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This blog is a running commentary on historical and contemporary concerns within the world of ceramics. Monday, June 7, 2010. Stephanie DeArmond: Text and Context By Molly Hatch. Stephanie DeArmond: Text and Context. At first glance DeArmond’s crisp letterforms appear to be factory made, cast from a plaster mold. This is in a large part thanks to her pointed reference to the exquisitely ornate 18. Finally I dropped the vessel aspect of the work and made letterforms. I love how a typeface can reference a ...

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stripes and dots | stripeanddot.blogspot.com Reviews

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This blog is a running commentary on historical and contemporary concerns within the world of ceramics. Monday, June 7, 2010. Stephanie DeArmond: Text and Context By Molly Hatch. Stephanie DeArmond: Text and Context. At first glance DeArmond’s crisp letterforms appear to be factory made, cast from a plaster mold. This is in a large part thanks to her pointed reference to the exquisitely ornate 18. Finally I dropped the vessel aspect of the work and made letterforms. I love how a typeface can reference a ...

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stripes and dots | stripeanddot.blogspot.com Reviews

https://stripeanddot.blogspot.com

This blog is a running commentary on historical and contemporary concerns within the world of ceramics. Monday, June 7, 2010. Stephanie DeArmond: Text and Context By Molly Hatch. Stephanie DeArmond: Text and Context. At first glance DeArmond’s crisp letterforms appear to be factory made, cast from a plaster mold. This is in a large part thanks to her pointed reference to the exquisitely ornate 18. Finally I dropped the vessel aspect of the work and made letterforms. I love how a typeface can reference a ...

INTERNAL PAGES

stripeanddot.blogspot.com

1

stripes and dots: Workshop with Molly Hatch at 4th and Clay

http://stripeanddot.blogspot.com/2010/01/workshop-with-molly-hatch-at-4th-and.html

This blog is a running commentary on historical and contemporary concerns within the world of ceramics. Wednesday, January 27, 2010. Workshop with Molly Hatch at 4th and Clay. I wanted to learn how to create that vase. Its wonderful and the design is simple yet attractive. Turbulence Training. December 30, 2011 at 10:07 PM. Subscribe to: Post Comments (Atom). Other places to see Stripes and Dots. A cup of jo. January 20, 2010 Deborah Schwartzkopf: Full Ci. Interview with Deb Schwartzkopf.

2

stripes and dots: Stephanie DeArmond: Text and Context By Molly Hatch

http://stripeanddot.blogspot.com/2010/06/stephanie-dearmond-text-and-context-by.html

This blog is a running commentary on historical and contemporary concerns within the world of ceramics. Monday, June 7, 2010. Stephanie DeArmond: Text and Context By Molly Hatch. Stephanie DeArmond: Text and Context. At first glance DeArmond’s crisp letterforms appear to be factory made, cast from a plaster mold. This is in a large part thanks to her pointed reference to the exquisitely ornate 18. Finally I dropped the vessel aspect of the work and made letterforms. I love how a typeface can reference a ...

3

stripes and dots: January 2010

http://stripeanddot.blogspot.com/2010_01_01_archive.html

This blog is a running commentary on historical and contemporary concerns within the world of ceramics. Wednesday, January 27, 2010. January 20, 2010. Deborah Schwartzkopf: Full Circle. Pitchers, to 15 in. (38 cm) in height, wheel-thrown and altered parts combined with patterned slabs that were shaped with hump molds. Schwartzkopf darts a thrown cylinder that will become a tapered section of a pot at the Walnut Creek Art Center. This article appeared in. Magazine’s February 2010. January 20, 2010. This i...

4

stripes and dots: April 2009

http://stripeanddot.blogspot.com/2009_04_01_archive.html

This blog is a running commentary on historical and contemporary concerns within the world of ceramics. Tuesday, April 21, 2009. American Craft Magazine Interviews: Sanam Emami. STORY BY Molly Hatch. Can you tell our readers a little bit about yourself? I am a studio potter and professor at Colorado State University. Except for the one year I lived in New York City, I have been teaching full-time since finishing graduate school in 2002. Can you describe a typical work day? There’s lots of talk abou...

5

stripes and dots: July 2008

http://stripeanddot.blogspot.com/2008_07_01_archive.html

This blog is a running commentary on historical and contemporary concerns within the world of ceramics. Wednesday, July 16, 2008. Tulip fields in holland. I just came across these images on another blog, but the original article was published in England: here. Subscribe to: Posts (Atom). Other places to see Stripes and Dots. A cup of jo. Tulip fields in holland. View my complete profile.

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allyhowell.wordpress.com

ally howell | Page 2

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8220;Christa Assad: A life made from Mudd” by Molly Hatch. October 4, 2008. I am a big fan of American Craft magazine these days. It has become a pretty well designed and well put together magazine. I keep peeking into Longfellow Books in monument square every few weeks for the next issue, the last issue was great and I am digging Molly Hatch’s. One of my new favorite clay bloggers) interview with Christa Assad. I love Uncle Henry’s. October 4, 2008. October 1, 2008. And bid on my snack station, mama nee...

contemporaryceramicsinterview.blogspot.com

contemporary ceramics interview: Mikey Walsh

http://contemporaryceramicsinterview.blogspot.com/2008/11/mikey-walsh.html

Monday, November 24, 2008. I sat down with Michaelene Walsh to talk about her work, her past, the best compliment she's ever received and why our culture is afraid of cute. The following is a transcript of our conversation:. So I thought we could begin in the beginning, How did you get into clay? Did you start out as a ceramics person? BB- Where was that? MW- The Flathead Indian Reservation,. BB- Okay, they have a residency there? BB- What did you do there? BB-So it was a survivalist camp? MW- Entirely&#...

contemporaryceramicsinterview.blogspot.com

contemporary ceramics interview: November 2008

http://contemporaryceramicsinterview.blogspot.com/2008_11_01_archive.html

Monday, November 24, 2008. I sat down with Michaelene Walsh to talk about her work, her past, the best compliment she's ever received and why our culture is afraid of cute. The following is a transcript of our conversation:. So I thought we could begin in the beginning, How did you get into clay? Did you start out as a ceramics person? BB- Where was that? MW- The Flathead Indian Reservation,. BB- Okay, they have a residency there? BB- What did you do there? BB-So it was a survivalist camp? MW- Entirely&#...

allyhowell.wordpress.com

on blogging | ally howell

https://allyhowell.wordpress.com/2008/10/14/on-blogging

The internet has become a vital lifeline for artists and everyone alike, EVERYone has a website that showcases work, resume, and bio. It allows us to keep uptodate as to what potters, artists, organizations all around the country and world are doing. In the last Studio Potter magazine. Tools and technology), NC Potter Michael Kline discusses this and more in his article “clay wheel rib sponge blog? 8221; His blog, “Sawdust and dirt”. I have a “website” with my images, statement, bio, and resu...I just fo...

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stripeanddot.blogspot.com

stripes and dots

This blog is a running commentary on historical and contemporary concerns within the world of ceramics. Monday, June 7, 2010. Stephanie DeArmond: Text and Context By Molly Hatch. Stephanie DeArmond: Text and Context. At first glance DeArmond’s crisp letterforms appear to be factory made, cast from a plaster mold. This is in a large part thanks to her pointed reference to the exquisitely ornate 18. Finally I dropped the vessel aspect of the work and made letterforms. I love how a typeface can reference a ...

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