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Anup Singh’s Qissa: The Tale of a Lonely Ghost (2013) | World Cinema
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Anup Singh’s Qissa: The Tale of a Lonely Ghost (2013). April 19, 2015. In the traditions of North Indian cultures, from the Pathans to Punjabis, the art of storytelling acquired a unique etymology in. For the Punjabi culture,. Became the oars for navigating the complex waters of life. Many a family gatherings or a. Were enlivened with the. Pumping through the veins. Grow and transform with the pulse of their times and their imaginative powers. Kept the cultures alive, breathing and ready for change.
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Shekhar Deshpande, Author at World Cinema : World Cinema
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Author Archive: Shekhar Deshpande. Kothanodi/The River of Fables: an exercise in magic and the occult! April 11, 2016. Bhaskar Hazarika’s debut feature received funding from Busan’s The Asian Cinema Fund and premiered at the BIFF in October 2015. The film is an important event for Assamese cinema, which remains less visible on the landscape of multiple language cinemas in India. For the film’s narrative, Hazarika went to the folk tales of Assam, particularly […]. April 10, 2016. April 10, 2016. Ruchika O...
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Miss Lovely (2012) | World Cinema
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July 1, 2014. The film is now available on DVD, along with added 25 minute featurette on Behind the Scenes of. About the Author ( Author Profile. If you enjoyed this article, subscribe to receive more just like it. Click here to cancel reply. Name ( required ). Email ( required; will not be published ). Laquo; Gravity and World Cinema– Video Essay. Charles Chaplin John Berger Sight and Sound. Film Studies for Free. Observations on film art, David Bordwell. The Front Row, Richard Brody.
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Documentary Film | World Cinema
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Nishi Pahuja’s The World Before Her-Two Extremist Dimensions. June 25, 2014. Documentary film, more than any other film form, is beset with social responsibility. Once it was a tool of power, but it has long spoken truth to that power. For the films that do rise to the task, there is a burden on the viewers to ignite the conversation. At least. Without that, a documentary […]. Film Studies for Free. Observations on film art, David Bordwell. The Front Row, Richard Brody.
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Nishi Pahuja’s The World Before Her-Two Extremist Dimensions | World Cinema
http://world-cinema.org/nishi-pahujas-the-world-before-her-two-extremist-dimensions
Nishi Pahuja’s The World Before Her-Two Extremist Dimensions. June 25, 2014. Documentary film, more than any other film form, is beset with social responsibility. Once it was a tool of power, but it has long spoken truth to that power. For the films that do rise to the task, there is a burden on the viewers to ignite the conversation. At least. Without that, a documentary film is a tree falling in the forest. Nisha Pahuja’s film,. The World Before Her. About the Author ( Author Profile. Name ( required ).
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Gravity and World Cinema– Video Essay | World Cinema
http://world-cinema.org/gravity-and-world-cinema-video-essay
Gravity and World Cinema– Video Essay. June 25, 2014. Here is a video that supplements the argument that I made with Meta Mazaj in our contribution to the Cinema Journal Dossier on. New Approaches to Teaching World Cinema. 8211; “Centers, Forms and Perspectives in World Cinema.”. 2013), directed by Alfonso Cuarón and. Horton Hears A Who! And Aningaaq makes apparent the erasure of voices embodied in the dominant perspective, urging us to be mindful of the plurality that exists in places kept out of sight&...
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Cinema Studies | World Cinema
http://world-cinema.org/category/cinema-studies
New Approaches to Teaching World Cinema. April 10, 2014. Meta Mazaj and I published a piece in Cinema Journal Teaching Dossier edited by Diane Carson and William Costanzo. The topic: New Approaches to Teaching World Cinema Since teaching world cinema is our concern as much as writing on it, this was a very useful exercise. The connection between Alfonso Cuarón’s Gravity (2013) and Jonás […]. The End of Cinema, the Future of Cinema Studies Conference at UPenn. April 2, 2013. March 18, 2013. On Tacita Dean...
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World Cinema - Part 2
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Shekhar Deshpande, Arcadia University. July 1, 2014. Ashim Ahluwalia’s Miss Lovely (2012) leaves an uneasy impression. It is not about its mildly explicit images, titillating posters or exposure to the shady underworld of low-grade semi-porno, horror film industry. It isn’t about the unconventional focus on a low grade film industry. It is none of the above, though all of that lingers in […]. Gravity and World Cinema– Video Essay. June 25, 2014. June 25, 2014. June 4, 2014. Mirra Banks begins her documen...
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Haraamkhor (2015), Shlok Sharma- World Premiere, IFFLA, Apr. 8, 2015 | World Cinema
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Haraamkhor (2015), Shlok Sharma- World Premiere, IFFLA, Apr. 8, 2015. April 9, 2015. Gives a snapshot of parallel moralities in a small Gujarat village. Shyam, a married teacher has a relationship with Sandhya, his student, who just crossed the threshold of puberty. Sandhya negotiates her relationship with divorced father’s new girl-friend. Young Kamal is infatuated with her as his accomplice Mintu prods, nods and plots with his friend. Sharma comes from the. Anurag Kashyap School of Realism. On Anup Sin...
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Titli (2014), Kanu Behl– IFFLA, April 9, 2015 | World Cinema
http://world-cinema.org/titli-2014-kanu-behl-iffla-april-9-2015
Titli (2014), Kanu Behl– IFFLA, April 9, 2015. April 9, 2015. Is a living testimony to that condition, fiercely laid out, with a sharp cutting edge to its politics. It is not just about Delhi or the new townships that have grown on its outskirts, but it is a scream for attention to the poverty of globalization. The film made India’s entry into Cannes. About the Author ( Author Profile. If you enjoyed this article, subscribe to receive more just like it. Click here to cancel reply. Name ( required ).