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Author(s) , Title follows ] / [ Autor(en) , Titel folgt ]. An investigation of the creation process. To create something, we have to communicate everything we know about it. Fabrication always includes numerous people in a specific order. But what happens, when the communication thread is manipulated? When you mix up the hierarchy of decision making? When the translation process of the idea leaves openings? Randomness made by human hand. The not-knowing as an active tool. Leave a Reply Cancel reply.

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susanne kasper | [ Author(s) , Title follows ] // [ Autor(en) , Titel folgt ] | susannekasper.com Reviews

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Author(s) , Title follows ] / [ Autor(en) , Titel folgt ]. An investigation of the creation process. To create something, we have to communicate everything we know about it. Fabrication always includes numerous people in a specific order. But what happens, when the communication thread is manipulated? When you mix up the hierarchy of decision making? When the translation process of the idea leaves openings? Randomness made by human hand. The not-knowing as an active tool. Leave a Reply Cancel reply.

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susanne kasper | [ Author(s) , Title follows ] // [ Autor(en) , Titel folgt ] | susannekasper.com Reviews

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Author(s) , Title follows ] / [ Autor(en) , Titel folgt ]. An investigation of the creation process. To create something, we have to communicate everything we know about it. Fabrication always includes numerous people in a specific order. But what happens, when the communication thread is manipulated? When you mix up the hierarchy of decision making? When the translation process of the idea leaves openings? Randomness made by human hand. The not-knowing as an active tool. Leave a Reply Cancel reply.

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susannekasper.com

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| Marginalissusanne kasper

http://www.susannekasper.com/category/marginalis

8230; page is coming soon. 8220;About Your Views Film. Your Views is intended to be a unique, global, collective filmmaking experience from the artist Gillian Wearing and intends to capture snapshots of views from people’s homes all over the world and this can only be done with YOUR help. You do not have to have experience as a filmmaker to participate; we are accepting raw footage filmed on phones, video cameras or in more professional formats. We only ask that the shot is static and is shot on a ho...

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| Bibliographysusanne kasper

http://www.susannekasper.com/category/bibliography

8230; page is coming soon. Bubner, R., Was ist eine Regel,. In: Handlung, Sprache und Vernunft – Grundbegriffe praktischer Philosophie,. Frankfurt am Main (Suhrkamp) 1982, S. 175 -187. König, R., Macht und Reiz der Mode. Sennett, R., The Craftsman. London (Pinguin Books) 2009. Simmel, G., Die Mode,. In: Die Listen der Mode. Frankfurt am Main (Suhrkamp) 1986, S. 179-207. Flügel, J. C., Psychologie der Kleidung. In: Die Listen der Mode. Frankfurt am Main (Suhrkamp) 1986, S. 208-290. In: Die Listen der Mode.

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| Ateliersusanne kasper

http://www.susannekasper.com/category/workshop

8230; page is coming soon. Protected: [Sketch – Test] / [ #10 ] – A group of 5. Enter your password to view comments. This content is password protected. To view it please enter your password below:. This entry was posted in Atelier. February 8, 2015. Protected: [Sketch – Test] / [ #9 ] – A group of 5. Enter your password to view comments. This content is password protected. To view it please enter your password below:. This entry was posted in Atelier. February 7, 2015. This entry was posted in Atelier.

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Author(s) , Title follows ] / [ Autor(en) , Titel folgt ]. An investigation of the creation process. To create something, we have to communicate everything we know about it. Fabrication always includes numerous people in a specific order. But what happens, when the communication thread is manipulated? When you mix up the hierarchy of decision making? When the translation process of the idea leaves openings? Randomness made by human hand. The not-knowing as an active tool. Leave a Reply Cancel reply.

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