silverwattlebookfoundry.blogspot.com

the bookfoundry

Monday, September 8, 2014. See the online catalogue. Photos of the exhibition courtesy of Jonathan Tse. Friday, June 27, 2014. Thursday, February 27, 2014. The body of work showing in the Confluentés Sea. Emerged out of an engagement. With the senses of touch, the haptic and 'smooth space'. Touch is the most tangible. Of our senses. We rely on it to calibrate what we see and hear. Despite this an. Exorbitant privileging of sight has developed within Western thought and knowledge. How deep this touch.

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the bookfoundry | silverwattlebookfoundry.blogspot.com Reviews

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Monday, September 8, 2014. See the online catalogue. Photos of the exhibition courtesy of Jonathan Tse. Friday, June 27, 2014. Thursday, February 27, 2014. The body of work showing in the Confluentés Sea. Emerged out of an engagement. With the senses of touch, the haptic and 'smooth space'. Touch is the most tangible. Of our senses. We rely on it to calibrate what we see and hear. Despite this an. Exorbitant privileging of sight has developed within Western thought and knowledge. How deep this touch.

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1 the bookfoundry

2 for re/membering touch

3 posted by

4 tim mosely

5 no comments

6 at last

7 beneath the surface

8 quadriptych /

9 that

10 the artists book

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the bookfoundry | silverwattlebookfoundry.blogspot.com Reviews

https://silverwattlebookfoundry.blogspot.com

Monday, September 8, 2014. See the online catalogue. Photos of the exhibition courtesy of Jonathan Tse. Friday, June 27, 2014. Thursday, February 27, 2014. The body of work showing in the Confluentés Sea. Emerged out of an engagement. With the senses of touch, the haptic and 'smooth space'. Touch is the most tangible. Of our senses. We rely on it to calibrate what we see and hear. Despite this an. Exorbitant privileging of sight has developed within Western thought and knowledge. How deep this touch.

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silverwattlebookfoundry.blogspot.com

1

the bookfoundry: September 2014

http://silverwattlebookfoundry.blogspot.com/2014_09_01_archive.html

Monday, September 8, 2014. See the online catalogue. Photos of the exhibition courtesy of Jonathan Tse. Subscribe to: Posts (Atom). Silverwattle bookfoundry is the realization of a bookmaking practice initiated in 1991 by Tim Mosely. With over 30 years of professional experience Tim maintains a lucid perspective on the book as a potent element within the vocabularies of creative practice. View my complete profile. See the online catalogue for re/membering touch . Simple theme. Powered by Blogger.

2

the bookfoundry: June 2014

http://silverwattlebookfoundry.blogspot.com/2014_06_01_archive.html

Friday, June 27, 2014. Subscribe to: Posts (Atom). Silverwattle bookfoundry is the realization of a bookmaking practice initiated in 1991 by Tim Mosely. With over 30 years of professional experience Tim maintains a lucid perspective on the book as a potent element within the vocabularies of creative practice. View my complete profile. Simple theme. Powered by Blogger.

3

the bookfoundry: February 2014

http://silverwattlebookfoundry.blogspot.com/2014_02_01_archive.html

Thursday, February 27, 2014. The body of work showing in the Confluentés Sea. Emerged out of an engagement. With the senses of touch, the haptic and 'smooth space'. Touch is the most tangible. Of our senses. We rely on it to calibrate what we see and hear. Despite this an. Exorbitant privileging of sight has developed within Western thought and knowledge. That has "actively forgotten and deliberately written touch out of our cultural history". Artwork he has produced during his PhD candidature. The print...

4

the bookfoundry

http://silverwattlebookfoundry.blogspot.com/2014/02/how-deep-this-touch-beneath-surface-105.html

Wednesday, February 12, 2014. How deep this touch. Gallery 105, Crane Arts, Piladelphia, 2014,. Supported by the Griffith University Centre for Creative Arts Research. A haptic touch of the rainforest. Relief prints on awagami kozo. 280 x 90 cm. This series of works showing at Crane Arts, Philadelphia, is a part of a larger body of work titled re/membering touch. Investigates the role of touch in the reception and evaluation of art. Kanage pholu - a and. Relief prints on awagami kozo,. 140 x 90 cm. Silve...

5

the bookfoundry: August 2013

http://silverwattlebookfoundry.blogspot.com/2013_08_01_archive.html

Monday, August 5, 2013. Announcing an anthology of unique and editioned artists books by tim mosely. An archipeligo of remnant gardens. The Sangre de Christo Isles. Four series of books will be released in 2014. Within a body of work. Titled and exhibited as. Vier Serien von Bücher werden im Jahr 2014 freigegeben werden. In einem Werk mit dem Titel und zeigte wie. About the artist - tim mosely. Touch, the haptic and smooth space. And the nature of reading a book. His practice includes writing that contri...

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silverwattlebookfoundry.blogspot.com

the bookfoundry

Monday, September 8, 2014. See the online catalogue. Photos of the exhibition courtesy of Jonathan Tse. Friday, June 27, 2014. Thursday, February 27, 2014. The body of work showing in the Confluentés Sea. Emerged out of an engagement. With the senses of touch, the haptic and 'smooth space'. Touch is the most tangible. Of our senses. We rely on it to calibrate what we see and hear. Despite this an. Exorbitant privileging of sight has developed within Western thought and knowledge. How deep this touch.

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