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13 Aralık 2009 Pazar. The Young Generation Directors. Which narrated the problems of Çukurova represented this time from the point of View of the sea­sonal workers. In Hakkari'de Bir Mevsim which won the Silver Bear award in the 33 rd Berlin Film Festival, Genco Erkal's performance is worth mentioning. One of Kıral's recent films, Ayna (The Mirror) which was inspired by one of Osman Şahin's stories, was very popular in the 1985 İstanbul Film Days. Başar Sabuncu, who using his wide experiences in his thea...

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sinematikerem | sinematikerem.blogspot.com Reviews
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13 Aralık 2009 Pazar. The Young Generation Directors. Which narrated the problems of Çukurova represented this time from the point of View of the sea­sonal workers. In Hakkari'de Bir Mevsim which won the Silver Bear award in the 33 rd Berlin Film Festival, Genco Erkal's performance is worth mentioning. One of Kıral's recent films, Ayna (The Mirror) which was inspired by one of Osman Şahin's stories, was very popular in the 1985 İstanbul Film Days. Başar Sabuncu, who using his wide experiences in his thea...
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1 sinematikerem
2 gönderen
3 kerem
4 zaman
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6 the middle generation
7 the old generation
8 the transitory period
9 the theater men's period
10 önceki kayıtlar
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sinematikerem | sinematikerem.blogspot.com Reviews

https://sinematikerem.blogspot.com

13 Aralık 2009 Pazar. The Young Generation Directors. Which narrated the problems of Çukurova represented this time from the point of View of the sea­sonal workers. In Hakkari'de Bir Mevsim which won the Silver Bear award in the 33 rd Berlin Film Festival, Genco Erkal's performance is worth mentioning. One of Kıral's recent films, Ayna (The Mirror) which was inspired by one of Osman Şahin's stories, was very popular in the 1985 İstanbul Film Days. Başar Sabuncu, who using his wide experiences in his thea...

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1

sinematikerem: The Old Generation

http://sinematikerem.blogspot.com/2009/12/old-generation.html

13 Aralık 2009 Pazar. Lütfi ÖmerAkad, being the most important representative of the old genera­tion of directors closed his first period with Üç Tekerlekli Bisiklet (The Tricycle) and attained a new line of cinematographic understanding in Tanrı’nın Bağışı Orman (Forest) the Gift of God), a documentary which he made for the Ministry of Forestry, and pointed the way that the New Turkish Cinema should follow. Atıf Yılmaz entered a new phase after 1962 with films such as Erkek Ali (Manly Ali), Keşanlı Ali ...

2

sinematikerem: Futher Progress in the 1960's

http://sinematikerem.blogspot.com/2009/12/futher-progress-in-1960s.html

13 Aralık 2009 Pazar. Futher Progress in the 1960's. As a natural conscquence of the new and libertarian 1961, Constitution new progress could be seen in the Turkish cinema, which now concentrated more on social problems. Another novelty seen in thcse years was that quite a large number of meetings and seminars were held by private and govermetal organizations in order to discuss the problems of the Turkish cinema. Kaydol: Kayıt Yorumları (Atom). The Young Generation Directors. THE NEW TURKISH CINEMA.

3

sinematikerem: The Middle-Generation

http://sinematikerem.blogspot.com/2009/12/middle-generation.html

13 Aralık 2009 Pazar. Aşk-ı Memnu (Forbidden Love), which was adapt­ed from Halid Ziya for television has a special place in his career. After his latest adaptation for television, from Kemal Tahir's famous novel Yorgun Savaşçı (The Tired Warrior), was banned from being broadcast, Refiğ has inclined to commercial films. His Yol (The Road) shared the Golden Palm award with Costa Gavras' The Missing at the 1982 Cannes Film Festival. Nehir (The River), Tomruk (The Log), İstasyon (The Station), Almanya A...

4

sinematikerem: The Theater-Men's Period

http://sinematikerem.blogspot.com/2009/12/theater-mens-period.html

13 Aralık 2009 Pazar. The period between 1922-1939 is often called the Theater- Men's Period. Although we use a plural term. "Theater-Men," this period was shaped by a single: person, Muhsin Ertuğrul who was a director. In no other country in the world IS there another example in which a single person dominated for 17 years the art of the cinema of that country. Kaydol: Kayıt Yorumları (Atom). The Young Generation Directors. Futher Progress in the 1960s. THE NEW TURKISH CINEMA.

5

sinematikerem: The Transitory Period

http://sinematikerem.blogspot.com/2009/12/transitory-period.html

13 Aralık 2009 Pazar. There is a transitory period in the history of the Turkish Cinema between 1939 which ended the Theater-Men's Period and 1952 which initiated the "Cineasts' Period" (Sinemacılar Dönemi). Following Kenç's path, Baha Gelenbevi made one of Necati Cumalı's plays Boş Beşik (The Empty Cradle) a cinema film employing Muhterem Nur in the leading role. After spoiling his reputation with worthless melodramatic productions, he directed Barbaros Hayrettin Pasha in 1950 with great success. We Com...

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13 Aralık 2009 Pazar. The Young Generation Directors. Which narrated the problems of Çukurova represented this time from the point of View of the sea­sonal workers. In Hakkari'de Bir Mevsim which won the Silver Bear award in the 33 rd Berlin Film Festival, Genco Erkal's performance is worth mentioning. One of Kıral's recent films, Ayna (The Mirror) which was inspired by one of Osman Şahin's stories, was very popular in the 1985 İstanbul Film Days. Başar Sabuncu, who using his wide experiences in his thea...

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