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storytellingfor.com
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storytellingforall.co.uk
Storytelling for all
Cath has a warm and witty style of storytelling and she has a wonderful sense of humour.’. My repertoire is largely based on traditional and folk tales. I revel in sourcing stories, making them my own and passing them on so that my audiences can love them as much as I do. Learn more about my services. Or get in touch. If you want to hire me. Whether at a family festival, a library event or in a school, I include lots of opportunities for audience involvement and I often add rhythm, songs and story games ...
storytellingforamerica.com
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storytellingforamerica.org
storytellingforamerica.org - Registered at Namecheap.com
This domain is registered at Namecheap. This domain was recently registered at Namecheap. Please check back later! This domain is registered at Namecheap. This domain was recently registered at Namecheap. Please check back later! The Sponsored Listings displayed above are served automatically by a third party. Neither Parkingcrew nor the domain owner maintain any relationship with the advertisers.
storytellingforartists10.blogspot.com
Negotiation
Watch a favorite movie clip to fuel ideas about strategies that characters use to argue or get their way with other characters. Or take them from scenes in stories you like. Better yet, take them from real life. Compile a list of such strategies to use when you write your scenes. Storytelling is a process of change. Click on mouth to play/pause. Anything can be negotiated. You may not think about conflict in every story, thou you will usually ask yourself, what’s in play here? Rather we see characters da...
storytellingforartists11.blogspot.com
Balancing Action and Response
Balancing Action and Response. Balancing action and response. The incidental movements and activities of characters help to define them, and the things they surround themselves with and use are part of who they are. Balancing action and response. 1 Action - What happens? Is it large action or small? 2 Reflection of a character about an aspect of what is happening. 3 Reflection of a character about an aspect of the past that is relevant. 4 Expression of reflection in dialogue. For materials on this page.
storytellingforartists12.blogspot.com
Openings and Beats
Scene Openings as a Promise. It is possible to pull the reader into the heart of the story, beginning in media res. Without getting lost, if your opening lines offer enough details of a situation, setting, and potential conflict. Commenting on some aspect of character, setting or event before entering the scene; this can be terse or long. Refers to the way one breaks down events into small steps of action. How beats can help clean up your scenes. Then you can make the beats escalate. The ways the charact...
storytellingforartists5.blogspot.com
Collaborative Project: Murder Club
Collaborative Project: Murder Club. Don’t Blink – James Patterson. LOMBARDO’S STEAKHOUSE ON Manhattan’s tony Upper East Side was justly famous for two things, two specialties of the house. The first was its double-thick, artery-clogging forty-six ounce porterhouse, the mere sight of which would give a vegan an apoplectic seizure. The second claim to fame was its clientele. Unless you were Bruno Torenzi, that it. Of course, that was the idea, wasn’t it? For something this sick and depraved to go down, you...
storytellingforartists7.blogspot.com
Focusing on Image & Focal Point
Focusing on Image and Focal Point. Good writing appeals to the senses. Don't say "he was terribly hungry". Narrating through the senses. Click on mouth to play/pause. For materials on this page. Subscribe to: Posts (Atom). Go back to Basic Scene Structure page. Show, don't tell. Take a simple sentence of action like one of the examples below, and write a paragraph that provides a richness of concrete detail to show the meaning of the sentence. 1) He was afraid of the dark. 3) The men looked me over.
storytellingforbetterselling.com
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