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Diana Williams, an American photographer, struggles to find her professional, social, and ****** identity in a time when so much changed for American women. From a rural Malay village in the 1960s, to the gritty East Village of Manhattan in the 80s, to Muslim Northern Ghana in the 90s Diana’s story unfolds against the backdrop of Vietnam, post-colonialism, lives of Muslim women, and the New York art world. A thirty-year saga of personal and social history,. Fortunes of War,. And AS. Byatt’s.

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Susan Spencer Smith

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Bur●●●ton , Vermont, 05401

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<ssshome> | susanspencersmith.com Reviews

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Diana Williams, an American photographer, struggles to find her professional, social, and ****** identity in a time when so much changed for American women. From a rural Malay village in the 1960s, to the gritty East Village of Manhattan in the 80s, to Muslim Northern Ghana in the 90s Diana’s story unfolds against the backdrop of Vietnam, post-colonialism, lives of Muslim women, and the New York art world. A thirty-year saga of personal and social history,. Fortunes of War,. And AS. Byatt’s.

<META> KEYWORDS

1 the author

2 novel excerpts

3 events/contact

4 reviews

5 chernobyl play

6 free read

7 the story

8 depth of field

9 poisonwood bible

10 olivia manning’s

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<ssshome> | susanspencersmith.com Reviews

https://susanspencersmith.com

Diana Williams, an American photographer, struggles to find her professional, social, and ****** identity in a time when so much changed for American women. From a rural Malay village in the 1960s, to the gritty East Village of Manhattan in the 80s, to Muslim Northern Ghana in the 90s Diana’s story unfolds against the backdrop of Vietnam, post-colonialism, lives of Muslim women, and the New York art world. A thirty-year saga of personal and social history,. Fortunes of War,. And AS. Byatt’s.

INTERNAL PAGES

susanspencersmith.com

1

http://www.susanspencersmith.com/index.htm

Diana Williams, an American photographer, struggles to find her professional, social, and sexual identity in a time when so much changed for American women. From a rural Malay village in the 1960s, to the gritty East Village of Manhattan in the 80s, to Muslim Northern Ghana in the 90s Diana’s story unfolds against the backdrop of Vietnam, post-colonialism, lives of Muslim women, and the New York art world. A thirty-year saga of personal and social history,. Fortunes of War,. And AS. Byatt’s.

2

http://www.susanspencersmith.com/theauthor.htm

Susan Spencer Smith’s interest in other cultures is reflected in the story she tells in. And in her other novels, plays, and short fiction works. She has lived in Malaysia and Ukraine, and traveled intensively in Russia, Ghana, and much of Western Europe. A fourth generation Californian from Berkeley, Smith currently lives and writes in Vermont near beautiful Lake Champlain. Buy the paperback or Kindle here:. Http:/ www.amazon.com/Depth- -Field-Susan-Spencer-Smith/dp/ 1456481231/ref=sr 1 1?

3

http://www.susanspencersmith.com/Chernobylplay.htm

ABOUT CHERNOBYL AND THE PLAY. This radio play,. Voices from Chernobyl,. Tells the story of. Six individuals who lived through a nuclear disaster. Until 2011, the worst nuclear reactor accident in history occurred on April twenty-sixth 1986 in Chernobyl, Ukraine,. By Svetlana Alexievich, a journalist who interviewed survivorsand shaped their words into a book. To do this she put her own life at risk and many of those who tell their story have already died. BUY A COPY OF THE CD AT.

4

http://www.susanspencersmith.com/reviews.htm

Diana Williams, the photographer-narrator of. By Burlington author Susan Spencer Smith, recalls that in 1965 shortly after her marriage to an academic, “most women from my graduating class were working on their Ph.T degree – ‘Putting Hubby Through.” Meaning they had snagged a future doctor, lawyer or college professor and were supporting him through grad school.’. A Vision of Her Own. Depth of Field is a grand depth of experience. By sophie h.quest. From a Vermont poet. By Mary Donnelly,. What a rare ple...

5

Excerptsdof

http://www.susanspencersmith.com/Excerptsdof.htm

New York City, July 1995. Of course I remember what I was printing that night. I remember a lot about that time. Because it was then my whole life changed. Again. The last negative I printed from was the face of a woman, one of the homeless ones who. I remember thinking, “Could I end up like that? Rdquo; A lot of women in New York – at least of. My generation – had that question lurking somewhere in the back of our minds. Especially. Book I) – Malaysia, 1965-1967. Chapter 7. Living in a rural Malay.

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susanspencersmith.com

Diana Williams, an American photographer, struggles to find her professional, social, and sexual identity in a time when so much changed for American women. From a rural Malay village in the 1960s, to the gritty East Village of Manhattan in the 80s, to Muslim Northern Ghana in the 90s Diana’s story unfolds against the backdrop of Vietnam, post-colonialism, lives of Muslim women, and the New York art world. A thirty-year saga of personal and social history,. Fortunes of War,. And AS. Byatt’s.

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