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Sarah Herne - Technology1

Sarah Herne - Technology1. Monday, June 6, 2011. Assigment Two - Len Aberration. Canon EF 24-105mm F/4L USM IS. Part One: Testing for barrel and/or pincushion distortion. There is a slight, barely noticeable barrel distortion when at 24mm. It’s hardly worth fixing it. I don’t have. Corrected to a value of 20. Corrected to a value of 40. Part Two: Lateral Chromatic Aberration. Crop of top left. Crop of top left. As with at 24mm any chromatic aberration isn’t noticeable at 105mm at first but when you...

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Sarah Herne - Technology1 | sh-tech1.blogspot.com Reviews
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Sarah Herne - Technology1. Monday, June 6, 2011. Assigment Two - Len Aberration. Canon EF 24-105mm F/4L USM IS. Part One: Testing for barrel and/or pincushion distortion. There is a slight, barely noticeable barrel distortion when at 24mm. It’s hardly worth fixing it. I don’t have. Corrected to a value of 20. Corrected to a value of 40. Part Two: Lateral Chromatic Aberration. Crop of top left. Crop of top left. As with at 24mm any chromatic aberration isn’t noticeable at 105mm at first but when you...
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1 barrel distortion
2 lightroom
3 pincushion distortion
4 corrected to 20
5 correct to 40
6 results
7 corrected
8 no comments
9 email this
10 blogthis
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barrel distortion,lightroom,pincushion distortion,corrected to 20,correct to 40,results,corrected,no comments,email this,blogthis,share to twitter,share to facebook,share to pinterest,lens equation,f v =,fo = ui,f = ui,therefore,hyperfocal distance,sensor
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Sarah Herne - Technology1 | sh-tech1.blogspot.com Reviews

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Sarah Herne - Technology1. Monday, June 6, 2011. Assigment Two - Len Aberration. Canon EF 24-105mm F/4L USM IS. Part One: Testing for barrel and/or pincushion distortion. There is a slight, barely noticeable barrel distortion when at 24mm. It’s hardly worth fixing it. I don’t have. Corrected to a value of 20. Corrected to a value of 40. Part Two: Lateral Chromatic Aberration. Crop of top left. Crop of top left. As with at 24mm any chromatic aberration isn’t noticeable at 105mm at first but when you...

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1

Sarah Herne - Technology1: Lens Equation

http://sh-tech1.blogspot.com/2011/05/lens-equation.html

Sarah Herne - Technology1. Sunday, May 29, 2011. Question 1: Do you need to hire a boat for this job as well? No, you'll just have to be right on the edge of the water. Question 2: When using a full frame sensor (24x26mm) what lens focal length will you need to fill the frame with a image of the moon. You will need to first determine the diameter of the moon and the distance from the lens. Diameter of moon: 3476 km = 3,476,000,000mm. Distance to moon: 363,104 km = 363,104, 000, 000mm. O = 3,476,000,000.

2

Sarah Herne - Technology1: Week Four - Propeller Photos

http://sh-tech1.blogspot.com/2011/03/week-four-propeller-photos.html

Sarah Herne - Technology1. Thursday, March 17, 2011. Week Four - Propeller Photos. Http:/ cameratoss.blogspot.com/2007/07/iphone-rolling-shutter-distortion.html. Http:/ www.flickr.com/photos/sorenragsdale/3192314056/. Posted by Sarah Herne. Subscribe to: Post Comments (Atom). Week Four - Propeller Photos. Watermark theme. Theme images by merrymoonmary.

3

Sarah Herne - Technology1: My Camera

http://sh-tech1.blogspot.com/2011/03/my-camera.html

Sarah Herne - Technology1. Sunday, March 6, 2011. Olympus E-500 with 14-45mm 1:3.5-5.6 and 40-150mm 1:3.5-4.5 lens. Kodak 4/3 Type CCD. On the top next to the the exposure mode dial. Range of File Saving Options:. JPEG, RAW, TIFF, RAW JPEG. Range of White Balance Options:. 8 options. Lamp 1 (3000K), Fluorescent 1 (4000K), Fluorescent 2 (4500K), Fluorescent 3 (6600K), Daylight (5300K), Cloudy (6000K) and Shade (7500K). Range of Exposure Modes:. Setting the Manual Exposure Mode:. Posted by Sarah Herne.

4

Sarah Herne - Technology1: Hyperfocal Distance

http://sh-tech1.blogspot.com/2011/03/hyperfocal-distance.html

Sarah Herne - Technology1. Saturday, March 19, 2011. What is Hyperfocal Distances? Hyperfocal distance is the distance at which the lens can be focused so that the depth of field extends to infinity, when focused on the hyperfocal distances the depth of field will extend from half the distance to infinity. To put is simply it means that the distances from the focal point to infinity will be 'acceptionally' sharp. Posted by Sarah Herne. Subscribe to: Post Comments (Atom). Week Four - Propeller Photos.

5

Sarah Herne - Technology1: Assigment Two - Len Aberration

http://sh-tech1.blogspot.com/2011/06/assigment-two-len-aberration.html

Sarah Herne - Technology1. Monday, June 6, 2011. Assigment Two - Len Aberration. Canon EF 24-105mm F/4L USM IS. Part One: Testing for barrel and/or pincushion distortion. There is a slight, barely noticeable barrel distortion when at 24mm. It’s hardly worth fixing it. I don’t have. Corrected to a value of 20. Corrected to a value of 40. Part Two: Lateral Chromatic Aberration. Crop of top left. Crop of top left. As with at 24mm any chromatic aberration isn’t noticeable at 105mm at first but when you...

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Sarah Herne - Technology1

Sarah Herne - Technology1. Monday, June 6, 2011. Assigment Two - Len Aberration. Canon EF 24-105mm F/4L USM IS. Part One: Testing for barrel and/or pincushion distortion. There is a slight, barely noticeable barrel distortion when at 24mm. It’s hardly worth fixing it. I don’t have. Corrected to a value of 20. Corrected to a value of 40. Part Two: Lateral Chromatic Aberration. Crop of top left. Crop of top left. As with at 24mm any chromatic aberration isn’t noticeable at 105mm at first but when you...

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