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福蜀濤

Thursday, March 08, 2007. ECONOMIC PHILOSOPHY (by JOAN ROBINSON). METAPHYSICS, MORALS, AND SCIENCE. The fact that we ask such questions implies that we think that there is an answer to be found but, even if we could answer them at one layer, another remains behind: Why do I believe what I believe about what it is that makes me believe it? Backward or forward, it’s just as far. Out or in, the way’s as narrow.’ ‘Who are you? Myself. Can you say as much? Act II, Scene 7.). Is defined as that which has posit...

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福蜀濤 | shutaofu.blogspot.com Reviews
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Thursday, March 08, 2007. ECONOMIC PHILOSOPHY (by JOAN ROBINSON). METAPHYSICS, MORALS, AND SCIENCE. The fact that we ask such questions implies that we think that there is an answer to be found but, even if we could answer them at one layer, another remains behind: Why do I believe what I believe about what it is that makes me believe it? Backward or forward, it’s just as far. Out or in, the way’s as narrow.’ ‘Who are you? Myself. Can you say as much? Act II, Scene 7.). Is defined as that which has posit...
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KEYWORDS
1 economic philosophy
2 by joan robinson
3 what are you
4 remove whole manufactories
5 alas
6 poor
7 he explains
8 labels reading notes
9 0 comments
10 意態由來畫不成 翁顯良
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economic philosophy,by joan robinson,what are you,remove whole manufactories,alas,poor,he explains,labels reading notes,0 comments,意態由來畫不成 翁顯良,本文想初步探討一下文學風格是否可譯的問題,文學翻譯是再創作 同繪畫不無相似之處,可見不是畫不成 而是非畫成不可,貌是神非 有何藝術可言,繪畫的技法多種多樣,這些肖像 彼此相似又不相似,文學翻譯是以另一種語言形式再現原作的內容
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福蜀濤 | shutaofu.blogspot.com Reviews

https://shutaofu.blogspot.com

Thursday, March 08, 2007. ECONOMIC PHILOSOPHY (by JOAN ROBINSON). METAPHYSICS, MORALS, AND SCIENCE. The fact that we ask such questions implies that we think that there is an answer to be found but, even if we could answer them at one layer, another remains behind: Why do I believe what I believe about what it is that makes me believe it? Backward or forward, it’s just as far. Out or in, the way’s as narrow.’ ‘Who are you? Myself. Can you say as much? Act II, Scene 7.). Is defined as that which has posit...

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1

福蜀濤: 《蝶戀花》(蘇軾,許淵沖英譯)

http://shutaofu.blogspot.com/2005/08/blog-post_30.html

Tuesday, August 30, 2005. Red flowers fade, green apricots still small. Over blue water which surrounds the garden wall. Most willow catkins have been blown away, alas! But there is no place where grows not the sweet green grass. Without the wall there's a road; within there's a swing. Hears a fair maiden's laughter in the garden ring. As the ringing laughter dies away by and by,. For the enchantress the enchant'd can only sigh. Posted by FAUST @ 9:37 PM. View my complete profile.

2

福蜀濤: March 2007

http://shutaofu.blogspot.com/2007_03_01_archive.html

Thursday, March 08, 2007. ECONOMIC PHILOSOPHY (by JOAN ROBINSON). METAPHYSICS, MORALS, AND SCIENCE. The fact that we ask such questions implies that we think that there is an answer to be found but, even if we could answer them at one layer, another remains behind: Why do I believe what I believe about what it is that makes me believe it? Backward or forward, it’s just as far. Out or in, the way’s as narrow.’ ‘Who are you? Myself. Can you say as much? Act II, Scene 7.). Is defined as that which has posit...

3

福蜀濤: 釵頭鳳(陸游 許淵沖英譯)

http://shutaofu.blogspot.com/2005/08/blog-post_112540935545912131.html

Tuesday, August 30, 2005. Pink hands so fine,. Spring paints green willows palace walls cannot confine. East wind unfair,. In my heart sad thoughts throng:. We've severed for years long. Wrong, wrong, wrong! Spring is as green,. In vain she's lean,. Her silk scarf soak'd with tears and red with stains unclean. Our oath is still here, lo! No word to her can go. No, no, no! The world unfair,. Dusk melts away in rain and blooming trees turn bare. Morning wind high,. I'll write to you what's in my heart,.

4

福蜀濤: 《意態由來畫不成﹖》(翁顯良)

http://shutaofu.blogspot.com/2005/08/blog-post_112540959718857086.html

Tuesday, August 30, 2005. 王安石 明妃曲 一句話就否定了繪畫藝術 且不論當時是否錯殺了毛延壽。 意態果真畫不成嗎 可是 斯須九重真龍出 一洗萬古凡馬空 說明藝術超乎現實。 我們相信杜甫沒有汆張 曹將軍畫的玉花驄雖未及見 齊白石畫的蝦是見過的 無須鑒賞力特別高 也看得出確是比活的蝦更活。 繪畫未必纖介不遺 貴在氣韻生動 文學翻譯要求意足神完 不在乎詞句一一對應。 同一人物 同一姿勢 同一表情 一百個高明的畫家可以創作一百幅維肖維妙的畫像 即使是同一畫家 也可以運用不同的技法畫出不同的肖像。 相似的是內容 是思想感情 是境界氣象 不相似的是形式 是表層結構 是文詞句法。 倘若指文體 則中國的駢四儷六與英國的綺麗體 就體來說 同樣無法翻譯。 莎士比亞的十四行詩 譯成漢語 罐管可以模仿原作分行押韻 每行字數若干 力求與五步抑揚格相對應 英國人譯漢詩也有以若干音節對應五言 若干音節對應七言的 但都難免削足適履。 如果要在翻譯中反映這種變化 豈不是要以古對古 以今對今 然而這是做不到的。 荷馬史詩無須譯成四言 拜侖的 哀希臘歌 倒不妨譯成七古。 In elective monarchies...

5

福蜀濤: ECONOMIC PHILOSOPHY (by JOAN ROBINSON)

http://shutaofu.blogspot.com/2007/03/economic-philosophy-by-joan-robinson.html

Thursday, March 08, 2007. ECONOMIC PHILOSOPHY (by JOAN ROBINSON). METAPHYSICS, MORALS, AND SCIENCE. The fact that we ask such questions implies that we think that there is an answer to be found but, even if we could answer them at one layer, another remains behind: Why do I believe what I believe about what it is that makes me believe it? Backward or forward, it’s just as far. Out or in, the way’s as narrow.’ ‘Who are you? Myself. Can you say as much? Act II, Scene 7.). Is defined as that which has posit...

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福蜀濤

Thursday, March 08, 2007. ECONOMIC PHILOSOPHY (by JOAN ROBINSON). METAPHYSICS, MORALS, AND SCIENCE. The fact that we ask such questions implies that we think that there is an answer to be found but, even if we could answer them at one layer, another remains behind: Why do I believe what I believe about what it is that makes me believe it? Backward or forward, it’s just as far. Out or in, the way’s as narrow.’ ‘Who are you? Myself. Can you say as much? Act II, Scene 7.). Is defined as that which has posit...

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