STASHSTUDIOS.COM

fisherstudio.blogspot.com

intimate terrain: January 2013

http://fisherstudio.blogspot.com/2013_01_01_archive.html

Monday, January 28, 2013. Sol did not in my experience collaborate on his ideas. Those were private considerations. As generous and collaborative as Sol was, he was also extremely private, internal, and silent. No small talk. This combination of disciplined internal creativity and enormous generosity of spirit is the the Sol Lewitt that I know.". From a notebook 2012. Monday, January 21, 2013. I hate that feeling. Monday, January 7, 2013. Tuesday, January 1, 2013. Subscribe to: Posts (Atom).

thelemonadegirl.blogspot.com

the lemonade girl: what fun...

http://thelemonadegirl.blogspot.com/2011/04/what-fun.html

Crepe paper,whisper,millenery,dreamy,chinese umberella's,token,cardigan,red apple's,jewellery,violin,turquoise tights,sequel,slippers,vessel-vase,magpie,florist,eiderdowns,mannequins,violets,tobacco flower,rust,sorrow,sparkle,circus,passion flowers,broken plate's,tattoo's,champagne.this is all in my mind and heart. Tuesday, April 5, 2011. Helloi went op shopping today and found this divine water jug for $ 8.00.singing and skipping xx jo. Subscribe to: Post Comments (Atom). View my complete profile.

fisherstudio.blogspot.com

intimate terrain: April 2015

http://fisherstudio.blogspot.com/2015_04_01_archive.html

Wednesday, April 15, 2015. What i really wanted was every kind of life. It's so effortless to let my lonliness defeat me, make me mold myself to whatever would (in some way- but not wholly) relieve it. I must never forget it. I want sensuality and sensitivity both. let me never deny that. I want to err on the side of violence and excess, rather than underfill my moments." Susan Sontag. Subscribe to: Posts (Atom). View my complete profile. Daily paintings, abbey ryan. Joy brown china journal.

fisherstudio.blogspot.com

intimate terrain: August 2011

http://fisherstudio.blogspot.com/2011_08_01_archive.html

Sunday, August 28, 2011. We cover the universe with the drawings that we have lived. Saturday, August 27, 2011. I can't decide if i love it or hate it, but so happy to be here. Grocery store rice bins. I got home from 2 days ago and landed into the shopping frenzy created by hurricane irene. I restocked my refrigerator and pantry, started unpacking,- weathering the storm with jay. sleeping and not sleeping at all the wrong times. Nanhui view from house balcony. Subscribe to: Posts (Atom).

fisherstudio.blogspot.com

intimate terrain: June 2012

http://fisherstudio.blogspot.com/2012_06_01_archive.html

Saturday, June 30, 2012. I'm not even sure what that means, but it was happening. Day 1: evening slides. something about how things that we are touched by have been touching us for a long time. Artists are always going in as thieves. What is the vitality that speaks to me? Art is not a linear progression. What is the subjective doorway? They hunger to live more deeply. Gustin's place is pretty close to the ground. Pay attention to the incidental. Get gone on the investigation. I hope I get that look of a...

fisherstudio.blogspot.com

intimate terrain: February 2012

http://fisherstudio.blogspot.com/2012_02_01_archive.html

Friday, February 17, 2012. Wednesday, February 8, 2012. It is a common mistake to think that being in proportion means being small. Rather, it means being in scale, in making either a large or modest gesture, but doing it in a manner that lets us see the scale of our bodies embedded in its structure. From Patterns of Home. The ten essentials of Enduring Design. M Jacobson, M. Silverstein, B. Winslow. Tuesday, February 7, 2012. Patch, lancaster pa. And don't make anything if you don't want to- just listen.

fisherstudio.blogspot.com

intimate terrain: June 2013

http://fisherstudio.blogspot.com/2013_06_01_archive.html

Saturday, June 22, 2013. Summer project thing two: Murals. Theme: Botanical: We will be using tree shadows and plants that grow on the site as a starting point in this multi faceted project. I prefer to make murals that are abstract in nature, less directly representational. We will look at and discuss interpretive and scientific ways of drawing plants. If you have any suggestions or links, I'd love to hear about them in the comment section. Zea Maize (corn) root cross section. Through the looking lens.

fisherstudio.blogspot.com

intimate terrain: September 2011

http://fisherstudio.blogspot.com/2011_09_01_archive.html

Thursday, September 29, 2011. I awoke at 4:00 am this morning worried that i would oversleep and miss my flight to reno, but also full of ideas for drawings, sculptures, cups, installations,weather, white on white, finding a studio. fulfilling the promise to harvest from all of the traveling that i have been doing in the past year and a half. I feel invisible in/to my work right now, or my work feels that way to me. what am i doing? What do i want? Sunday, September 11, 2011. Whenever it's over, it's over.

fisherstudio.blogspot.com

intimate terrain: August 2012

http://fisherstudio.blogspot.com/2012_08_01_archive.html

Tuesday, August 28, 2012. Bowl by Neville French. Bowl by Neville French. These are rare bowls; words like tender and generous like temperate and powerful, spring to mind. They need to be absorbed slowly, and still they challenge summation. They are lovely empty; they would be just as lovely filled, say with lemons, in the afternoon light. I suspect that they will surprise and nourish again and again. Like good friends, like oases.". Ceramics Art and Perception. Subscribe to: Posts (Atom).

fisherstudio.blogspot.com

intimate terrain: September 2012

http://fisherstudio.blogspot.com/2012_09_01_archive.html

Sunday, September 23, 2012. Design Philadelphia is an annual event that celebrates the work of designers and fine artists that live and work in Philadelphia. I have participated in past years with an installation at Artemide Lighting in Old City , and with my tyler foundations class pop up drawing event at the Welcome House project by Marianne Bernstein. This year, I invited 3 artists to join me in a panel discussion and conversation. Thinking in Space: Thinking In Form. Crane Arts Old School White Space.