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dance matters | Watching and Writing Dance in San Francisco

Watching and Writing Dance in San Francisco

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dance matters | Watching and Writing Dance in San Francisco | sfdancematters.com Reviews
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Watching and Writing Dance in San Francisco
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dance matters | Watching and Writing Dance in San Francisco | sfdancematters.com Reviews

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Watching and Writing Dance in San Francisco

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ODC Dance Company | dance matters

https://sfdancematters.com/tag/odc-dance-company

Watching and Writing Dance in San Francisco. December 10th, The Velveteen Rabbit. Choreography by KT Nelson. This was a sweet and magical night. I took my daughter and she gasped when the Velveteen Rabbit jumped on the stage. I spent most of the show watching her watch. So for me, this dance mattered because it mattered to my daughter. Sometimes the best performances are about how they create experiences that linger. This was definitely one of them. Posted in Full-Length Dance. And tagged KT Nelson.

2

October 8th, “Readymade” | dance matters

https://sfdancematters.com/2016/10/16/october-8th-readymade

Watching and Writing Dance in San Francisco. October 8th, Readymade. I’ll start with a point of reference, a quote by. David Batchelor (a Scottish artist and writer). That repeated near the beginning and end of. 8230;and, you know, I think the aim of a lot of artists is to get people to look more closely at that which you often overlook.”. What are we overlooking in ourselves? As Chianese mentions in her program notes,. Stop and Smell the Roses , and You Only Live Once, for example. This impulse is also ...

3

KT Nelson | dance matters

https://sfdancematters.com/tag/kt-nelson

Watching and Writing Dance in San Francisco. December 10th, The Velveteen Rabbit. Choreography by KT Nelson. This was a sweet and magical night. I took my daughter and she gasped when the Velveteen Rabbit jumped on the stage. I spent most of the show watching her watch. So for me, this dance mattered because it mattered to my daughter. Sometimes the best performances are about how they create experiences that linger. This was definitely one of them. Posted in Full-Length Dance. And tagged KT Nelson.

4

December 16th, “future friend/ships” | dance matters

https://sfdancematters.com/2017/01/04/december-16th-future-friendships

Watching and Writing Dance in San Francisco. December 16th, “future friend/ships”. By Keith Hennessy and Jassem Hindi, with lighting designer Dennis Döscher. Last post of 2016. I arrived at Counterpulse early and picked up the December issue of. On the last page was. Penned by Hennessy and Hindi about. They started with this quote:. 8211; Donna Haraway, First test space monkey. The ironic nature of future friend/ships eludes me, and I wonder if the logic of irony – its movement of strategic reversa...

5

Uncategorized | dance matters

https://sfdancematters.com/category/uncategorized

Watching and Writing Dance in San Francisco. October 14th, “The Bridge Project: Ten Artists Respond to Locus”. Produced by Hope Mohr Dance. As I sit to write a response to Mohr’s latest Bridge Project, I can’t help but think back to my experiences with her 2015 Bridge Project: Rewriting Dance. I attended the Jeanine Durning workshop and afterward saw. Talk the Walk: Local Artists at the Intersection of Language and Choreographic Thinking. Ten Artists Respond to Locus. Mohr states in her notes that “.

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dance matters | Watching and Writing Dance in San Francisco

Watching and Writing Dance in San Francisco. December 16th, “future friend/ships”. By Keith Hennessy and Jassem Hindi, with lighting designer Dennis Döscher. Last post of 2016. I arrived at Counterpulse early and picked up the December issue of. On the last page was. Penned by Hennessy and Hindi about. They started with this quote:. 8211; Donna Haraway, First test space monkey. The ironic nature of future friend/ships eludes me, and I wonder if the logic of irony – its movement of strategic reversa...

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