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Soto-Díaz :: Bio

The official website for Mariangeles Soto-Diaz

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PAGE TITLE
Soto-Díaz :: Bio | sotodiaz.com Reviews
<META>
DESCRIPTION
The official website for Mariangeles Soto-Diaz
<META>
KEYWORDS
1 Mariangeles Soto-Diaz
2 contemporary abstraction
3 critical abstraction
4 Latin American
5 geometric
6 painter
7 conceptual
8 chocolate
9 spices
10 feminist
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solo,color felt,consumption,sticky impermanence,archive,abstraction at work,unconfirmed makeshift museum,unsettled primaries,gifting abstraction,dig the dig,collective show la,other collab,color cart,pink assignment,soto díaz,statement
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Soto-Díaz :: Bio | sotodiaz.com Reviews

https://sotodiaz.com

The official website for Mariangeles Soto-Diaz

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1

Soto-Díaz :: Never Underestimate a Monochrome

http://www.sotodiaz.com/abatwork/monochrome.html

Painting in the expanded field. Last dance before the landfill. The pink elephant in the room. Color's ordinates and affinities. Abstract numbers of a revolution. The utopian tense of green. The divine geometry of chocolate. Never underestimate a monochrome. A day in LA. Never underestimate a monochrome. Wignall Museum Jan 22, 2013 – March 16, 2013. University of Iowa Museum Sep 30, 2012 –Jan 31, 2013.

2

Soto-Díaz :: LeWitt

http://www.sotodiaz.com/solo/lewitt/index.html

Painting in the expanded field. Last dance before the landfill. The pink elephant in the room. Color's ordinates and affinities. Abstract numbers of a revolution. The utopian tense of green. The divine geometry of chocolate. Never underestimate a monochrome. A day in LA. This work is included in a group show curated by Regine Basha titled An exchange with Sol LeWitt at MASS MoCA (2011), scheduled to accompany the Sol LeWitt retrospective in the same venue.

3

Soto-Díaz :: Color Felt

http://www.sotodiaz.com/solo/colorfelt/index.html

Painting in the expanded field. Last dance before the landfill. The pink elephant in the room. Color's ordinates and affinities. Abstract numbers of a revolution. The utopian tense of green. The divine geometry of chocolate. Never underestimate a monochrome. A day in LA. Ruth Bachofner Gallery, Los Angeles, June/July 2013. Photo credit: Gene Ogami. Soho20 Chelsea Gallery, September 2013. Photo credit: Debbie Rasiel. Color Felt Ruth Bachofner Gallery, Los Angeles [2013]. Color Felt Ruth Bachofner Gallery,...

4

Soto-Díaz :: Consumption

http://www.sotodiaz.com/solo/consumption/index.html

Painting in the expanded field. Last dance before the landfill. The pink elephant in the room. Color's ordinates and affinities. Abstract numbers of a revolution. The utopian tense of green. The divine geometry of chocolate. Never underestimate a monochrome. A day in LA. UPC bar codes of food packaging, family of five, two weeks]. Ink on Duralar 24 x 19. Installation at Muse/Reuse show 2010, shown with UPC barcode reader, Badé Museum]. UPC bar codes of food packaging, family of three, three months].

5

Soto-Díaz :: Bio

http://www.sotodiaz.com/abatwork/unsettledprimaries.html

Painting in the expanded field. Last dance before the landfill. The pink elephant in the room. Color's ordinates and affinities. Abstract numbers of a revolution. The utopian tense of green. The divine geometry of chocolate. Never underestimate a monochrome. A day in LA. El Museo del Barrio Oct 22, 2014 – March 4, 2015. Torrance Art Museum Aug 23, 2014 – Oct 18, 2014. Is viewing art through the screen of a computer while imagining its materiality in real space a new kind of phenomenological experience?

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about | michael dessen

http://mdessen.com/bio

PRESS QUOTES from critics are here. Michael Dessen is a composer and trombonist who creates music for improvisers and explores the artistic potentials of technologies including live electronics, telepresence and networked scores. He is a faculty member at the University of California, Irvine, where he co-founded a new PhD program in Integrated Composition, Improvisation and Technology (ICIT). 2014), a piece commissioned through Chamber Music America’s New Jazz Works award,. Between Shadow And Space.

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unsettled primaries - bios

http://www.unsettledprimaries.org/bios.html

Juan Pablo Garza (VZLA). Dulce Gómez studied at Cristóbal Rojas School of Visual Arts, the Experimental University of the Arts and the Universidad Central Venezuela. Her work is in major collections and has been shown in exhibitions in both Latin America and the United States. Ana Maria Mazzei (VZLA). Site design and development by Blue Yellow Light. And Mariángeles Soto-Díaz.

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unsettled primaries

http://www.unsettledprimaries.org/index.html

2014) is a hybrid, web-based project conceived by Mariángeles Soto-Díaz. In collaboration with participating Venezuelan artists and the Torrance Art Museum. And El Museo del Barrio. For this collective event realized in summer 2014, artists located in and outside of Venezuela were invited to interpret a series of conceptual instructions that correspond with the primary colors of the country's flag. Using abstraction to respond obliquely to the flag's politically charged history,. Can color help us activa...

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BIOS » Shares and Stakeholders

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This satellite event to the 100th Annual College Art Association Conference will be held at MOCA and is free and open to the public. Is an L.A.-based artist working in a variety of media. She was a member of Grandview Gallery at The Woman’s Building, then of Double X, a feminist art collective. Since 1988, she has taught at CalArts. Sandra de la Loza’s. Is a cultural historian and critic, currently Associate Professor of Performance Studies at Tisch School of the Arts, New York University. His research i...

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Soto-Díaz :: Bio

The pink elephant in the room. Color's ordinates and affinities. Abstract numbers of a revolution. The utopian tense of green. The divine geometry of chocolate. Never underestimate a monochrome. A day in LA. Mariángeles Soto-Díaz. I use the language of abstraction as a way to materialize and connect ideas. Conceiving abstraction as the critical and poetic language of potential allows me to pierce the detached geometries of ordering structures, making them responsive and more pliable. Uso el lenguaje de l...

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