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Steve Topping

Sunday, June 10, 2012. Technique: pixilation/ stop motion, shot:1995, Super-8 (black and white Tri-X). Sound: The original sound was blues guitar over looped rail road sound samples and was intended to calm the viewer while watching the hyper-kinetic and super-boring images, however, I think silence works better. There were very important contributors to this project beyond who is mentioned in the film titles. I would like to thank:. Liaison of Independent Film Toronto (L.I.F.T.). The Ontario Arts Council.

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Steve Topping | stoppin.blogspot.com Reviews

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Sunday, June 10, 2012. Technique: pixilation/ stop motion, shot:1995, Super-8 (black and white Tri-X). Sound: The original sound was blues guitar over looped rail road sound samples and was intended to calm the viewer while watching the hyper-kinetic and super-boring images, however, I think silence works better. There were very important contributors to this project beyond who is mentioned in the film titles. I would like to thank:. Liaison of Independent Film Toronto (L.I.F.T.). The Ontario Arts Council.

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1 steve topping

2 reading canada backwards

3 now on youtube

4 joelle hann

5 deluxe film lab

6 greg woodbury

7 jaxon mcdade

8 posted by

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Steve Topping | stoppin.blogspot.com Reviews

https://stoppin.blogspot.com

Sunday, June 10, 2012. Technique: pixilation/ stop motion, shot:1995, Super-8 (black and white Tri-X). Sound: The original sound was blues guitar over looped rail road sound samples and was intended to calm the viewer while watching the hyper-kinetic and super-boring images, however, I think silence works better. There were very important contributors to this project beyond who is mentioned in the film titles. I would like to thank:. Liaison of Independent Film Toronto (L.I.F.T.). The Ontario Arts Council.

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stoppin.blogspot.com

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Steve Topping: spYder at the Cinémathèque Québécois

http://stoppin.blogspot.com/2006/09/new-picture-photo-blog.html

Tuesday, April 03, 2007. SpYder at the Cinémathèque Québécois. Here is my recent construction on show at the Cinematheque. The Great SpYder Steeple Chase, Super-8 Race. The armature for this exposition is designed to illuminate, provide power to each viewer’s motor and house all commissioned super-8 films. There were a great number of people who helped me out . Keith Pattington (electronics design and fabrication). Anni Lawrence and Anni Lawrence Catering. Quartier Éphémerè/ Foundry Darling.

2

Steve Topping: January 2011

http://stoppin.blogspot.com/2011_01_01_archive.html

Friday, January 28, 2011. Rimouski Aero-Glisseur/ Ice Parabolic Reflector. Here is project I did in Rimouski. Through a residency at Caravanserail. Great town, wonderful people who are obsessed with ice, ice fishing and le banquise (ocean ice sheet) that forms every year. Le banquise acts as an extension of the public space of the city of Rimoiski. The ice sheet is moving up and down with the tide, sometimes by 4-5m so one must know what one is doing or at least listen to someone who does. View my comple...

3

Steve Topping: Flatlander the film

http://stoppin.blogspot.com/2006/04/flatlander-film.html

Monday, April 02, 2007. For the winter of 2005-6 I spent a total of two months up in the region of Labelle, Quebec. Invited me to do an artist residency in the cabin on a few hundred acres of conserved forest. I produced. And shot a 16mm experimental film called. This is a beautiful piece/thought. I love the slightness of the tacks and their invisibility without light. I am moved. Subscribe to: Post Comments (Atom). SpYder at the Cinémathèque Québécois. Art in Newfoundland (CFP). Long Gone (Hobo film).

4

Steve Topping: June 2012

http://stoppin.blogspot.com/2012_06_01_archive.html

Sunday, June 10, 2012. Technique: pixilation/ stop motion, shot:1995, Super-8 (black and white Tri-X). Sound: The original sound was blues guitar over looped rail road sound samples and was intended to calm the viewer while watching the hyper-kinetic and super-boring images, however, I think silence works better. There were very important contributors to this project beyond who is mentioned in the film titles. I would like to thank:. Liaison of Independent Film Toronto (L.I.F.T.). The Ontario Arts Council.

5

Steve Topping: April 2007

http://stoppin.blogspot.com/2007_04_01_archive.html

Tuesday, April 03, 2007. SpYder at the Cinémathèque Québécois. Here is my recent construction on show at the Cinematheque. The Great SpYder Steeple Chase, Super-8 Race. The armature for this exposition is designed to illuminate, provide power to each viewer’s motor and house all commissioned super-8 films. There were a great number of people who helped me out . Keith Pattington (electronics design and fabrication). Anni Lawrence and Anni Lawrence Catering. Quartier Éphémerè/ Foundry Darling. Caravanserai...

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Steve Topping

Sunday, June 10, 2012. Technique: pixilation/ stop motion, shot:1995, Super-8 (black and white Tri-X). Sound: The original sound was blues guitar over looped rail road sound samples and was intended to calm the viewer while watching the hyper-kinetic and super-boring images, however, I think silence works better. There were very important contributors to this project beyond who is mentioned in the film titles. I would like to thank:. Liaison of Independent Film Toronto (L.I.F.T.). The Ontario Arts Council.

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