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Screen Vistas

Thursday, May 21, 2015. MAD MAX: FURY ROAD. Mad Max: Fury Road. Is one bold film. It's directed, like all Max. Films, by George Miller, who starts with a simple, audacious hook — the entire film is one extended chase sequence — then somehow manages to build it up into a surprisingly complex piece of storytelling and comes out with a masterpiece of boom. A mad, surrealist cavalcade of rock and roll carnage aiming a fat middle finger at every big budget faux-action epic of the last decade. A few bits of bu...

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Screen Vistas | screenvistas.blogspot.com Reviews
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Thursday, May 21, 2015. MAD MAX: FURY ROAD. Mad Max: Fury Road. Is one bold film. It's directed, like all Max. Films, by George Miller, who starts with a simple, audacious hook — the entire film is one extended chase sequence — then somehow manages to build it up into a surprisingly complex piece of storytelling and comes out with a masterpiece of boom. A mad, surrealist cavalcade of rock and roll carnage aiming a fat middle finger at every big budget faux-action epic of the last decade. A few bits of bu...
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Screen Vistas | screenvistas.blogspot.com Reviews

https://screenvistas.blogspot.com

Thursday, May 21, 2015. MAD MAX: FURY ROAD. Mad Max: Fury Road. Is one bold film. It's directed, like all Max. Films, by George Miller, who starts with a simple, audacious hook — the entire film is one extended chase sequence — then somehow manages to build it up into a surprisingly complex piece of storytelling and comes out with a masterpiece of boom. A mad, surrealist cavalcade of rock and roll carnage aiming a fat middle finger at every big budget faux-action epic of the last decade. A few bits of bu...

INTERNAL PAGES

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1

Screen Vistas: May 2015

http://www.screenvistas.blogspot.com/2015_05_01_archive.html

Thursday, May 21, 2015. MAD MAX: FURY ROAD. Mad Max: Fury Road. Is one bold film. It's directed, like all Max. Films, by George Miller, who starts with a simple, audacious hook — the entire film is one extended chase sequence — then somehow manages to build it up into a surprisingly complex piece of storytelling and comes out with a masterpiece of boom. A mad, surrealist cavalcade of rock and roll carnage aiming a fat middle finger at every big budget faux-action epic of the last decade. A few bits of bu...

2

Screen Vistas: April 2014

http://www.screenvistas.blogspot.com/2014_04_01_archive.html

Saturday, April 19, 2014. CAPTAIN AMERICA: THE WINTER SOLDIER. Rarely has a franchise shifted gears so radically as Captain America. The character is, by far, the oldest in the Marvel Cinematic lineup, as testified by the decidedly retro tone of the original, a fun piece of jingoistic nonsense which saw Steve Rogers (Chris Evens) injected with super-serum and fighting rogue Nazi's. The sequel, subtitled The Winter Soldier. Links to this post. Samuel L. Jackson. Tuesday, April 8, 2014. By the mid 70&#8217...

3

Screen Vistas: WES ANDERSON ROUNDTABLE: THE FANTASTIC MR. FOX

http://www.screenvistas.blogspot.com/2014/08/wes-anderson-roundtable-fantastic-mr-fox.html

Tuesday, August 26, 2014. WES ANDERSON ROUNDTABLE: THE FANTASTIC MR. FOX. Every now and then at Screen Vistas I like to team up with Max O’Connell over at The Film Temple. To tackle the work of one of our favorite directors. This time we’re looking at comedy stylist/master of whimsy Wes Anderson. At the time, Life Aquatic. Left some people feeling that Wes Anderson was getting too caught up in his style. He did little to assuage those anxieties with his follow up:. Split a lot of people. What else is int...

4

Screen Vistas: MAD MAX: FURY ROAD

http://www.screenvistas.blogspot.com/2015/05/mad-max-fury-road.html

Thursday, May 21, 2015. MAD MAX: FURY ROAD. Mad Max: Fury Road. Is one bold film. It's directed, like all Max. Films, by George Miller, who starts with a simple, audacious hook — the entire film is one extended chase sequence — then somehow manages to build it up into a surprisingly complex piece of storytelling and comes out with a masterpiece of boom. A mad, surrealist cavalcade of rock and roll carnage aiming a fat middle finger at every big budget faux-action epic of the last decade. A few bits of bu...

5

Screen Vistas: May 2014

http://www.screenvistas.blogspot.com/2014_05_01_archive.html

Thursday, May 22, 2014. It's common for Godzilla. Movies to overestimate our interest in their human characters. It's an honest miscalculation, after all cinema is about human concerns and heartbreak and we extend this to our monsters as well who are often anthropomorphized, but it is in this respect that Godzilla. Links to this post. Friday, May 16, 2014. THE AMAZING SPIDER-MAN 2. I knew Amazing Spider-Man 2. The sequel to the 2012 reboot which I defend with increasing faintness,. Watching these scenes ...

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g-blatt's dreams: January 2013

http://g-blatt.blogspot.com/2013_01_01_archive.html

Tuesday, January 1, 2013. G-Blatt's Dreams have moved! G-Blatt's Dreams has a new, easier to remember name: "Screen Vistas," you can find it at our new address by clicking here. Please update your bookmarks accordingly. I got a bunch of reviews coming and a Year's Best list coming throughout the month. Hope you enjoy the new look and feel, and happy 2013! Subscribe to: Posts (Atom). G-Blatts Dreams have moved! View my complete profile. Picture Window template. Powered by Blogger.

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The Film Temple: July 2014

http://thefilmtemple.blogspot.com/2014_07_01_archive.html

Sunday, July 27, 2014. Director Spotlight #16.6: Akira Kurosawa's "Rashomon". Takes a look at an auteur, shines some light on the director’s body of work, points out what makes them an artist, and shows why some of their films work and some don’t. This edition’s director is the incalculably influential Akira Kurosawa. NOTE: There’s likely to be spoilers in this thing. If it’s going to bother you, I’d highly suggest not reading ahead until you’ve seen the film in question. When Kurosawa takes us into thei...

thefilmtemple.blogspot.com thefilmtemple.blogspot.com

The Film Temple: August 2014

http://thefilmtemple.blogspot.com/2014_08_01_archive.html

Sunday, August 24, 2014. Even before they were so indelibly parodied in Walk Hard: The Dewey Cox Story. Musical biopics were usually shapeless affairs that reduced whole careers and personalities to troubled genius templates, bonus points if their problems could be explained by childhood trauma. But even if Ray. Or Walk the Line. Which doesn’t seem to have any idea of what it wants to say about Brown’s music, his ego or his personal life. And Walk the Line. To insight about Brown’s character. N...Of writ...

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g-blatt's dreams: G-Blatt's Dreams have moved!

http://g-blatt.blogspot.com/2013/01/g-blatts-dreams-have-moved.html

Tuesday, January 1, 2013. G-Blatt's Dreams have moved! G-Blatt's Dreams has a new, easier to remember name: "Screen Vistas," you can find it at our new address by clicking here. Please update your bookmarks accordingly. I got a bunch of reviews coming and a Year's Best list coming throughout the month. Hope you enjoy the new look and feel, and happy 2013! Subscribe to: Post Comments (Atom). G-Blatts Dreams have moved! View my complete profile. Picture Window template. Powered by Blogger.

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Thursday, May 21, 2015. MAD MAX: FURY ROAD. Mad Max: Fury Road. Is one bold film. It's directed, like all Max. Films, by George Miller, who starts with a simple, audacious hook — the entire film is one extended chase sequence — then somehow manages to build it up into a surprisingly complex piece of storytelling and comes out with a masterpiece of boom. A mad, surrealist cavalcade of rock and roll carnage aiming a fat middle finger at every big budget faux-action epic of the last decade. A few bits of bu...

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