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Screenwriter411

Screenwriter and Script Consultant. Saturday, March 5, 2011. MAIN CHARACTER: Failure Matters. 8220;What do you have to lose? Too few screenwriters ask this question of their main character. You can nail the dialog, render authentic characters and portray realistic events. You can imagine internal/external conflicts and take your reader through an emotional journey. But still, people will set down your script with a dismissive “that’s nice” if your character has nothing to lose. In “The Fighter̶...

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Screenwriter411 | screenwriter911.blogspot.com Reviews

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Screenwriter and Script Consultant. Saturday, March 5, 2011. MAIN CHARACTER: Failure Matters. 8220;What do you have to lose? Too few screenwriters ask this question of their main character. You can nail the dialog, render authentic characters and portray realistic events. You can imagine internal/external conflicts and take your reader through an emotional journey. But still, people will set down your script with a dismissive “that’s nice” if your character has nothing to lose. In “The Fighter&#822...

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Screenwriter411 | screenwriter911.blogspot.com Reviews

https://screenwriter911.blogspot.com

Screenwriter and Script Consultant. Saturday, March 5, 2011. MAIN CHARACTER: Failure Matters. 8220;What do you have to lose? Too few screenwriters ask this question of their main character. You can nail the dialog, render authentic characters and portray realistic events. You can imagine internal/external conflicts and take your reader through an emotional journey. But still, people will set down your script with a dismissive “that’s nice” if your character has nothing to lose. In “The Fighter&#822...

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screenwriter911.blogspot.com

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Screenwriter411: March 2011

http://screenwriter911.blogspot.com/2011_03_01_archive.html

Screenwriter and Script Consultant. Saturday, March 5, 2011. MAIN CHARACTER: Failure Matters. 8220;What do you have to lose? Too few screenwriters ask this question of their main character. You can nail the dialog, render authentic characters and portray realistic events. You can imagine internal/external conflicts and take your reader through an emotional journey. But still, people will set down your script with a dismissive “that’s nice” if your character has nothing to lose. In “The Fighter&#822...

2

Screenwriter411: July 2010

http://screenwriter911.blogspot.com/2010_07_01_archive.html

Screenwriter and Script Consultant. Monday, July 5, 2010. CHARACTER BIOGRAPHY - Knowing the Past. Finding the Present. It’s Christmas. Supper is almost ready. Everyone has been waiting to open presents. But your brother John hasn’t arrived, yet. You always wait for him. It is so irritating. You get short-tempered – John has always been the favorite child. If you ever came late, there would be hell to pay. But not him. He is Mr. Perfect. Everyone is miserable. But no one says a word. Will he ever change?

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Screenwriter411: MAIN CHARACTER: Failure Matters

http://screenwriter911.blogspot.com/2011/03/main-character-failure-matters.html

Screenwriter and Script Consultant. Saturday, March 5, 2011. MAIN CHARACTER: Failure Matters. 8220;What do you have to lose? Too few screenwriters ask this question of their main character. You can nail the dialog, render authentic characters and portray realistic events. You can imagine internal/external conflicts and take your reader through an emotional journey. But still, people will set down your script with a dismissive “that’s nice” if your character has nothing to lose. In “The Fighter&#822...

4

Screenwriter411: September 2010

http://screenwriter911.blogspot.com/2010_09_01_archive.html

Screenwriter and Script Consultant. Monday, September 6, 2010. THE VERDICT: A Case Study in Character. An outstanding example of excellent character development can be found in THE VERDICT (1982) screenplay by David Mamet, based on the novel by Barry Reed. All of this happened before page one. Galvin sees his opportunity to stand up against the system and the “old boy network.” He can win justice and find redemption. Let’s find out:. Concannon is arrogant. His success and the trappings of his lifesty...

5

Screenwriter411: February 2011

http://screenwriter911.blogspot.com/2011_02_01_archive.html

Screenwriter and Script Consultant. Sunday, February 20, 2011. THE ANTAGONIST: Even the Enemy is the Protagonist of His Own Life. He won’t fail. And even if he does, I got another dozen right behind him. I don’t know if Bourne went rogue and I don’t need to know. All I want to hear is that he’s dead before he brings this whole thing down on our heads.” - Conklin, The Bourne Identity. In great writing, the Antagonist is right. That doesn’t mean you agree with him. In The Bourne Identity. By Joss Whedon an...

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fulfordcreative.com

Fulford Creative | Hot Links

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Fulford Creative Hot Links. Video & Multimedia. In the sections below, you’ll find a wide variety of sites from my realm of work (copywriting, storytelling, branded entertainment, etc.). Basically, these are the sites I go to for inspiration and education. This page is constantly evolving, so check back every so often to see what’s new. If you have a related site for me to check out, feel free to email me. Oregon Media Production Association. Henry Jenkins Transmedia Blog. Brainstorm the Show (Altoids).

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Screenwriter and Script Consultant. Saturday, March 5, 2011. MAIN CHARACTER: Failure Matters. 8220;What do you have to lose? Too few screenwriters ask this question of their main character. You can nail the dialog, render authentic characters and portray realistic events. You can imagine internal/external conflicts and take your reader through an emotional journey. But still, people will set down your script with a dismissive “that’s nice” if your character has nothing to lose. In “The Fighter&#822...

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