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February 15-19th production of Seneca's Medea at the Burton Taylor Studio, Oxford

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MEDEA FIAM | senecasmedea.blogspot.com Reviews
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February 15-19th production of Seneca&#39;s Medea at the Burton Taylor Studio, Oxford
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1 press
2 about the text
3 about the performance
4 first production
5 original soundtrack
6 trailer
7 on classics confidential
8 a classics confidential
9 labels classics confidential
10 interview
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MEDEA FIAM | senecasmedea.blogspot.com Reviews

https://senecasmedea.blogspot.com

February 15-19th production of Seneca&#39;s Medea at the Burton Taylor Studio, Oxford

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1

MEDEA FIAM

http://senecasmedea.blogspot.com/2016/01/blog-post.html

Stephen Spender Prize 2011. READING AT SPENDER AWARDS. Punchy, sharp, visceral, the lines broken up in pauses as if, appropriately, spat on the page." - George Szirtes. Huge dramatic energy and great pace." - Susan Bassnet. It's not, as so many Senecan translations are, Baroque or exaggerated. I was delighted by its taut speakability." - Edith Hall. Holly Hewlett Oxford Theatre Review. Laura Aitken-Burt, Oxford Theatre Review. Watch the first staging of Seneca's Medea. The ancient myth of betrayal, encha...

2

MEDEA FIAM

http://senecasmedea.blogspot.com/2011/08/senecas-medea-on-classics-confidential.html

Stephen Spender Prize 2011. READING AT SPENDER AWARDS. Punchy, sharp, visceral, the lines broken up in pauses as if, appropriately, spat on the page." - George Szirtes. Huge dramatic energy and great pace." - Susan Bassnet. It's not, as so many Senecan translations are, Baroque or exaggerated. I was delighted by its taut speakability." - Edith Hall. Holly Hewlett Oxford Theatre Review. Laura Aitken-Burt, Oxford Theatre Review. Interview with Helen Slaney (director) and Henry Stead (translator). The ancie...

3

MEDEA FIAM

http://senecasmedea.blogspot.com/2014/01/listen-to-original-soundtrack-of.html

Stephen Spender Prize 2011. READING AT SPENDER AWARDS. Punchy, sharp, visceral, the lines broken up in pauses as if, appropriately, spat on the page." - George Szirtes. Huge dramatic energy and great pace." - Susan Bassnet. It's not, as so many Senecan translations are, Baroque or exaggerated. I was delighted by its taut speakability." - Edith Hall. Holly Hewlett Oxford Theatre Review. Laura Aitken-Burt, Oxford Theatre Review. The ancient myth of betrayal, enchantment and murder takes confronting new for...

4

MEDEA FIAM

http://senecasmedea.blogspot.com/2011/11/trailer.html

Stephen Spender Prize 2011. READING AT SPENDER AWARDS. Punchy, sharp, visceral, the lines broken up in pauses as if, appropriately, spat on the page." - George Szirtes. Huge dramatic energy and great pace." - Susan Bassnet. It's not, as so many Senecan translations are, Baroque or exaggerated. I was delighted by its taut speakability." - Edith Hall. Holly Hewlett Oxford Theatre Review. Laura Aitken-Burt, Oxford Theatre Review. The ancient myth of betrayal, enchantment and murder takes confronting new for...

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MEDEA FIAM

Stephen Spender Prize 2011. READING AT SPENDER AWARDS. Punchy, sharp, visceral, the lines broken up in pauses as if, appropriately, spat on the page." - George Szirtes. Huge dramatic energy and great pace." - Susan Bassnet. It's not, as so many Senecan translations are, Baroque or exaggerated. I was delighted by its taut speakability." - Edith Hall. Holly Hewlett Oxford Theatre Review. Laura Aitken-Burt, Oxford Theatre Review. Watch the first staging of Seneca's Medea. Subscribe to: Posts (Atom). The anc...

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