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KIDS | screenfiles
https://screenfiles.wordpress.com/2015/11/25/kids-2
November 25, 2015. Larry Clark’s 90’s Art House shocker turned 20 this year – and it’s as gnarly as ever. It should sound as if the two people are fucking into a microphone. The sounds should be painful and raw. So reads the opening line of first time screenwriter, 19-year-old Harmony Korine’s screenplay for. One of the greatest gatherings of amateurs in film history. After finding himself ‘. At a Tribeca screening. Will leave you nothing short of gob-smacked. The puffing and panting of the black-screen ...
HE SAYS/SHE SHOWS | screenfiles
https://screenfiles.wordpress.com/2015/11/15/he-saysshe-shows
November 15, 2015. Lost in Translation and Her have drawn much comparison since the latter was released in 2013. Same-same but different? Something like that…. In a lonely fishbowl above a vast metropolis the protagonist tosses and turns – aimless, forlorn and yearning for a connection. Cue a hip indie soundtrack, a few playful, platonic jaunts through a bustling city, a sing-a-long or two and a tearful but timely departure. Filter it all through a groovy, moody palette of your choice, et voila! With the...
THE PULP FICTION BEAT TEST | screenfiles
https://screenfiles.wordpress.com/2015/10/26/the-pulp-fiction-beat-test
THE PULP FICTION BEAT TEST. October 26, 2015. Does Pulp Fiction really do away with linear narrative? In 1994 Pulp Fiction won the Palm d’Or at Cannes and nabbed Tarantino an Oscar for best original screenplay. It did away with traditional story telling through its use of inside-out edits and over-lapping plotlines. It is widely accepted that. Ok, very clever. But what if we leave the film as it is? Then we have a wild, post-modernist melange the likes of which was not seen before 1994 right? Down to the...
TAKING THE HIGH ROAD | screenfiles
https://screenfiles.wordpress.com/2015/12/30/taking-the-high-road
TAKING THE HIGH ROAD. December 30, 2015. Michael Cera and Gabby Hoffman on a psychedelic road trip in Chile. A critique of Crystal Fairy and the Magical Cactus. Director Sebastian Silva and Michael Cera who stars in the film were ‘on the road’ in Chile, waiting to film another movie about being ‘on the road’ when they slapped. Crystal Fairy and The Magical Cactus. The horror road movie the pair were waiting to film features naïve Americans being met by menace in a foreign land. Whereas.
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Screenfice | www.screenfice.com
4,064,470 likes. Of Course Hidden Fences Already Has A Parody Trailer, And It’s Hilarious. The Miracle of Life Has a Taste for Death in Bizarre ‘Prevenge’ Trailer. New Cars 3 Trailer Coming on January 9. Christian’s Past Won’t Let Go in the New Fifty Shades Darker Spot. Rogue One Passes Civil War To Become Second Biggest Film Of 2016. The Wolverine Composer Marco Beltrami Returning for Logan. Mariah Carey Shrugs, ‘$#*! Happens’ in Wake of New Year’s Lip Sync Fiasco. Nov 21, 2016. Jul 10, 2016. I think it...
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screenfiles | doosie morris
TAKING THE HIGH ROAD. Michael Cera and Gabby Hoffman on a psychedelic road trip in Chile. A critique of Crystal Fairy and the Magical Cactus. Larry Clark’s 90’s Art House shocker turned 20 this year – and it’s as gnarly as ever. Lost in Translation and Her have drawn much comparison since the latter was released in 2013. Same-same but different? Something like that…. THE BEACH IN TROPES. There will be sex, death and nature- served with all the beachy trimmings. THE PULP FICTION BEAT TEST.
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Screen Film Summit 2014
Shaping the future of UK film. The Screen Film Summit presented the most up-to-date picture of the UK film industry. On how it will develop, at the BFI on 1 December 2014. Keynote presentations and panel discussions investigated trends, successes and the positioning of UK film, locally. And in the international marketplace. Building on this model of the industry, the Summit addressed the future of film in the UK, focusing on specific areas of interest:. Terms and Conditions / Privacy and Cookie Policy.
