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IndexChristophe Willibald Ritter von Gluck.
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Christophe Willibald Ritter von Gluck.
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Index | soundzgood.net Reviews
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Christophe Willibald Ritter von Gluck.
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Overview
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Act1
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Gluck’s Operatic Reforms within Act I. This act mainly serves to introduce the characters of the opera and to establish key pieces to the plot that will unfold in the later acts. However, another purpose it serves is to solidify Gluck’s reformed operatic style. Because this act is the first one that an audience hears, it is important in setting the tone for the rest of the opera.
Legacy
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Gluck's legacy falls along several lines:. Bull; Mozart's Idomeneo and Die Zauaberflote were strongly affected by Gluck. Bull; Berlioz loved Gluck and studied his operas extensively. Bull; Wagner made a modern version of Gluck's Iphigénie en Aulide (1847). Bull; Berlioz supervised productions of Orphée (1859), and Alcest (1866). Bull; Richard Strauss adapted Gluck's Iphigénie en Tauride (1890). Bull; There is a significant parallel between Renaud and Wagner's Parsifal. Bull; Salieri was Gluck's disciple.
Act2
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Act II of Gluck’s Armide is one of the most pivotal of the entire opera and it corroborates this theory quite well. 1 Herbert Schneider, "Gluck and Lully," in John Hajdu Heyer, ed., Lully Studies (Cambridge: Cambridge University Press, 2000), 252.
Overture
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