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Sculpture by artist Adrian Mauriks.

Adrian Mauriks has sculpture installed in public spaces and private collections throughout the country and regularly exhibits in prestigious shows worldwide.

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Sculpture by artist Adrian Mauriks. | studiomauriks.com Reviews
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Sculpture by artist Adrian Mauriks. | studiomauriks.com Reviews

https://studiomauriks.com

Adrian Mauriks has sculpture installed in public spaces and private collections throughout the country and regularly exhibits in prestigious shows worldwide.

SUBDOMAINS

sculpturesurvey1996.studiomauriks.com sculpturesurvey1996.studiomauriks.com

University of Ballarat, Victorian Student Sculpture Survey, 1996

Curated by Robert Preston. Assisted by Brian Lawrence, Christine Martin, Michelle Menz, Marcus Patching,. Kiri Smart, Melissa Wood. The Environs of the University of Ballarat 6-25 October 1996. The Organizers Acknowledge the Generous Support of:. Site authors Adrian J Mauriks and George Koliantzas, 1996. Historical site notes, August 2009.

INTERNAL PAGES

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Adrian Mauriks : Opus Pieces

http://www.studiomauriks.com/opus-pieces

500 x 180 x 150 cm. 500 x 120 x 120 cm. 65 x 25 x 40 cm. 60 x 25 x 28 cm. 399 x 300 x 250 cm. 150 x 110 x 120 cm. Opus 36, Okahandja my enigma. Steel and found object. 220 x 70 x 70 cm. 260 x 70 x 60 cm. 140 x 100 x 70 cm. 110 x 90 x 30 cm. 95 x 85 x 50 cm. 160 x 140 x 60 cm. 190 x 100 x 90 cm. 230 x 120 x 100 cm. 180 x 100 x 100 cm. 120 x 90 x 70 cm. 170 x 110 x 100 cm. 75 x 120 x 50 cm. 220 x 120 x 110 cm. 120 x 120 cm. 160 x 110 x 70 cm. 190 x 100 x 100 cm. 170 x 100 x 100 cm. 200 x 95 x 95 cm.

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Silence, 2001-2002. Sculpture by Adrian Mauriks.

http://www.studiomauriks.com/sculpture/silence-2001-2002

Painted epoxy resin and stainless steel. 1250 x 1850 x 450 cm. Collection of City of Melbourne, Australia. Between mirboo north and boolarra south. Silence came upon me. And brought tears to my soul. In the landscape of the mind. Openness and focus expand. Erstwhile still and quiet. This feeling of silence and bliss. A world whizzing by. Silence is the secret and the holy grail. Epiphany the greatest joy. With an undertow of aum. First Docklands artwork not to be missed. By Megan Backhouse, 2001.

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Compilation, 2003. Sculpture by Adrian Mauriks.

http://www.studiomauriks.com/sculpture/compilation-2003

Some connections turn out to be sound, as in music. Some things can be said, as with poetry. Some things can only be made. Compilation, a collection of things made. The sculpture is something, a thing in itself. Not just one thing , , , but many. Made is not the same as said or sound and movement. Evocative and resonant the forms are powerfully still and quiet. Their presence soothing, , , epiphanic. Absorbing this atmosphere again reminds us of the source. In the mind where it began.

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Meeting Place, 1985. Sculpture by Adrian Mauriks.

http://www.studiomauriks.com/sculpture/meeting-place-1985

400 x 800 x 300 cm. Brisbane, Australia 1988, and. The Second Australian Sculpture Triennial, Sculpture Now. At the National Gallery of Victoria, Melbourne, Australia 1984. Public collection, Queensland, Australia. Works Available to Purchase.

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Construct II, 2006. Sculpture by Adrian Mauriks.

http://www.studiomauriks.com/sculpture/construct-ii-2006

Painted epoxy resin and steel. Some information to consider. There is but one truly philosophical problem, that is suicide". From "The Myth of Sisyphus" by Albert Camus. The biggest influence on my art is my death. Death is the thing that really makes you do things. There is certain urgency about it. Not the fear of it but the notion of it. My world-view has been informed and infused with many links and connections. A Buddhist frame of reference, the aboriginal position of "being in the landscape" as...

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Easy | Trefor Prest Sculpture

https://strangwayssculpture.wordpress.com/2015/06/24/easy

The process of making my sculpture. Here it is, finished. Although I might put in a part I have made which lifts the brass dome about an inch. It’s got a name now,”Easy”. June 24, 2015. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out.

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CV | Trefor Prest Sculpture

https://strangwayssculpture.wordpress.com/cv

The process of making my sculpture. Trefor Prest was born in South Wales in 1945. He attended Croydon College of Art in1960,. Was expelled in 1961 and migrated to Australia. He had an undistinguished two year military career. As a tank driver in the Australian Army from 1966-68. He studied sculpture at the. National Gallery Art School, Melbourne from 1971-1973. During that time he also gained a welding. Qualification from RMIT and a single arts subject, Modern European History, at LaTrobe University,.

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coming events | Trefor Prest Sculpture

https://strangwayssculpture.wordpress.com/coming-events

The process of making my sculpture. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email. Work of Trefor Prest. Richard and Prue on The dogs tail.

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Breath, 2013 | Trefor Prest Sculpture

https://strangwayssculpture.wordpress.com/gallery-2/breath-2013

The process of making my sculpture. Brass, copper, stainless steel 21x11x13cm. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email.

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Distinguished Visitors | Trefor Prest Sculpture

https://strangwayssculpture.wordpress.com/2015/07/27/distinguished-visitors

The process of making my sculpture. Geoff Bartlett and Augustine Dall’Ava, two sculptors I have known since the seventies dropped in for a visit last Saturday. I have always admired their work and their work ethic and it was a real pleasure to spend a few hours with them. Meanwhile, back at the workbench, something else is slowly beginning to emerge.Here we see the mould ( bottom ), the assembled “ribs” and the two pieces of copper whish have been formed around the mould. July 27, 2015. Next Post ».

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Ashes and Dust 2013 | Trefor Prest Sculpture

https://strangwayssculpture.wordpress.com/gallery-2/ashes-and-dust-2013

The process of making my sculpture. Ashes and Dust 2013. Ashes and Dust, 2013. Brass, copper stainless steel,canvas 29x610x25cm. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out.

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The Only one, 2012 (obverse) | Trefor Prest Sculpture

https://strangwayssculpture.wordpress.com/gallery-2/the-only-one-2012-obverse

The process of making my sculpture. The Only one, 2012 (obverse). The Only One,2012 (obverse). Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email.

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The only one, 2012 | Trefor Prest Sculpture

https://strangwayssculpture.wordpress.com/gallery-2/the-only-one-2012

The process of making my sculpture. The only one, 2012. The Only One, 2012. Brass, copper, stainless steel 24x50x24. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out.

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Force of Destiny Opening | Trefor Prest Sculpture

https://strangwayssculpture.wordpress.com/2015/08/04/force-of-destiny-opening

The process of making my sculpture. Force of Destiny Opening. Belinda and I with producer Maggie Miles and Paul Cox. Dan Mitton (grip) and Jack Kenneally (gaffer), who graciouly overlooked my incompetence and gave me a glimpse into their arcane craft. And of course Shahana Goswami,. August 4, 2015. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out.

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Paul Cox Film | Trefor Prest Sculpture

https://strangwayssculpture.wordpress.com/paul-cox-film

The process of making my sculpture. Paul Cox directs David Wenham,watched by cinematographer Ian Jones and focus puller Geoff Skilbeck. Last week Belinda and I went to a special preview of Paul Cox’s film “Force of Destiny”at the Austin Hospital. This was the culmination of a process which has been going on since 2011, when Paul first visited my workshop, looking for a location for his film ” Force of Destiny”. Paul Cox confers with David Wenham. Http:/ www.forceofdestiny.com.au/screening. Enter your com...

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The sculpture of Adrian Mauriks. Welcome to the Sculpture of Adrian Mauriks. Intimacy and scale are part of my personal brief. The work, for me, has a sensual, almost erotic feel about it. Garden of Earthly Delights. And a large spoonful of soul. Bits of some or all of the above, directly or indirectly, reside in the work. I am optimistic enough to believe the arts flurry of today and all that is associated with it, to some degree at least, balances out the fear factor and aggression of recent times.

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