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stunlaw.blogspot.com

stunlaw

Understanding digital media, technology, theory, culture and society.

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stunlaw | stunlaw.blogspot.com Reviews
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Understanding digital media, technology, theory, culture and society.
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1 stunlaw
2 continuous interfaces
3 physical design
4 interaction models
5 commodity
6 mechanism
7 notes
8 bibliography
9 london verso books
10 basingstoke palgrave
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stunlaw,continuous interfaces,physical design,interaction models,commodity,mechanism,notes,bibliography,london verso books,basingstoke palgrave,new york bloomsbury,posted by,david berry,no comments,labels aesthetics,computing,digital circuits,post digital
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stunlaw | stunlaw.blogspot.com Reviews

https://stunlaw.blogspot.com

Understanding digital media, technology, theory, culture and society.

INTERNAL PAGES

stunlaw.blogspot.com stunlaw.blogspot.com
1

stunlaw: January 2014

http://stunlaw.blogspot.com/2014_01_01_archive.html

Critique, politics, arts and technology. The science of nature develops under the technological a priori which projects nature as potential instrumentality, stuff of control and organisation. And the apprehension of nature as (hypothetical) instrumentality precedes the development of all particular technical organisation (Marcuse 1999: 153). Technological reality, the object world, (including the subjects) is experienced as a world of instrumentalities. As such, there are two moments that Marcuse identif...

2

stunlaw: Continuous Interfaces

http://stunlaw.blogspot.com/2015/06/continuous-interfaces.html

Critique, politics, arts and technology. Apple's Continuity technology across devices. Under the contemporary condition of computation the question of the interface requires us to attend to that which in everyday practice we attend to continuously. [1]. In the notion of continuous interfaces, the term continuity refers to the unbroken and consistent existence or operation of something over time but also gestures towards a media notion of continuity of broadcast, in the maintenance of continuous action an...

3

stunlaw: April 2014

http://stunlaw.blogspot.com/2014_04_01_archive.html

Critique, politics, arts and technology. The Antinomies of Computation. Poet Hair and Makeup Party. In this post I explore what I want to call the antinomies of computation. [1]. Computation makes the collection of data relatively easy. This increases visibility through what Rey Chow (2012) calls “ Capture. Is made visible in these kinds of systems, especially where as Feminist theorists have shown, visibility itself can be a gendered concept and practice, as demonstrated in the historical invisibility o...

4

stunlaw: Flat Theory

http://stunlaw.blogspot.com/2014/11/flat-theory.html

Critique, politics, arts and technology. The world is flat. [1]. Or perhaps better, the world is increasingly "layers". Certainly the augmediated imaginaries of the major technology companies are now structured around a post-retina notion of mediation made possible and informed by the digital transformations ushered in by mobile technologies that provide a sense of place, as well as a sense of management of complex real-time streams of information and data. Matias Duarte, Google's Vice President of Desig...

5

stunlaw: October 2013

http://stunlaw.blogspot.com/2013_10_01_archive.html

Critique, politics, arts and technology. This post forms part of a panel discussion as a response to a lecture given by Professor Willard McCarty at Kings College London, at the event called " The Digital and the Human: Remembering the Future of the Digital Humanities. On 17th October 2013. Lighting installation, 2007). The humanities, is a question that the digital humanities has sought to address (McCarty 2005, 2013). Thus, the post-digital is represented by and indicative of a moment when the computat...

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decodingliberation.blogspot.com decodingliberation.blogspot.com

Decoding Liberation: March 2006

http://decodingliberation.blogspot.com/2006_03_01_archive.html

Free and open source software issues - dissected threadbare. Friday, March 31, 2006. Argentina in the house. An interesting article from Nerd Gaucho. On a bunch of Argentinian students helping Apache in in its quest to get an open source, J2SE 5.0-compatible java runtime and virtual machine happening. I love the photo of the eager hackers! Posted by Samir Chopra at 4:50 PM. Wednesday, March 29, 2006. Is an interesting one—why would a user think it's a bad. Posted by Scott Dexter at 8:56 AM. It just means...

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A critical review of politics, arts and technology. Apple's Continuity technology across devices. Under the contemporary condition of computation the question of the interface requires us to attend to that which in everyday practice we attend to continuously. [1]. The ability of the technical device to interact with its environment. Berry 2015). [3]. Accessible via the interface/surface and providing or procuring a commodity/service/function. Provides a relative stability for the consumption of ends&...

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stunlaw | A critical review of politics, arts and technology

A critical review of politics, arts and technology. Workshop for Digital Humanities (MMU). The following are for the MMU. The Digital Shakespeare project website is located at Delighted Beauty. And some of the visualisations generated by Stephan Thiel are on Understanding Shakespeare. The Digital Humanities data is available on this website. The Gephi Link is here. For visualisations of social networks etc. Sample Raw Text Version. TEI Lite (XML) version. Xml version="1.0" encoding="ISO-8859-1"? With sup...