blog.blogspot.com

1

Scree: March 2008

http://scree-blog.blogspot.com/2008_03_01_archive.html

Scrambling at the foothills of cinema. Monday, 17 March 2008. Holiday (George Cukor, 1938). Pat bought this DVD a long while ago, but we hadn't watched it together until last night - I think I was put off every time by these cheesy promotional images in which poor Cary Grant manages to look like he's anxiously forcing a smile and wishing that he was somewhere that he actually wants to be. In the end, I was really glad that we saw it; and. Overlooked by the portraits of his disapproving family and inlaws?

2

Scree: August 2008

http://scree-blog.blogspot.com/2008_08_01_archive.html

Scrambling at the foothills of cinema. Saturday, 2 August 2008. Twelve Angry Men (Sidney Lumet, 1957). Makes me feel great, and I'll gladly watch it again and again until the day I die, but I find myself thinking it more frothy than I used to, a liberal feel-good fantasy movie. But this strikes me as a really uncinematic film, not just in its theatrical restriction to the jury room (and I was struck on this occasion by the script's continual insistence that we should imagine the scene of crime, and of th...

3

Scree: November 2009

http://scree-blog.blogspot.com/2009_11_01_archive.html

Scrambling at the foothills of cinema. Sunday, 8 November 2009. Bright Star (Jane Campion, 2009). Like any biopic, or a literary or artistic biography in any medium, Jane Campion’s Bright Star (which depicts the late life of John Keats until his death in 1821, his love affair with Fanny Brawne and her rivalry with Charles Brown, Keats’s close friend, for the poet’s heart and attention) finds itself having to ask a question: where do literary works come from? Subscribe to: Posts (Atom).

4

Scree: Terence Davies, Of Time and the City

http://scree-blog.blogspot.com/2008/06/terence-davies-of-time-and-city.html

Scrambling at the foothills of cinema. Thursday, 12 June 2008. Terence Davies, Of Time and the City. I'm not sure how long the trailer will remain here. Though there's a rather stylish website here. But I'm feeling really excited about this film. Subscribe to: Post Comments (Atom). Cambridge, Cambridgeshire, United Kingdom. View my complete profile. Terence Davies, Of Time and the City.

5

Scree: Double bills

http://scree-blog.blogspot.com/2008/07/double-bills.html

Scrambling at the foothills of cinema. Monday, 14 July 2008. Pat and I had been talking about double bills the other week, having watched Altman's Short Cuts. For the first time in ages. It has such obvious links with Paul Thomas Anderson's Magnolia. Always seems much more than a film inspired by Short Cuts. More a remake than a commentary. It's also a film that I've come to know much better than Altman's. And as well as finding that I liked Short Cuts. Much more when the bravado of Magnolia. The Coens a...

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Scree

Scrambling at the foothills of cinema. Sunday, 8 November 2009. Bright Star (Jane Campion, 2009). Like any biopic, or a literary or artistic biography in any medium, Jane Campion’s Bright Star (which depicts the late life of John Keats until his death in 1821, his love affair with Fanny Brawne and her rivalry with Charles Brown, Keats’s close friend, for the poet’s heart and attention) finds itself having to ask a question: where do literary works come from? Monday, 30 March 2009. Monday, 19 January 2009.

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Scree Wash

Scree·Wash (skree wôsh, -wsh, skree-). N 1 Ridiculous speech or writing; nonsense. Wednesday, 26 November 2014. Counsel. or Contain? AKA "Do the drugs work? How can the lonely pass a wall of friends? How does the empty fill a heart that sings? How does a single moment cloud the past? Why does my mind dwell on these things? How dare my anger rule this week! How dare the sadness bring me down! How dare the bitterness taint my joy. And cause to hide behind my frown! This world is spinning in the dark. Hold ...

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