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Part 4: Private Individual | Sabbiaovale
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Laquo; Part 5: Narratives. Part 3: “Where do I come from? Part 4: Private Individual. December 9, 2010 by sabbiaovale. Although the internet was available while my grandfather was alive, my family never made an effort to document his story. Most of what he shared is remembered by his children it would have been more of a complete narrative if he had been given the opportunity. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:.
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Part 5: Narratives | Sabbiaovale
https://sabbiaovale.wordpress.com/2010/12/09/part-5-narratives
Laquo; Part 6: Your Own Digital Story. Part 4: Private Individual. December 9, 2010 by sabbiaovale. 8220;So-called ‘ordinary people’ develop the necessary competences to tell their own stories with new digital tools. -“Digital storytelling, mediatized stories: self-representations in new media” By Knut Lundby (page 4). On December 15, 2010 at 8:08 pm. I like that you created the possibility and they created the work, and then again, you curated it here, the final act of storytelling. Notify me of new com...
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Part 1: Digital Storytelling | Sabbiaovale
https://sabbiaovale.wordpress.com/2010/12/09/part-1-digital-storytelling
Laquo; Part 2: The Search for Identity. Part 1: Digital Storytelling. December 9, 2010 by sabbiaovale. However, with digital storytelling, a recorded story is archived and the storyteller’s narrative is kept in tact. This new form of story telling is helpful in that there is always a point of origin. While stories may have changed depending on the audience and who re-told it, this information can now be attained. On December 12, 2010 at 1:43 am. On December 12, 2010 at 3:19 am. Leave a Reply Cancel reply.
musicologymatters.blogspot.com
Musicology / Matters: August 2009
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Friday, August 21, 2009. Syllabus - Music and the Global Metropolis. This fall semester, I will be teaching a course at Colby College entitled "Music and the Global Metropolis." I thought it might be fun and productive to post the syllabus minus audio examples here on Musicology / Matters and on my other blog, Rebellion on Two-Wheels. For commentary and public use. So please, do with it as you like within the limits of reason! Music 197 A: Music and the Global Metropolis. Kariann E. Goldschmitt. 183; app...
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Musicology / Matters: October 2009
http://musicologymatters.blogspot.com/2009_10_01_archive.html
Tuesday, October 27, 2009. So far from being wrong in that presumption was I that I quickly found myself actually delighted by the book! It is an absolute treasure. For starters, there is the most charming preface I have ever read. Some excerpts:. Then he talks about how it's easy to say what was sung in Vienna at Schubert's church, or at Notre Dame and Westminster Abbey; but what was sung forty miles away at Kuckucksdorf am Donau or Little Cucking? He holds no grudges, even against the atheists. He ...
musicologymatters.blogspot.com
Musicology / Matters: November 2009
http://musicologymatters.blogspot.com/2009_11_01_archive.html
Thursday, November 5, 2009. Lectures on your own stuff. Rather than embarrass myself by listing the many examples of interesting assumptions I made during my São Paulo unit, I thought I would add my own take on lecturing best practices. 1) Even if you disagree with a canonic point, lecture is not the time to complicate it. Save those problematizing discussions for individual meetings and small seminar situations. And finally, when in doubt, refer to other sage guides on lecturing. It can be quite fun.
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Musicology / Matters: Sounds of Things To Come
http://musicologymatters.blogspot.com/2010/08/sounds-of-things-to-come.html
Tuesday, August 31, 2010. Sounds of Things To Come. In an upcoming issue of The Annual Review of Anthropology. There is an article co-authored by some well-known music scholars arguing for sound in anthropology. Just last month, a deadline arrived for a special issue of The American Quarterly. Academic presses are clearly on-board: there are now readers and handbooks in production or in press. Some institutions are even lending the interdisciplinary field some credence by explicitly recruiting sound ...
musicologymatters.blogspot.com
Musicology / Matters: February 2010
http://musicologymatters.blogspot.com/2010_02_01_archive.html
Wednesday, February 3, 2010. Syllabus: Music, Media, and the Representation of Difference. It's that time of year again. Here is the syllabus for "Music, Media and the Representation of Difference," a seminar I am leading this semester. We had our first meeting today, and it looks like I have a very bright group of students. I'm quite pleased. (I should have posted this earlier, but my schedule really ran away with me. Normally I post syllabi before. They are finalized.). 102 Bixler Art and Music Center.
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Musicology / Matters: December 2009
http://musicologymatters.blogspot.com/2009_12_01_archive.html
Wednesday, December 16, 2009. Escaping Disaster in Higher Ed. As news of fee hikes, ballooning class sizes, faculty furloughs and pay cuts, protests, and arrests (numbering over 220 as of this writing) reached me in my small town in Maine, I breathed a massive sigh of relief. I escaped institutional disaster. I attended UCLA as an undergrad when resident fees ranged between $1200 and $1700 per academic quarter and when (shocker! And flat out dishonesty. And staff researchers demonstrated over stalled con...
