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Photography E-Portfolio<br />Sophie Kosky-Hensman

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Photography E-PortfolioSophie Kosky-Hensman - Home | sophiekh.weebly.com Reviews
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Photography E-Portfolio&lt;br /&gt;Sophie Kosky-Hensman
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Photography E-PortfolioSophie Kosky-Hensman - Home | sophiekh.weebly.com Reviews

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Photography E-Portfolio&lt;br /&gt;Sophie Kosky-Hensman

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Unit 1 - Photography E-PortfolioSophie Kosky-Hensman

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Unit 2 - Exam. Create a free website.

2

Portraiture - Photography E-PortfolioSophie Kosky-Hensman

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Unit 2 - Exam. The Tate Modern Exibit. Daido Moriyama won the New Artist Award and from then on his work began to be published. I liked both photographers work, and may use some of their techniques in my portraiture project. After looking at his work I created my own surreal images:. In this series of photos I wanted to experiment with camouflage in nature. I achieved this by painting the subjects face, in order to blend . I solarised this picture in photoshop by making it black and white, then adjustin...

3

Foundation - Photography E-PortfolioSophie Kosky-Hensman

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Unit 2 - Exam. The History Of Photography. In 1685 Johann Zahn invented the Camera Obscura. An image was achieved by blacking out a room and creating a small hole for light to pass through which projected an inverted image onto a surface. Later the Camera Lucida was invented, it had the same principle but was much smaller and was therefore portable. A Pinhole camera is an optical imaging device and it's the most simple type that can be made. It doesn't contain a lens and has a single small aperture.

4

Unit 3 - Photography E-PortfolioSophie Kosky-Hensman

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Unit 2 - Exam. Create a free website.

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Unit 2 - Exam - Photography E-PortfolioSophie Kosky-Hensman

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Unit 2 - Exam. After looking at Gordon Margnin's work I used photoshop to create the obscured photographs below. I created shapes such as polygons and ovals and by copying the layers, created these repetitive shapes on top of faces. At first I just used a small part of the face, but then decided that it was more effective to do the whole face. After looking at this photograph by Stephen Longbotton I attempted to create a set of portraits which also obscure detail but draw attention to shadows and texture.

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