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影印班長

The Museum of Desire (A Short Story) / John Berger. The house stands on one side of a square in which there are tall poplars. The house, built just before the French Revolution, is older than the trees. It contains a collection of furniture, paintings, porcelain, armor, which, for over a century, has been open to the public as a museum. The entry is free, there are no tickets, anybody can enter. 標籤: john berger. The Goalie's Anxiety At the Penalty Kick (Peter Handke). 訂閱: 文章 (Atom).

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影印班長 | shihlun.blogspot.com Reviews
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The Museum of Desire (A Short Story) / John Berger. The house stands on one side of a square in which there are tall poplars. The house, built just before the French Revolution, is older than the trees. It contains a collection of furniture, paintings, porcelain, armor, which, for over a century, has been open to the public as a museum. The entry is free, there are no tickets, anybody can enter. 標籤: john berger. The Goalie's Anxiety At the Penalty Kick (Peter Handke). 訂閱: 文章 (Atom).
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影印班長 | shihlun.blogspot.com Reviews

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The Museum of Desire (A Short Story) / John Berger. The house stands on one side of a square in which there are tall poplars. The house, built just before the French Revolution, is older than the trees. It contains a collection of furniture, paintings, porcelain, armor, which, for over a century, has been open to the public as a museum. The entry is free, there are no tickets, anybody can enter. 標籤: john berger. The Goalie's Anxiety At the Penalty Kick (Peter Handke). 訂閱: 文章 (Atom).

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1

影印班長: 03/2013

http://shihlun.blogspot.com/2013_03_01_archive.html

Mladen Stilinović - The Praise of Laziness (1993). The answer is simple. Artists in the West are not lazy. Artists from the East are lazy; whether they will stay lazy now that they are no longer Eastern artists remains to be seen. Artists from the East were lazy and poor because the entire system of insignificant factors did not exist. Therefore, they had time enough to concentrate on art and laziness. Even when they did produce art, they knew it was in vain, it was nothing. Artists from the West could h...

2

影印班長: 03/2012

http://shihlun.blogspot.com/2012_03_01_archive.html

In Defense of the Poor Image / Hito Steyerl. In Defense of the Poor Image. Http:/ www.e-flux.com/journal/in-defense-of-the-poor-image/. Shoveling pirated DVDs in Taiyuan, Shanxi province, China, April 20, 2008. From here. In one of Woody Allen’s films the main character is out of focus. The contemporary hierarchy of images, however, is not only based on sharpness, but also and primarily on resolution. Just look at any electronics store and this system, described by Harun Farocki in a notable 2007 int...

3

影印班長: 04/2011

http://shihlun.blogspot.com/2011_04_01_archive.html

有趣的意見,謝謝轉寄。這幾天也看了不少國外媒體對此事件的評述,感覺上,大致分成兩個方向,第一種比較傾向政治表態學,埋怨Dylan沒有或明或暗地示意某種反叛姿態(即便只是象徵上的),反倒多所遷就官方立場,在中國(艾未未事件的當下)與越南(當年那些反戰歌曲的對象客體)等地避唱某些關鍵曲目(一個有趣的心理分析式細節,Dylan第一場中國表演,首條歌是Gonna Change My Way Of Thinking,可歪譯為:「換了位置就換了腦袋」)。 我的感覺是,這兩種角度都有所不足。確實歌手無需、也不能為運動代言,但是若第一種論調在Dylan身處的西方輿論界都不在少數,那做為第三世界的人們,若有意無意地誤讀或挪用其意象,或許仍有過度天真,且認識不清的問題,卻也不能想當然爾地馬上用第二種「你不懂真正的Dylan」論調來回應。 怎麼說呢?假如「Dylan學」是一套knowledge system,人們在那個無網路且資訊匱乏的時代,原本就是用很在地的脈絡與視野,去建構自己想像中的「迪倫」或「...我的感覺是,若觀察Dylan,會發現他80年代有好長一段低潮期,作品素質良莠不...但這種正統授權的史觀與斷代法&#65...

4

影印班長: 01/2012

http://shihlun.blogspot.com/2012_01_01_archive.html

安哲羅普洛斯(Theo Angelopoulos)的詩意與放逐之旅. 本文原刊於《音響城邦》2005年8月號,再見,安哲。 有人說,從作者論的角度來看,一個導演的一生,其實只是在拍同一部電影。這個例子拿到希臘導演安哲羅普洛斯(Theo Angelopoulo)身上,最是貼切。幾乎所有的安哲電影,都和追尋、漂泊、旅行、放逐、國境、自我認同有關,都會觸及希臘的近代史,並處理他對「電 影」這個媒材的想法。剛在台灣下片的近作《哭泣的草原》也不例外,被稱之為集其大成之作。 影片結尾,過往把自己紮根在土地上的左派,飄盪一生後,發現回到故國竟也是無根之人,於是自我放逐到汪洋中的木板上,漂泊在一望無際的大海上,象徵著沒有完結的理想,沒有出口的生命,沒有遠景的迷惘。 相較於一生追隨理想,結尾卻只能自我放逐《塞瑟島之旅》,1988年的《霧中風景》則是一段尋父之旅。小女孩與小男孩生長在父親缺席的家中,母親信口撒謊說父親住在德國,於是姊姊帶著弟弟離家出走,展開一場尋父之旅。 正如所有公路電影,角色總在途中的挫折與傷害中成長,她們在追尋父親的旅途中,遇到各種具有父親性質的男性角色&#65...原名「尤里西斯的凝視&...

5

影印班長: The Museum of Desire (A Short Story) / John Berger

http://shihlun.blogspot.com/2016/09/the-museum-of-desire-short-story-john.html

The Museum of Desire (A Short Story) / John Berger. The house stands on one side of a square in which there are tall poplars. The house, built just before the French Revolution, is older than the trees. It contains a collection of furniture, paintings, porcelain, armor, which, for over a century, has been open to the public as a museum. The entry is free, there are no tickets, anybody can enter. Commonplace questions to which we'll never know the answer. Meanwhile I wandered from gallery to gallery.

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街頭攝影區: April 2016

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Friday, April 22, 2016. 發布的一則新聞,Steidl捐了1600本攝影集給新加坡DECK攝影圖書館。這是一個創舉,我眼睛突然就亮了起來,馬上就開始跟進DECK的動向。DECK攝影集圖書館是免費公開給所有人的,當下讀到這個令人振奮的消息後,我馬上就決定要走新加坡一趟了。 Subscribe to: Posts (Atom). 攝者,傾向於走入街道,不論早上或夜晚。 View my complete profile. 街頭攝影師訪談 / Eric KT Lau (紐約 / 香港. Apophoto煙斗客的重機日記 : 痞客邦 PIXNET :. The Museum of Desire (A Short Story) / John Berger. 飛鳥先生的路邊攝影社 Will Street Photo. 512 - #519 北投眷村.

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街頭攝影區: October 2016

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Friday, October 28, 2016. 二零一六年十月,覺得最有趣的就是製作這本小冊攝影書。這只是一本實驗性的dummy,雖然如此我竟然也很用心去編排一下。照片是Kenny帶我去拍的九皇大帝遊行的現場。老實說我長這樣大,第一次看九皇大帝遊行,感覺有點像華人的大寶森節。我覺得我照片拍得還好而已,而且數量少之又少,但沒想到排出來,還算不錯。由於小冊書的設計,編排起來,還真的有加強照片的詮釋度,且讓我老王賣瓜一下。 Saturday, October 1, 2016. Subscribe to: Posts (Atom). 攝者,傾向於走入街道,不論早上或夜晚。 View my complete profile. 街頭攝影師訪談 / Eric KT Lau (紐約 / 香港. Apophoto煙斗客的重機日記 : 痞客邦 PIXNET :. The Museum of Desire (A Short Story) / John Berger. 飛鳥先生的路邊攝影社 Will Street Photo. 512 - #519 北投眷村.

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街頭攝影區: May 2015

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Thursday, May 7, 2015. 二零一五年四月,依然忙於寫香港遊記。靠近月尾的時候去了泰國南部合艾一趟,才拍了一些照片回來。經過了香港的旅程之後,我發現我的攝影方式有些改變了,大家擦覺了嗎? Subscribe to: Posts (Atom). 攝者,傾向於走入街道,不論早上或夜晚。 View my complete profile. 街頭攝影師訪談 / Eric KT Lau (紐約 / 香港. Apophoto煙斗客的重機日記 : 痞客邦 PIXNET :. The Museum of Desire (A Short Story) / John Berger. 飛鳥先生的路邊攝影社 Will Street Photo. 512 - #519 北投眷村.

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街頭攝影區: 二零一六年十一月

http://shootinmystreets.blogspot.com/2016/12/grraw64gsd-card-httpswww.html

Friday, December 9, 2016. 大概整個十一月都在日本關西和中部遊走,回來之後忙於修圖、剛好工作又要開始忙、我差不多快把每月寫一篇關於街頭攝影的事情給忘了。當然這只不過是跟自己的約定,每月寫一篇,好讓晚年回憶,但如果說太忙而把這事耽誤了,我會覺得很可惜。 這一次去關西,我非常有把照片拍好的企圖心。我決定都用GR拍RAW,所以買了兩張64G的SD CARD,還好剛剛夠用。但到了關西之後,我又突然不想太有企圖心地去執行街拍。這其實非常矛盾。我會覺得說出來旅行是來玩,來放鬆的,而不該是來工作,還是來製作什麼東西的。心情應該放輕鬆,然後自然地去進行紀錄就好。基於當下臨時得想法改變,拍出來的照片就變成比較沒那麼詩意,而轉換成為比較圖鑑紀錄式的了。 12300;關西宅居鑑」收錄了大阪、京都、奈良的民居房子。 Https:/ www.flickr.com/photos/mysurface/albums/72157673471709403. 12300;關西店面鑑」收錄了大阪、京都、奈良的營業店舖。 12300;中部宅居鑑」收錄了名古屋、高山的民居房子。 飛鳥先生的路邊攝影社 Will Street...

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街頭攝影區: December 2016

http://shootinmystreets.blogspot.com/2016_12_01_archive.html

Friday, December 9, 2016. 大概整個十一月都在日本關西和中部遊走,回來之後忙於修圖、剛好工作又要開始忙、我差不多快把每月寫一篇關於街頭攝影的事情給忘了。當然這只不過是跟自己的約定,每月寫一篇,好讓晚年回憶,但如果說太忙而把這事耽誤了,我會覺得很可惜。 這一次去關西,我非常有把照片拍好的企圖心。我決定都用GR拍RAW,所以買了兩張64G的SD CARD,還好剛剛夠用。但到了關西之後,我又突然不想太有企圖心地去執行街拍。這其實非常矛盾。我會覺得說出來旅行是來玩,來放鬆的,而不該是來工作,還是來製作什麼東西的。心情應該放輕鬆,然後自然地去進行紀錄就好。基於當下臨時得想法改變,拍出來的照片就變成比較沒那麼詩意,而轉換成為比較圖鑑紀錄式的了。 Subscribe to: Posts (Atom). 攝者,傾向於走入街道,不論早上或夜晚。 View my complete profile. 街頭攝影師訪談 / Eric KT Lau (紐約 / 香港. Apophoto煙斗客的重機日記 : 痞客邦 PIXNET :. 飛鳥先生的路邊攝影社 Will Street Photo.

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街頭攝影區: June 2015

http://shootinmystreets.blogspot.com/2015_06_01_archive.html

Friday, June 26, 2015. 六月还没完,我就迫不及待的写了这篇博文。因为即将来临的七月,我会下吉隆坡去办六人联展,感觉应该会忙,所要还是赶紧把六月的心境写一写。反正还剩下几天而已,也没差。 Saturday, June 6, 2015. 五月終於又開始可以抽出時間出來到街頭拍照了,但是不知怎麼搞的,我拍照的行為已經開始轉變了。不再那麼專注於走向行人,用很衝的方式拍照了。很多時候,我都是站在街頭的一個點上慢慢構圖,拍靜物,拍建築物,或拍行人的背影。為什麼會變成這樣? Subscribe to: Posts (Atom). 攝者,傾向於走入街道,不論早上或夜晚。 View my complete profile. 街頭攝影師訪談 / Eric KT Lau (紐約 / 香港. Apophoto煙斗客的重機日記 : 痞客邦 PIXNET :. The Museum of Desire (A Short Story) / John Berger. 飛鳥先生的路邊攝影社 Will Street Photo. 512 - #519 北投眷村.

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街頭攝影區: November 2015

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Friday, November 27, 2015. 160;    在這個十一月裡,我好像養成了一種習慣。星期一到星期五都很努力地工作。直到星期五晚上,我開始帶著相機出街去溜達,拍照。週六和週日有事沒事都會把相機帶著走。一直到週日晚上,才把整個星期的照片傳出來看,篩選,然後收藏。 Subscribe to: Posts (Atom). 攝者,傾向於走入街道,不論早上或夜晚。 View my complete profile. 街頭攝影師訪談 / Eric KT Lau (紐約 / 香港. Apophoto煙斗客的重機日記 : 痞客邦 PIXNET :. The Museum of Desire (A Short Story) / John Berger. 飛鳥先生的路邊攝影社 Will Street Photo. 512 - #519 北投眷村.

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街頭攝影區: October 2015

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Wednesday, October 28, 2015. 這個十月,有幸走新加坡一趟。雖然稱不上是旅行,但有時間在街上溜達溜達,拍拍照,見見朋友,我覺得還蠻享受的。新加坡給我的印象就是,一座慾望之城。新加坡與馬來西亞漸走漸遠,隨著時間的流逝,馬幣兌換新幣已經淪落到3對1的囧境了。想當年,馬幣新幣一對一的年代一去不復返。而且馬國政治與經濟的不穩定,所以馬幣還會繼續跌,真的不堪設想。 雖然如此,我依然很喜歡新加坡這個規劃得很好的城市。聽完牢騷,來看看照片吧!雖然最近我都偏向高反差黑白,但其實我還是有弄一些彩照出來。我覺得還不賴的。 Subscribe to: Posts (Atom). 攝者,傾向於走入街道,不論早上或夜晚。 View my complete profile. 街頭攝影師訪談 / Eric KT Lau (紐約 / 香港. Apophoto煙斗客的重機日記 : 痞客邦 PIXNET :. The Museum of Desire (A Short Story) / John Berger. 飛鳥先生的路邊攝影社 Will Street Photo. 512 - #519 北投眷村.

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街頭攝影區: August 2015

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Thursday, August 27, 2015. 八月還真的過得充實啊!第一個星期,台灣的街頭攝者Eden來到檳城,讓我跟Kenny盡地主之誼,一起街拍去了。老實說,我不曾那麼長時間的去拍自己的家鄉地。 我們從早上開始,一直拍到晚上,而且一共拍了五天。感覺就像出差,又像旅行。 最棒的是交流,大家都喜歡森山大道,大家都偏愛黑白,喜好街拍,所以談得十分舒暢。走入住宅區,隱隱約約聽到宅內傳出電視據的聲音,讓Eden有種錯覺,以為自己還在台灣。 檳城華人很多,而且大部分都是福建人,說的福建話跟台灣閩南語很接近。不知何時開始,大家也都看起台灣本土劇來。如果聽到我說起閩南語來,請不要懷疑,因為我也看很多。 Sunday, August 23, 2015. 重读《昼的学校 夜的学校》. 我不曾一次回想,如果我沒有在書局遇見《晝》的話?今天,我會在哪裡呢? 當時讀《晝》時,真的很匆忙。只記得,有種恍然大悟的感覺。 8220;原來如此!我也是這樣!”. 就這樣開始了。看見有共鳴的地方,我會把整段文章用手機拍下來,當作筆記。 Subscribe to: Posts (Atom). 512 - #519 北投眷村.

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街頭攝影區: May 2016

http://shootinmystreets.blogspot.com/2016_05_01_archive.html

Saturday, May 28, 2016. 五月就快結束了,記得必須寫一篇月紀,跟未來的自己交代。每一次還沒到月尾都很想趕快把它寫出來,但這一次。。。天啊,不知該寫什麼。我審查了五月裡所拍的照片,還真的沒怎麼拍,雖然也不自於沒有照片,但就沒有怎樣,除了到高速公路旁拍漁村的照片。 Saturday, May 14, 2016. 你看,我又想嘗試換一個方式去寫東西了。我很喜歡嘗試新的東西。其實寫每一篇文章,都有想讓未來的自己讀的成分。但由於很多成份是想寫給大家讀,所以常常有所拘束。久而久之,就覺得綁手綁腳而寫不出東西來了。為了讓自己更自由些的去寫。我在這裡做個假想,寫給未來的自己,讓我可以坦誠一點。 人生算是一條一直往前的路。你問一個前輩,你是怎樣走到今天這裡的?他會告訴你『你看到那間紅色的屋子,對!青色的屋頂的那間。到了那邊,拐左,然後直走。看到7-11,對!就是那家兩間店面合起來的那個。左邊有個巷子&#65...Thursday, May 12, 2016. 去年九月我曾寫過一篇 《手機影像反映生活》. I wrote this before september last year, I re-ed...

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