resoluteparka.org
the resolute parka - resolute parka
http://resoluteparka.org/the-resolute-parka
No place like this place. Up, up and away. The thaw, the flood. The Resolute Parka is a sculpture by sophia bartholomew. This publication was supported by the New Brunswick Arts Board. Le contexte de diffusion se dénude de ses murs blancs afin de se revêtir d’un duvet hivernal utilitaire. Repenser le contexte d’exposition, rendre floues les frontières entre contenant et contenu, et donner à l’éphémère un rôle principal. No place like this place. Up, up and away. The thaw, the flood.
weseeinc.com
- Roadside Attractions
http://weseeinc.com/page5/page5.html
WeSee Inc. Home. Katinka Eats a Beet. Artists in a Fishbowl. This is Not a Step. Welcome to Roadside Attractions. Located at 911 Davenport Road in Toronto, Canada, Roadside Attractions is a storefront window art space created and maintained by WeSee Inc. The space is used for site-specific installations and other visual art projects. Exhibits run at six-week intervals. While we are working on a redisign of our site. Please visit our Facebook page for updates. Previously at Roadside Attractions. Artists i...
resoluteparka.org
sarah fuller - resolute parka
http://www.resoluteparka.org/sarah-fuller
No place like this place. Up, up and away. The thaw, the flood. Great White North, a project by Sarah Fuller. PHOTO Sarah Fuller sophia bartholomew. No place like this place. Up, up and away. The thaw, the flood.
resoluteparka.org
sophia bartholomew - resolute parka
http://www.resoluteparka.org/sophia-bartholomew
No place like this place. Up, up and away. The thaw, the flood. New Membranes, an introduction by sophia bartholomew. Today I was uptown at Target. I had begun my journey heading to Walmart, and as I altered course, walking, I wondered which was the more evil of the two corporations. I couldn’t remember whether or not they are owned by the same people or not, and I was quickly bored by this line of thinking. Yours, always, sophia. No place like this place. Up, up and away. The thaw, the flood.
thebicyclecritic.wordpress.com
amishmorrell | The Bicycle Critic
https://thebicyclecritic.wordpress.com/author/amishmorrell
Art criticism, by bicycle. The Walking Studio, the Sugarloaf Mountain and the Marathon Monks. December 30, 2013. Looking South from Big Intervale to the Sugarloaf (centre-right). Photo taken in the 1930’s by Norman MacLeod, who ran a photo studio in Sydney, CB. Image courtesy of the late William MacDonald. Designed a “walking studio,. 8221; a building that functions as a mobile field lab for an artist to conceive and reflect on artworks that involve walking. After being located at Don Blanche. That faces...
thebicyclecritic.wordpress.com
Naked in the Nashwaak: Gallery Connexion, ATSA and the Mystery Highway | The Bicycle Critic
https://thebicyclecritic.wordpress.com/2013/10/18/atsa-etat-durgence-at-connexion-arc-the-mystery-highway-and-swimming-in-the-nakawic-river
Art criticism, by bicycle. Naked in the Nashwaak: Gallery Connexion, ATSA and the Mystery Highway. October 18, 2013. Associate Director sophia bartholomew in front of Connexion ARC, formerly the Chestnut Canoe Co. This past June, at a conference in Saint John, New Brunswick. And John Cushnie, co-Directors of Connexion ARC. State of Emergency), an exhibition of work by ATSA. When it was first staged in 1998, É. 2009), miniature cardboard favelas (shantytowns) conceived by Sergio Cezar, a former soccer pla...
resoluteparka.org
walter scott - resolute parka
http://www.resoluteparka.org/walter-scott
No place like this place. Up, up and away. The thaw, the flood. I Can Make It Good, I Can Make It Bad, a project by Walter Scott. PHOTO Daisy Watkins Harvey. Do you remember these half-formed ideas? Groups of people, always groups of people, needing a loophole, needing a space for something other and more. Not because of fierce individualism of the late capitalist sort espresso, syrup, milk and other options but because we are always in excess of the structures we build for ourselves. Up, up and away.
katiebelcher.com
notes | KATIE BELCHER
http://katiebelcher.com/blog
Visual artist and curator based in Halifax, Nova Scotia, Canada. As a response to Sophia Bartholomew’s. I’ve made myself a protective garment from the envelopes of feathers resulting from the very beginning stage of. This cuirass is to be worn during solitary performances of the everyday, the artistic, and the mundane activities that mark my private time. It is to be a brace against avoidance or inertia, and as a celebration of work and leisure. This weekend, Studio 21. Takes my drawings to Papier 16.
SOCIAL ENGAGEMENT