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Stephen Hammer

Lectures and Master Classes. Tempo camicia di forza*. Maybe there’s some hope on the horizon, though: flexibility as a normal way of playing seems to be making a comeback in some circles. Kudos to Eric Hoeprich: in a recent rehearsal he actually told me, “playing exactly together might be overrated.” Love it! Toward a sensible keyboard temperament for Baroque orchestras. Toward a tuning strategy for large Baroque ensembles. Shostakovitch for drum and bugle corps! Regional opera is alive and well. By Mark...

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Stephen Hammer | stephenhammer.com Reviews
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Lectures and Master Classes. Tempo camicia di forza*. Maybe there’s some hope on the horizon, though: flexibility as a normal way of playing seems to be making a comeback in some circles. Kudos to Eric Hoeprich: in a recent rehearsal he actually told me, “playing exactly together might be overrated.” Love it! Toward a sensible keyboard temperament for Baroque orchestras. Toward a tuning strategy for large Baroque ensembles. Shostakovitch for drum and bugle corps! Regional opera is alive and well. By Mark...
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Stephen Hammer | stephenhammer.com Reviews

https://stephenhammer.com

Lectures and Master Classes. Tempo camicia di forza*. Maybe there’s some hope on the horizon, though: flexibility as a normal way of playing seems to be making a comeback in some circles. Kudos to Eric Hoeprich: in a recent rehearsal he actually told me, “playing exactly together might be overrated.” Love it! Toward a sensible keyboard temperament for Baroque orchestras. Toward a tuning strategy for large Baroque ensembles. Shostakovitch for drum and bugle corps! Regional opera is alive and well. By Mark...

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Other activities – Stephen Hammer

http://stephenhammer.com/biography/other-activities

Artistic director of the Blue Hill Bach Festival, 2013 . Responsible for programming and directing programs of vocal and instrumental music by Bach and his contemporaries. Visit the Blue Hill Bach web site. Conceived and co-founded the New York Collegium, a period orchestra and choir based in New. York City, 1998. Served as its first Artistic Director and as a member of its founding board of. Directors and secretary of the corporation. Artistic planning and supervision of presented and. Performed George ...

2

Uncategorized – Stephen Hammer

http://stephenhammer.com/category/uncategorized

Tempo camicia di forza*. I have long suspected that many musicians today think about tempo in a radically different way from our predecessors. We have clues from the scratchy monaural recordings of performers from the early 20th century, some of which seem wildly and laughably out of time, muddy, and untogether. Excessively self-indulgent Romanticism, the critics said. Perceptive writers […]. Shostakovitch for drum and bugle corps! Regional opera is alive and well. I had the pleasure last night of partic...

3

Shostakovitch for drum and bugle corps! – Stephen Hammer

http://stephenhammer.com/2010/04/238

Shostakovitch for drum and bugle corps! Categorized in: Uncategorized. Regional opera is alive and well. Lectures and Master Classes.

4

Tempo camicia di forza* – Stephen Hammer

http://stephenhammer.com/2013/08/tempo-camicia-di-forza

Tempo camicia di forza*. Maybe there's some hope on the horizon, though: flexibility as a normal way of playing seems to be making a comeback in some circles. Kudos to Eric Hoeprich: in a recent rehearsal he actually told me, "playing exactly together might be overrated." Love it! Categorized in: Uncategorized. Lectures and Master Classes.

5

Discography – Stephen Hammer

http://stephenhammer.com/biography/recordings

Dorian, CBS Masterworks, Deutsche Harmonia Mundi,. EMI, Sony Classics, Nonesuch, Pro Arte, Smithsonian. Solo, obligato, and chamber music recordings. Bach, J.S. - Concerti for oboe in Eb/d, oboe d'amore in A. Bach Ensemble/Rifkin; Pro Arte/PAD 153, 1983. Bach, J.S. - Concerto for oboe and violin in c minor. Academy of Ancient Music/Hogwood (with C. Mackintosh); L'Oiseau-lyre/421-500, 1989. Couperin, François - Concerts Royaux. Smithsonian Chamber Players; EMI, 1994. Amadeus Winds; L'Oiseau-lyre, 1989.

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Lectures and Master Classes. Tempo camicia di forza*. Maybe there’s some hope on the horizon, though: flexibility as a normal way of playing seems to be making a comeback in some circles. Kudos to Eric Hoeprich: in a recent rehearsal he actually told me, “playing exactly together might be overrated.” Love it! Toward a sensible keyboard temperament for Baroque orchestras. Toward a tuning strategy for large Baroque ensembles. Shostakovitch for drum and bugle corps! Regional opera is alive and well. By Mark...

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