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structuralist activity & differential writing

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simultaneously agitated space | simultaneously-agitated-space.blogspot.com Reviews

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structuralist activity &amp; differential writing

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adventures in anglo-american magazines: The Ways of Alcheringa

http://simultaneouslyagitatedspace.blogspot.com/2000/04/ways-of-alcheringa.html

Adventures in anglo-american magazines. The Ways of Alcheringa. Arunta of Australia, alcheringa. 1 The Eternal Dream Time, The Dreaming of a sacred heroic time long ago when man and nature cam to be, a kind of narrative of things that once happened. 2. A kid of charter of things that still happen. 3. A kind of logos. Or principle of order transcending everything significant. v. Adapted from W.E.H. Stanner. In the first number of the new series of Alcheringa. 8212;in 1975, Alcheringa. From all over the wo...

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adventures in anglo-american magazines: Structuralist Activity / The Activity of Structuralism

http://simultaneouslyagitatedspace.blogspot.com/2003/04/structuralist-activity-activity-of.html

Adventures in anglo-american magazines. Structuralist Activity / The Activity of Structuralism. Van Doesburg describes the fate for the "three most important stages of creative activity—imitation—description. 8212;formation ( Imitation, Darstellung, Gestaltung). 8230; "Formation is always the goal… As soon as creative initiative sets in, the course is altered, and what began as reproduction shifts into the sphere of creativity. Reality grown into a kind of super-reality.". Activity of structuralism; it p...

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adventures in anglo-american magazines: Print in Good FORM

http://simultaneouslyagitatedspace.blogspot.com/2003/04/print-in-good-form.html

Adventures in anglo-american magazines. Print in Good FORM. The first issue of Form. Was published in the summer of 1966. Its credo, written by an unidentified "editorial voice" which falls between geometric architect Philip Steadman, translator and concrete poet Stephen Bann, and art/poetry historian Mike Weaver—in italics, the "aims" emphasized in every issue follow precisely:. From within this sentence, already we can read that the arrangement of " Form. As a periodical work itself. Or, as Yve-Alain B...

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adventures in anglo-american magazines: The Dwelling Place

http://simultaneouslyagitatedspace.blogspot.com/2007/04/dwelling-place-9-poets-ed-ron-silliman.html

Adventures in anglo-american magazines. The Dwelling Place: 9 Poets" ed. Ron Silliman. New series, no 2. 8" x 8 1/2". The Dwelling Place: 9 Poets (pdf).

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adventures in anglo-american magazines: Introduction: Periodical Pastiche

http://simultaneouslyagitatedspace.blogspot.com/2007/04/introduction-periodical-pastiche.html

Adventures in anglo-american magazines. In a 1975 issue of Jerome Rothenberg's Alcheringa—. A vibrant ethnopoetics magazine published through Boston University—Ron Silliman famously constructs the first attempts towards a terminology for a new "tendency" of American poets: "whose work might be said to 'cluster' about such magazines as This, Big Deal, Tottel's. 8230;Called variously 'language centered,' 'minimal,' 'nonreferential formalism,' 'diminished referentiality,' 'structuralist.'". Looking very clo...

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adventures in anglo-american magazines: The Dwelling Place / Surprised by Sign

http://simultaneouslyagitatedspace.blogspot.com/2007/04/dwelling-place.html

Adventures in anglo-american magazines. The Dwelling Place / Surprised by Sign. Up front: the title of this collection is an enormous misreading of Roland Barthes. In his essay "Surprised by Sign (Notes on Nine)" concluding the collection, Ron Silliman quotes at greatest length from Writing Degree Zero. Silliman reads this passage—dissected and arranged—as a confrontation of "diminished referentiality as achieved by effacing connections. With the "Hunger of the Word" that Barthes applies with "a kind of ...

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adventures in anglo-american magazines

http://simultaneouslyagitatedspace.blogspot.com/2007/04/from-dwelling-place-9-poets-ed.html

Adventures in anglo-american magazines. From “ The Dwelling Place: 9 Poets. 8221; ed. Ron Silliman:. 8230;it is the Word which is ‘ the dwelling place. 8217;… it shines with an infinite freedom and prepares to radiate towards innumerable uncertain and possible connections…. 8211; Roland Barthes, 1953. From “The Mechanics for a Literary ‘Secession’” by Gorham B. Munson:. 8211; Malcolm Cowley, 1922.

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