thehiplifecomplex.blogspot.com
The Hiplife Complex: Neighborhood Folk
http://thehiplifecomplex.blogspot.com/2006/04/neighborhood-folk.html
More than ten years ago, Ghanaian youth began to write rhymes in local languages over imported beats. At once a copy-cat culture and an indigenized national phenomenon, hiplife. Challenges people at all levels of society to think in new ways. I spent a year in Ghana asking questions and filming interviews and performances with hiplife artists. This is a document of my observations. Saturday, April 29, 2006. Some places I've been reading of late (in no particular order):. Benn loxo du taccu. Is downright ...
thehiplifecomplex.blogspot.com
The Hiplife Complex: Hiplife Videos on YouTube
http://thehiplifecomplex.blogspot.com/2006/06/hiplife-videos-on-youtube.html
More than ten years ago, Ghanaian youth began to write rhymes in local languages over imported beats. At once a copy-cat culture and an indigenized national phenomenon, hiplife. Challenges people at all levels of society to think in new ways. I spent a year in Ghana asking questions and filming interviews and performances with hiplife artists. This is a document of my observations. Saturday, June 10, 2006. Hiplife Videos on YouTube. Ahomka Womu" - VIP. King Luu is one of the most ambitious directors in G...
thehiplifecomplex.blogspot.com
The Hiplife Complex: November 2005
http://thehiplifecomplex.blogspot.com/2005_11_01_archive.html
More than ten years ago, Ghanaian youth began to write rhymes in local languages over imported beats. At once a copy-cat culture and an indigenized national phenomenon, hiplife. Challenges people at all levels of society to think in new ways. I spent a year in Ghana asking questions and filming interviews and performances with hiplife artists. This is a document of my observations. Monday, November 21, 2005. Obour: Ne Ho Ye Hu Hu Hu Hu. Obour-Commonwealth Hall Room A10, 9:30 am. This time is different, I...
thehiplifecomplex.blogspot.com
The Hiplife Complex: March 2006
http://thehiplifecomplex.blogspot.com/2006_03_01_archive.html
More than ten years ago, Ghanaian youth began to write rhymes in local languages over imported beats. At once a copy-cat culture and an indigenized national phenomenon, hiplife. Challenges people at all levels of society to think in new ways. I spent a year in Ghana asking questions and filming interviews and performances with hiplife artists. This is a document of my observations. Sunday, March 05, 2006. An Interview With J-Que, Hiplife's Leading Producer. Today, the rap heard on the radio and on TV, th...
thehiplifecomplex.blogspot.com
The Hiplife Complex: A Snapshot of Popular Music in Tamale
http://thehiplifecomplex.blogspot.com/2006/04/snapshot-of-popular-music-in-tamale.html
More than ten years ago, Ghanaian youth began to write rhymes in local languages over imported beats. At once a copy-cat culture and an indigenized national phenomenon, hiplife. Challenges people at all levels of society to think in new ways. I spent a year in Ghana asking questions and filming interviews and performances with hiplife artists. This is a document of my observations. Monday, April 17, 2006. A Snapshot of Popular Music in Tamale. Black Shanty, the ragga boy with the rough and deep tones.
thehiplifecomplex.blogspot.com
The Hiplife Complex: October 2005
http://thehiplifecomplex.blogspot.com/2005_10_01_archive.html
More than ten years ago, Ghanaian youth began to write rhymes in local languages over imported beats. At once a copy-cat culture and an indigenized national phenomenon, hiplife. Challenges people at all levels of society to think in new ways. I spent a year in Ghana asking questions and filming interviews and performances with hiplife artists. This is a document of my observations. Sunday, October 30, 2005. Hiplife, Vlog-style International. Click on the post title above or here. Friday, October 28, 2005.
thehiplifecomplex.blogspot.com
The Hiplife Complex: January 2007
http://thehiplifecomplex.blogspot.com/2007_01_01_archive.html
More than ten years ago, Ghanaian youth began to write rhymes in local languages over imported beats. At once a copy-cat culture and an indigenized national phenomenon, hiplife. Challenges people at all levels of society to think in new ways. I spent a year in Ghana asking questions and filming interviews and performances with hiplife artists. This is a document of my observations. Wednesday, January 31, 2007. Though. A starter's guide to getting into hiplife at Stylus Magazine. View my complete profile.
thehiplifecomplex.blogspot.com
The Hiplife Complex: June 2006
http://thehiplifecomplex.blogspot.com/2006_06_01_archive.html
More than ten years ago, Ghanaian youth began to write rhymes in local languages over imported beats. At once a copy-cat culture and an indigenized national phenomenon, hiplife. Challenges people at all levels of society to think in new ways. I spent a year in Ghana asking questions and filming interviews and performances with hiplife artists. This is a document of my observations. Saturday, June 10, 2006. Hiplife Videos on YouTube. Ahomka Womu" - VIP. King Luu is one of the most ambitious directors in G...
thehiplifecomplex.blogspot.com
The Hiplife Complex: Peace in Dagbon, Northern Ghana?
http://thehiplifecomplex.blogspot.com/2006/04/peace-in-dagbon-northern-ghana_19.html
More than ten years ago, Ghanaian youth began to write rhymes in local languages over imported beats. At once a copy-cat culture and an indigenized national phenomenon, hiplife. Challenges people at all levels of society to think in new ways. I spent a year in Ghana asking questions and filming interviews and performances with hiplife artists. This is a document of my observations. Wednesday, April 19, 2006. Peace in Dagbon, Northern Ghana? Posted by Brian Shimkovitz @ 11:01 PM. View my complete profile.
thehiplifecomplex.blogspot.com
The Hiplife Complex: CDs for Cedis: Making Money Doing Hiplife
http://thehiplifecomplex.blogspot.com/2005/10/choppin-business-is-hiplife-really.html
More than ten years ago, Ghanaian youth began to write rhymes in local languages over imported beats. At once a copy-cat culture and an indigenized national phenomenon, hiplife. Challenges people at all levels of society to think in new ways. I spent a year in Ghana asking questions and filming interviews and performances with hiplife artists. This is a document of my observations. Friday, March 02, 2007. CDs for Cedis: Making Money Doing Hiplife. So why did you get into hiplife? Yeah, that "dual" defini...
